Retrospective (Complete Collection)
‘The good old days’, ‘yesteryear’, ‘in days gone by’, whatever you call it, it is our love of looking back that is united. We all love to, we all need to and for many a reason, memories are massively important. ‘Retrospective’ well and truly embodies this!
‘As a person, the need for me to look back to memories and moments of my childhood continues to grow stronger. It helps with current day challenges; it genuinely inspires me. It’s not a case of living in the past but respecting it. I, as do so many of you, look back to look forward. Ultimately through being reinvigorated it helps you to be better. My art has given me an amazing outlet to celebrate this. Art with authenticity and meaning.’
EIVISSA - Canvas Limited Edition
£1,195.00
- Ok, so for each of the previous ‘Retrospective’ collections there has been a music inspired piece as it has played a massive part in reinvigorating my memories of growing up through to present day. In 2019 I created ‘Mad For It’, a 90’s ‘Brit-pop’ celebration that focused upon the Manchester music scene. A slightly different type of music and weather to what you now see here in EIVISSA, but the two pieces are related, to me anyway! Basically, in my late teens I was really into house music, I absolutely loved it. So much so that I wasn’t bothered with the ‘Indie’ scene that most of my mates were. This resulted in me not going to watch the little gig that was ‘OASIS live at Knebworth, that was practically on my bloody doorstep. Damn it!
Typically, I soon started to move towards Indie, Brit-pop and an increasingly heavier taste and I seriously regret not going, I couldn’t even get any shared memories from my mates as they can’t remember anything from it! A side effect that the majority of those who were lucky enough to get over the ‘white isle’ in the hedonistic era of the 1980’s through to early 2000’s. Like I said, I loved and still love the House music from that period, but I never got to go over to Ibiza and ‘large it up’. I’ve never waved a glow stick or got off my nut on mind-blowing drugs. The closest I got was the nightclub in San Jaime – Menorca and waving one of the wooden statues about before getting bollocked and told to leave. Not hardcore but good fun.
As with a good number of my pieces, I like to take on subjects that typically get overlooked in the art sense yet have a massive following. I love creating scenes that put you right back there, that pulls at your heart strings and amplifies all the emotions that you felt at the time. With EIVISSA I have created a digital still life composition that is much ‘freer’ than the majority of my works, so it truly creates this sense of calm as you either watch the sun go down or come up from the beach. It is a beautiful image, pure tranquillity, with the sun shimmering over a sea that looks like a blanket of diamonds and the stunning Bougainvillea gently framing the vista. If you look closely, you will spot that the sun is actually made from a vinyl LP, whilst graphic equalizer patterns mimic hints of distant hills over the horizon as you look towards the other Balearic Islands.
There is a narrative and another purpose to EIVISSA, it depicts the changes that have happened out there from the early period when the clubs existed but were dotted about amongst little villages and dust tracks. A time when it was all about the music and the experience before the VIP culture took a hold that made everything so much harder and more expensive. Now, sadly it seems to be that the tables are reserved for those with the deepest pockets or biggest following. So, despite this being a positive piece, there is a nod to that. It isn’t something that I will pretend to be incensed by, but I felt it right to acknowledge, more so when the true spirits of Ibiza pass, such as Jose Padilla. ‘Heaven is a place of wonder’.
This sense of shifting sands is reinforced by the objects within the main composition. Dominated by a DJ mixing deck and with cracking objects that surround it, there is this feeling of things being uncovered and recovered that were previously hidden, just like how I hope this piece brings those memories back that were blurred and hazy. It is what ‘Retrospective’ stands and aims for, to look backwards to look forward. Look closely and you’ll spot an object that brings the time of this piece bang up to date rather than it being what many would initially think is set back in past decades. However, once you’ve spotted it, do you see it as current or set in the future when the restrictions are now a thing of the past and with that comes hope that the true spirit of EIVISSA has returned, floated in with the grace of a rainbow unicorn!
I have loved creating this piece, I really have. I hope that it has offered something that many didn’t think existed and that I have done justice to the memories that you lunatics can remember. Look closely at the mixing decks, it is totally transformed with cracking references with the odd one that needs a real clear head to decipher. I love the contrast between the wonderfully calm qualities but the drama and movement of the light trails that not only depict the intensity of the clubs but reinforce the sense that things are coming back to life. At the time of writing, it is Autumn and grey skies, but I hope that I have brought a brighter horizon to you and the time when you’ll be finally back on the sand is getting ever closer. I think we will all drink to that! Just beware of the dangers of Moist, Milky Donuts, Always!
So, it just remains for me to say, ‘av it large! (or standard if the size fits better)
-
- Released: 2021
- Collection: Retrospective 3
- Edition Size: 10 + 2AP
- Specification: Limited edition fine art print, hand signed by artist.
- Image Size: 36” x 27"
- Framed Size (Approx): 41.5” x 33"
-
- Get in touch for overseas delivery
- Please allow approximately 14 days for delivery, should you need delivery sooner please let us know.
EIVISSA - Large Limited Edition
£545.00
- Ok, so for each of the previous ‘Retrospective’ collections there has been a music inspired piece as it has played a massive part in reinvigorating my memories of growing up through to present day. In 2019 I created ‘Mad For It’, a 90’s ‘Brit-pop’ celebration that focused upon the Manchester music scene. A slightly different type of music and weather to what you now see here in EIVISSA, but the two pieces are related, to me anyway! Basically, in my late teens I was really into house music, I absolutely loved it. So much so that I wasn’t bothered with the ‘Indie’ scene that most of my mates were. This resulted in me not going to watch the little gig that was ‘OASIS live at Knebworth, that was practically on my bloody doorstep. Damn it!
Typically, I soon started to move towards Indie, Brit-pop and an increasingly heavier taste and I seriously regret not going, I couldn’t even get any shared memories from my mates as they can’t remember anything from it! A side effect that the majority of those who were lucky enough to get over the ‘white isle’ in the hedonistic era of the 1980’s through to early 2000’s. Like I said, I loved and still love the House music from that period, but I never got to go over to Ibiza and ‘large it up’. I’ve never waved a glow stick or got off my nut on mind-blowing drugs. The closest I got was the nightclub in San Jaime – Menorca and waving one of the wooden statues about before getting bollocked and told to leave. Not hardcore but good fun.
As with a good number of my pieces, I like to take on subjects that typically get overlooked in the art sense yet have a massive following. I love creating scenes that put you right back there, that pulls at your heart strings and amplifies all the emotions that you felt at the time. With EIVISSA I have created a digital still life composition that is much ‘freer’ than the majority of my works, so it truly creates this sense of calm as you either watch the sun go down or come up from the beach. It is a beautiful image, pure tranquillity, with the sun shimmering over a sea that looks like a blanket of diamonds and the stunning Bougainvillea gently framing the vista. If you look closely, you will spot that the sun is actually made from a vinyl LP, whilst graphic equalizer patterns mimic hints of distant hills over the horizon as you look towards the other Balearic Islands.
There is a narrative and another purpose to EIVISSA, it depicts the changes that have happened out there from the early period when the clubs existed but were dotted about amongst little villages and dust tracks. A time when it was all about the music and the experience before the VIP culture took a hold that made everything so much harder and more expensive. Now, sadly it seems to be that the tables are reserved for those with the deepest pockets or biggest following. So, despite this being a positive piece, there is a nod to that. It isn’t something that I will pretend to be incensed by, but I felt it right to acknowledge, more so when the true spirits of Ibiza pass, such as Jose Padilla. ‘Heaven is a place of wonder’.
This sense of shifting sands is reinforced by the objects within the main composition. Dominated by a DJ mixing deck and with cracking objects that surround it, there is this feeling of things being uncovered and recovered that were previously hidden, just like how I hope this piece brings those memories back that were blurred and hazy. It is what ‘Retrospective’ stands and aims for, to look backwards to look forward. Look closely and you’ll spot an object that brings the time of this piece bang up to date rather than it being what many would initially think is set back in past decades. However, once you’ve spotted it, do you see it as current or set in the future when the restrictions are now a thing of the past and with that comes hope that the true spirit of EIVISSA has returned, floated in with the grace of a rainbow unicorn!
I have loved creating this piece, I really have. I hope that it has offered something that many didn’t think existed and that I have done justice to the memories that you lunatics can remember. Look closely at the mixing decks, it is totally transformed with cracking references with the odd one that needs a real clear head to decipher. I love the contrast between the wonderfully calm qualities but the drama and movement of the light trails that not only depict the intensity of the clubs but reinforce the sense that things are coming back to life. At the time of writing, it is Autumn and grey skies, but I hope that I have brought a brighter horizon to you and the time when you’ll be finally back on the sand is getting ever closer. I think we will all drink to that! Just beware of the dangers of Moist, Milky Donuts, Always!
So, it just remains for me to say, ‘av it large! (or standard if the size fits better)
-
- Released: 2021
- Collection: Retrospective 3
- Edition Size: 20 + 5AP
- Specification: Limited edition fine art print, hand signed by artist.
- Image Size: 32” x 24"
- Framed Size (Approx): 42” x 34"
-
- Get in touch for overseas delivery
- Please allow approximately 14 days for delivery, should you need delivery sooner please let us know.
EIVISSA - Original
- Ok, so for each of the previous ‘Retrospective’ collections there has been a music inspired piece as it has played a massive part in reinvigorating my memories of growing up through to present day. In 2019 I created ‘Mad For It’, a 90’s ‘Brit-pop’ celebration that focused upon the Manchester music scene. A slightly different type of music and weather to what you now see here in EIVISSA, but the two pieces are related, to me anyway! Basically, in my late teens I was really into house music, I absolutely loved it. So much so that I wasn’t bothered with the ‘Indie’ scene that most of my mates were. This resulted in me not going to watch the little gig that was ‘OASIS live at Knebworth, that was practically on my bloody doorstep. Damn it!
Typically, I soon started to move towards Indie, Brit-pop and an increasingly heavier taste and I seriously regret not going, I couldn’t even get any shared memories from my mates as they can’t remember anything from it! A side effect that the majority of those who were lucky enough to get over the ‘white isle’ in the hedonistic era of the 1980’s through to early 2000’s. Like I said, I loved and still love the House music from that period, but I never got to go over to Ibiza and ‘large it up’. I’ve never waved a glow stick or got off my nut on mind-blowing drugs. The closest I got was the nightclub in San Jaime – Menorca and waving one of the wooden statues about before getting bollocked and told to leave. Not hardcore but good fun.
As with a good number of my pieces, I like to take on subjects that typically get overlooked in the art sense yet have a massive following. I love creating scenes that put you right back there, that pulls at your heart strings and amplifies all the emotions that you felt at the time. With EIVISSA I have created a digital still life composition that is much ‘freer’ than the majority of my works, so it truly creates this sense of calm as you either watch the sun go down or come up from the beach. It is a beautiful image, pure tranquillity, with the sun shimmering over a sea that looks like a blanket of diamonds and the stunning Bougainvillea gently framing the vista. If you look closely, you will spot that the sun is actually made from a vinyl LP, whilst graphic equalizer patterns mimic hints of distant hills over the horizon as you look towards the other Balearic Islands.
There is a narrative and another purpose to EIVISSA, it depicts the changes that have happened out there from the early period when the clubs existed but were dotted about amongst little villages and dust tracks. A time when it was all about the music and the experience before the VIP culture took a hold that made everything so much harder and more expensive. Now, sadly it seems to be that the tables are reserved for those with the deepest pockets or biggest following. So, despite this being a positive piece, there is a nod to that. It isn’t something that I will pretend to be incensed by, but I felt it right to acknowledge, more so when the true spirits of Ibiza pass, such as Jose Padilla. ‘Heaven is a place of wonder’.
This sense of shifting sands is reinforced by the objects within the main composition. Dominated by a DJ mixing deck and with cracking objects that surround it, there is this feeling of things being uncovered and recovered that were previously hidden, just like how I hope this piece brings those memories back that were blurred and hazy. It is what ‘Retrospective’ stands and aims for, to look backwards to look forward. Look closely and you’ll spot an object that brings the time of this piece bang up to date rather than it being what many would initially think is set back in past decades. However, once you’ve spotted it, do you see it as current or set in the future when the restrictions are now a thing of the past and with that comes hope that the true spirit of EIVISSA has returned, floated in with the grace of a rainbow unicorn!
I have loved creating this piece, I really have. I hope that it has offered something that many didn’t think existed and that I have done justice to the memories that you lunatics can remember. Look closely at the mixing decks, it is totally transformed with cracking references with the odd one that needs a real clear head to decipher. I love the contrast between the wonderfully calm qualities but the drama and movement of the light trails that not only depict the intensity of the clubs but reinforce the sense that things are coming back to life. At the time of writing, it is Autumn and grey skies, but I hope that I have brought a brighter horizon to you and the time when you’ll be finally back on the sand is getting ever closer. I think we will all drink to that! Just beware of the dangers of Moist, Milky Donuts, Always!
So, it just remains for me to say, ‘av it large! (or standard if the size fits better)
-
- Released: 2021
- Collection: Retrospective 3
- Edition Size: 1 of 1 Original
- Specification: Mixed media original piece, hand signed by artist.
- Image Size: 48” x 36"
- Framed Size (Approx): 54” x 41"
-
- Get in touch for overseas delivery
-
Available for immediate despatch!
GLASTO! - Canvas Limited Edition
- Is there a more epic and celebrated music festival than Glastonbury? Personally, nothing comes anywhere near it and that’s coming from someone who’s never managed to get a bloody ticket for the damned thing! The history of the festival is fascinating, set within the iconic Worthy Farm amongst the Somerset hills and under the watch of Glastonbury Tor. The music, entertainment and people are as diverse as what Mother Nature serves up each year.
For those who follow my work you will know that music is a catalyst and always the backdrop for my artworks, inspiring a concept, adding fuel to the fire of emotion that drives it or twisting lyrics to amplify what I am conveying. Art is everything, music is everything, they are how I bleed and how ultimately, I heal. It acts as a crutch, a comfort blanket, a shot of adrenaline.
A song can position you, to take you back to a time when things were great or not so great. For me, large parts of Glastonbury remind me when things were incredibly dark and challenging, times that I have fought to move clear from. For that weekend, watching hours and hours of the festival was a chance to escape and I loved every minute of it and was always gutted when it was over.
So many will have their own favourite memories from those who owned the stage, Metallica in 2014 was just stunning for a metal fan to see them smash it. Radiohead’s set in 1997 was beautiful, Paolo Nutini’s ‘Iron Sky’ lives long in the memory whilst the brilliant Foals set kickstarted my love for another great band who I wasn’t aware of before the festival. It’s always great to see the controversy surrounding some of the headliners and then watching them confirm why they deserve a place on the pyramid – all hail Stormzy!
In 2019 I set about planning how I could celebrate Glastonbury turning 50, to see it then cancelled due to the Covid-19 pandemic was gutting whilst naturally completely appropriate. I continued regardless and what you now see is an image that showcases each and every one of the headliners since T-Rex kicked things off in 1970. Music brings people together; Glastonbury brings people together and my piece ‘GLASTO!’ brings artists together for one hell of a session!
The iconic Ribbon Tower and Pyramid stage sit in front of the silhouetted hills as the sun sets or rises depending on how you see it. I wanted to capture the energy and passion as they perform together whilst also conveying that wonderful sense of calm after overdoing it. A fire is the centre piece to bring people together and to reminisce, the magical details that radiate out from the flames and fill the scene signify this as the fuel for stirring and reigniting memories, some to keep close, others to set free.
I hope you love this piece as much as I have loved creating it and I hope that it pulls at your heart strings, whilst doing justice to the phenomenal work by Michael and Emily Eavis. Nothing can stand up to the live festival but I’m pretty confident ‘GLASTO!’ can give you hours of entertainment trying to tick off all of the hidden headline acts. So, grab a drink and your wellies and enjoy the spirit of Glastonbury, I predict a riot! -
- Released: 2020
- Collection: Retrospective
- Edition Size: 10
- Specification: Hand embellished heavyweight artist canvas, double framed, hand signed by artist.
- Image Size: 36” x 27"
- Framed Size (Approx): 41.5” x 32"
-
- Get in touch for overseas delivery
- Please allow approximately 14 days for delivery, should you need delivery sooner please let us know.
GLASTO! - Large Limited Edition
£545.00
- Is there a more epic and celebrated music festival than Glastonbury? Personally, nothing comes anywhere near it and that’s coming from someone who’s never managed to get a bloody ticket for the damned thing! The history of the festival is fascinating, set within the iconic Worthy Farm amongst the Somerset hills and under the watch of Glastonbury Tor. The music, entertainment and people are as diverse as what Mother Nature serves up each year.
For those who follow my work you will know that music is a catalyst and always the backdrop for my artworks, inspiring a concept, adding fuel to the fire of emotion that drives it or twisting lyrics to amplify what I am conveying. Art is everything, music is everything, they are how I bleed and how ultimately, I heal. It acts as a crutch, a comfort blanket, a shot of adrenaline.
A song can position you, to take you back to a time when things were great or not so great. For me, large parts of Glastonbury remind me when things were incredibly dark and challenging, times that I have fought to move clear from. For that weekend, watching hours and hours of the festival was a chance to escape and I loved every minute of it and was always gutted when it was over.
So many will have their own favourite memories from those who owned the stage, Metallica in 2014 was just stunning for a metal fan to see them smash it. Radiohead’s set in 1997 was beautiful, Paolo Nutini’s ‘Iron Sky’ lives long in the memory whilst the brilliant Foals set kickstarted my love for another great band who I wasn’t aware of before the festival. It’s always great to see the controversy surrounding some of the headliners and then watching them confirm why they deserve a place on the pyramid – all hail Stormzy!
In 2019 I set about planning how I could celebrate Glastonbury turning 50, to see it then cancelled due to the Covid-19 pandemic was gutting whilst naturally completely appropriate. I continued regardless and what you now see is an image that showcases each and every one of the headliners since T-Rex kicked things off in 1970. Music brings people together; Glastonbury brings people together and my piece ‘GLASTO!’ brings artists together for one hell of a session!
The iconic Ribbon Tower and Pyramid stage sit in front of the silhouetted hills as the sun sets or rises depending on how you see it. I wanted to capture the energy and passion as they perform together whilst also conveying that wonderful sense of calm after overdoing it. A fire is the centre piece to bring people together and to reminisce, the magical details that radiate out from the flames and fill the scene signify this as the fuel for stirring and reigniting memories, some to keep close, others to set free.
I hope you love this piece as much as I have loved creating it and I hope that it pulls at your heart strings, whilst doing justice to the phenomenal work by Michael and Emily Eavis. Nothing can stand up to the live festival but I’m pretty confident ‘GLASTO!’ can give you hours of entertainment trying to tick off all of the hidden headline acts. So, grab a drink and your wellies and enjoy the spirit of Glastonbury, I predict a riot! -
- Released: 2020
- Collection: Retrospective
- Edition Size: 20
- Specification: Limited edition fine art print, hand signed by artist.
- Image Size: 32” x 24"
- Framed Size (Approx): 42” x 34"
-
- Get in touch for overseas delivery
- Please allow approximately 14 days for delivery, should you need delivery sooner please let us know.
GLASTO! - Standard Limited Edition
£315.00
- Is there a more epic and celebrated music festival than Glastonbury? Personally, nothing comes anywhere near it and that’s coming from someone who’s never managed to get a bloody ticket for the damned thing! The history of the festival is fascinating, set within the iconic Worthy Farm amongst the Somerset hills and under the watch of Glastonbury Tor. The music, entertainment and people are as diverse as what Mother Nature serves up each year.
For those who follow my work you will know that music is a catalyst and always the backdrop for my artworks, inspiring a concept, adding fuel to the fire of emotion that drives it or twisting lyrics to amplify what I am conveying. Art is everything, music is everything, they are how I bleed and how ultimately, I heal. It acts as a crutch, a comfort blanket, a shot of adrenaline.
A song can position you, to take you back to a time when things were great or not so great. For me, large parts of Glastonbury remind me when things were incredibly dark and challenging, times that I have fought to move clear from. For that weekend, watching hours and hours of the festival was a chance to escape and I loved every minute of it and was always gutted when it was over.
So many will have their own favourite memories from those who owned the stage, Metallica in 2014 was just stunning for a metal fan to see them smash it. Radiohead’s set in 1997 was beautiful, Paolo Nutini’s ‘Iron Sky’ lives long in the memory whilst the brilliant Foals set kickstarted my love for another great band who I wasn’t aware of before the festival. It’s always great to see the controversy surrounding some of the headliners and then watching them confirm why they deserve a place on the pyramid – all hail Stormzy!
In 2019 I set about planning how I could celebrate Glastonbury turning 50, to see it then cancelled due to the Covid-19 pandemic was gutting whilst naturally completely appropriate. I continued regardless and what you now see is an image that showcases each and every one of the headliners since T-Rex kicked things off in 1970. Music brings people together; Glastonbury brings people together and my piece ‘GLASTO!’ brings artists together for one hell of a session!
The iconic Ribbon Tower and Pyramid stage sit in front of the silhouetted hills as the sun sets or rises depending on how you see it. I wanted to capture the energy and passion as they perform together whilst also conveying that wonderful sense of calm after overdoing it. A fire is the centre piece to bring people together and to reminisce, the magical details that radiate out from the flames and fill the scene signify this as the fuel for stirring and reigniting memories, some to keep close, others to set free.
I hope you love this piece as much as I have loved creating it and I hope that it pulls at your heart strings, whilst doing justice to the phenomenal work by Michael and Emily Eavis. Nothing can stand up to the live festival but I’m pretty confident ‘GLASTO!’ can give you hours of entertainment trying to tick off all of the hidden headline acts. So, grab a drink and your wellies and enjoy the spirit of Glastonbury, I predict a riot! -
- Released: 2020
- Collection: Retrospective
- Edition Size: 50
- Specification: Limited edition fine art print, hand signed by artist.
- Image Size: 25” x 18.5"
- Framed Size (Approx): 32” x 26"
-
- Get in touch for overseas delivery
- Please allow approximately 14 days for delivery, should you need delivery sooner please let us know.
GLASTO! - The Original
-
Is there a more epic and celebrated music festival than Glastonbury? Personally, nothing comes anywhere near it and that’s coming from someone who’s never managed to get a bloody ticket for the damned thing! The history of the festival is fascinating, set within the iconic Worthy Farm amongst the Somerset hills and under the watch of Glastonbury Tor. The music, entertainment and people are as diverse as what Mother Nature serves up each year.
For those who follow my work you will know that music is a catalyst and always the backdrop for my artworks, inspiring a concept, adding fuel to the fire of emotion that drives it or twisting lyrics to amplify what I am conveying. Art is everything, music is everything, they are how I bleed and how ultimately, I heal. It acts as a crutch, a comfort blanket, a shot of adrenaline.
A song can position you, to take you back to a time when things were great or not so great. For me, large parts of Glastonbury remind me when things were incredibly dark and challenging, times that I have fought to move clear from. For that weekend, watching hours and hours of the festival was a chance to escape and I loved every minute of it and was always gutted when it was over.
So many will have their own favourite memories from those who owned the stage, Metallica in 2014 was just stunning for a metal fan to see them smash it. Radiohead’s set in 1997 was beautiful, Paolo Nutini’s ‘Iron Sky’ lives long in the memory whilst the brilliant Foals set kickstarted my love for another great band who I wasn’t aware of before the festival. It’s always great to see the controversy surrounding some of the headliners and then watching them confirm why they deserve a place on the pyramid – all hail Stormzy!
In 2019 I set about planning how I could celebrate Glastonbury turning 50, to see it then cancelled due to the Covid-19 pandemic was gutting whilst naturally completely appropriate. I continued regardless and what you now see is an image that showcases each and every one of the headliners since T-Rex kicked things off in 1970. Music brings people together; Glastonbury brings people together and my piece ‘GLASTO!’ brings artists together for one hell of a session!
The iconic Ribbon Tower and Pyramid stage sit in front of the silhouetted hills as the sun sets or rises depending on how you see it. I wanted to capture the energy and passion as they perform together whilst also conveying that wonderful sense of calm after overdoing it. A fire is the centre piece to bring people together and to reminisce, the magical details that radiate out from the flames and fill the scene signify this as the fuel for stirring and reigniting memories, some to keep close, others to set free.
I hope you love this piece as much as I have loved creating it and I hope that it pulls at your heart strings, whilst doing justice to the phenomenal work by Michael and Emily Eavis. Nothing can stand up to the live festival but I’m pretty confident ‘GLASTO!’ can give you hours of entertainment trying to tick off all of the hidden headline acts. So, grab a drink and your wellies and enjoy the spirit of Glastonbury, I predict a riot! -
- Released: 2020
- Collection: Retrospective
- Specification: 1 of 1 original
- Image Size: 48” x 36"
- Framed Size (Approx): 54” x 41"
Mad For It - Canvas Limited Edition
£1,195.00
- This was the first piece that I created for my ‘Retrospective’ collection and I loved every minute of it, and there were a few, it took bloody ages! In the back of my mind was the pressure that there needed to be a sequel for ‘The Memory Remains’ and that was always going to be inside the toy shop. Collectors really loved the street scene and my aim for ‘Mad For It’ was to create a music driven piece that had similar traits to the street that was littered with details but from another era.
I was lucky enough to be a kid in the 80’s but wow what a decade the 90’s were to be a teenager in! I started off being drawn more to the likes of the Chemical Brothers and the Prodigy, oh and randomly 70’s disco classics! My biggest musical regret was missing out on the iconic Oasis at Knebworth concert as it was just down the road from me and my mates had the time of their lives there. I remember listening to it unfold on local radio and from then on, I was hooked.
As like the brilliance of the nu-metal bands in the late 90’s and early 2000’s, the ‘Madchester’ era was like no other, what a phenomenal number of bands from such a concentrated spot in the U.K. My aim was to capture this along with a large number of iconic references that we remember well from that period.
The very first seed for this piece started years back and it was going to focus on the iconic Hacienda yet that switched to what we see here where we focus on the earlier stages of each band where they played in dark and cramped clubs. As like ‘The Memory Remains’ piece that gave you a glimpse of what lay inside, we get the same intrigue here with a look into the smoke-filled venue where all of the bands played before moving onwards and upwards.
I have always loved music album cover artwork and there are quite a few for you to spot, some subtle whilst the most blatant being the iconic floating Rolls Royce that was inspired by the Oasis ‘Be Here Now’ album cover.
I will leave you to seek out all of the details, some are completely random as you have come to expect from me – anyone who can explain the ‘Flipper’ dolphin reference is worthy of wearing a crown for the day! I absolutely loved creating this piece, the soundtrack in the studio was something else and without doubt contributed to the success of this piece and prompted a good number of last-minute references. Slip inside the eye of your mind as some might say.
-
- Released: 2019
- Collection: Retrospective
- Edition Size: 10
- Specification: Hand embellished heavyweight artist canvas, double framed, hand signed by artist.
- Image Size: 36” x 27"
- Framed Size (Approx): 41.5” x 32"
-
- Get in touch for overseas delivery
- Please allow approximately 14 days for delivery, should you need delivery sooner please let us know.
Mad For It - Large Limited Edition
£445.00
- This was the first piece that I created for my ‘Retrospective’ collection and I loved every minute of it, and there were a few, it took bloody ages! In the back of my mind was the pressure that there needed to be a sequel for ‘The Memory Remains’ and that was always going to be inside the toy shop. Collectors really loved the street scene and my aim for ‘Mad For It’ was to create a music driven piece that had similar traits to the street that was littered with details but from another era.
I was lucky enough to be a kid in the 80’s but wow what a decade the 90’s were to be a teenager in! I started off being drawn more to the likes of the Chemical Brothers and the Prodigy, oh and randomly 70’s disco classics! My biggest musical regret was missing out on the iconic Oasis at Knebworth concert as it was just down the road from me and my mates had the time of their lives there. I remember listening to it unfold on local radio and from then on, I was hooked.
As like the brilliance of the nu-metal bands in the late 90’s and early 2000’s, the ‘Madchester’ era was like no other, what a phenomenal number of bands from such a concentrated spot in the U.K. My aim was to capture this along with a large number of iconic references that we remember well from that period.
The very first seed for this piece started years back and it was going to focus on the iconic Hacienda yet that switched to what we see here where we focus on the earlier stages of each band where they played in dark and cramped clubs. As like ‘The Memory Remains’ piece that gave you a glimpse of what lay inside, we get the same intrigue here with a look into the smoke-filled venue where all of the bands played before moving onwards and upwards.
I have always loved music album cover artwork and there are quite a few for you to spot, some subtle whilst the most blatant being the iconic floating Rolls Royce that was inspired by the Oasis ‘Be Here Now’ album cover.
I will leave you to seek out all of the details, some are completely random as you have come to expect from me – anyone who can explain the ‘Flipper’ dolphin reference is worthy of wearing a crown for the day! I absolutely loved creating this piece, the soundtrack in the studio was something else and without doubt contributed to the success of this piece and prompted a good number of last-minute references. Slip inside the eye of your mind as some might say.
-
- Released: 2019
- Collection: Retrospective
- Edition Size: 20
- Specification: Limited edition fine art print, hand signed by artist.
- Image Size: 32” x 24"
- Framed Size (Approx): 42” x 34"
-
- Get in touch for overseas delivery
- Please allow approximately 14 days for delivery, should you need delivery sooner please let us know.
Mad For It - Standard Limited Edition
£395.00
- This was the first piece that I created for my ‘Retrospective’ collection and I loved every minute of it, and there were a few, it took bloody ages! In the back of my mind was the pressure that there needed to be a sequel for ‘The Memory Remains’ and that was always going to be inside the toy shop. Collectors really loved the street scene and my aim for ‘Mad For It’ was to create a music driven piece that had similar traits to the street that was littered with details but from another era.
I was lucky enough to be a kid in the 80’s but wow what a decade the 90’s were to be a teenager in! I started off being drawn more to the likes of the Chemical Brothers and the Prodigy, oh and randomly 70’s disco classics! My biggest musical regret was missing out on the iconic Oasis at Knebworth concert as it was just down the road from me and my mates had the time of their lives there. I remember listening to it unfold on local radio and from then on, I was hooked.
As like the brilliance of the nu-metal bands in the late 90’s and early 2000’s, the ‘Madchester’ era was like no other, what a phenomenal number of bands from such a concentrated spot in the U.K. My aim was to capture this along with a large number of iconic references that we remember well from that period.
The very first seed for this piece started years back and it was going to focus on the iconic Hacienda yet that switched to what we see here where we focus on the earlier stages of each band where they played in dark and cramped clubs. As like ‘The Memory Remains’ piece that gave you a glimpse of what lay inside, we get the same intrigue here with a look into the smoke-filled venue where all of the bands played before moving onwards and upwards.
I have always loved music album cover artwork and there are quite a few for you to spot, some subtle whilst the most blatant being the iconic floating Rolls Royce that was inspired by the Oasis ‘Be Here Now’ album cover.
I will leave you to seek out all of the details, some are completely random as you have come to expect from me – anyone who can explain the ‘Flipper’ dolphin reference is worthy of wearing a crown for the day! I absolutely loved creating this piece, the soundtrack in the studio was something else and without doubt contributed to the success of this piece and prompted a good number of last-minute references. Slip inside the eye of your mind as some might say.
-
- Released: 2019
- Collection: Retrospective
- Edition Size: 45
- Specification: Limited edition fine art print, hand signed by artist.
- Image Size: 25” x 18.5"
- Framed Size (Approx): 32” x 26"
-
- Get in touch for overseas delivery
- Please allow approximately 14 days for delivery, should you need delivery sooner please let us know.
Mad For It - The Original
- This was the first piece that I created for my ‘Retrospective’ collection and I loved every minute of it, and there were a few, it took bloody ages! In the back of my mind was the pressure that there needed to be a sequel for ‘The Memory Remains’ and that was always going to be inside the toy shop. Collectors really loved the street scene and my aim for ‘Mad For It’ was to create a music driven piece that had similar traits to the street that was littered with details but from another era.
I was lucky enough to be a kid in the 80’s but wow what a decade the 90’s were to be a teenager in! I started off being drawn more to the likes of the Chemical Brothers and the Prodigy, oh and randomly 70’s disco classics! My biggest musical regret was missing out on the iconic Oasis at Knebworth concert as it was just down the road from me and my mates had the time of their lives there. I remember listening to it unfold on local radio and from then on, I was hooked.
As like the brilliance of the nu-metal bands in the late 90’s and early 2000’s, the ‘Madchester’ era was like no other, what a phenomenal number of bands from such a concentrated spot in the U.K. My aim was to capture this along with a large number of iconic references that we remember well from that period.
The very first seed for this piece started years back and it was going to focus on the iconic Hacienda yet that switched to what we see here where we focus on the earlier stages of each band where they played in dark and cramped clubs. As like ‘The Memory Remains’ piece that gave you a glimpse of what lay inside, we get the same intrigue here with a look into the smoke-filled venue where all of the bands played before moving onwards and upwards.
I have always loved music album cover artwork and there are quite a few for you to spot, some subtle whilst the most blatant being the iconic floating Rolls Royce that was inspired by the Oasis ‘Be Here Now’ album cover.
I will leave you to seek out all of the details, some are completely random as you have come to expect from me – anyone who can explain the ‘Flipper’ dolphin reference is worthy of wearing a crown for the day! I absolutely loved creating this piece, the soundtrack in the studio was something else and without doubt contributed to the success of this piece and prompted a good number of last-minute references. Slip inside the eye of your mind as some might say.
-
- Released: 2019
- Collection: Retrospective
- Specification: Limited edition fine art print, hand signed by artist.
- Image Size: 48” x 36"
- Framed Size (Approx): 54” x 41"
-
- Get in touch for overseas delivery
- Please allow approximately 14 days for delivery, should you need delivery sooner please let us know.
WOW That's What I F*cking Call Memories - Cassette Limited Edition
£595.00
-
Ok, so for those who have followed my work closely for years, you will know that music plays a prominent and inspiring role in both my art and my life. It fuels both the fire and the fun behind the meaning of my work, driving the narrative and helping to keep me in that particular mindset that helps me to stay focused and create a truly authentic piece.
Not wanting to toot my trumpet, I would say that I have a crackingly (is that even a word) diverse taste in music, from the hauntingly beautiful Ólafur Arnalds through to the ballistic chaos of Slipknot. However, it didn’t start that well looking back at my earlier choices! I’m man enough to admit that my first vinyl single was Andy Stewart’s ‘Donald Where’s Your Troosers’. Please tell me I’m not alone on this one! I’ve just put it on now and I genuinely have no idea what I was thinking, it’s woeful! How do I follow that up? Ok, so my first vinyl LP album that I bought? ‘Soul Provider’ by Michael ‘the hair’ Bolton. I was a shy little beast back then. I must have had Georgia on my mind from those smoky school discos! Donald has had his pants pulled down but the soulful, sepia toned crooner is staying on, after all, how am I supposed to live without you?!
I have really gone for it of late, conceiving and delivering innovative and engaging new formats to showcase my work that transforms the artwork and nostalgia that radiates from it. ‘Retrospective 4’ sees the release of my playing card edition which looks superb, but I had to ensure that the collection retained the WOW factor, so that’s what I’ve done!
My ‘Retrospective’ body of work is all about looking back to look forward, pausing to rewind and play, as a break from a life set to fast forward. It has always been striving to inject those details and references that create so much happiness from that point where you remember a moment or detail that was so special but was pushed right to the far corner of your memory bank. It’s always been about memories; the best will always remain and burn brightest.
So, combining all of what I’ve just waffled on about, I am so bloody excited to unveil my debut into the music industry, well sort of! My debut album is out now, available on both cassette and vinyl LP, albeit in art form only for both legal and your sanity, mainly legal though! Taking inspiration from the music compilation albums that were a firm favourite at Christmas time, both from Santa and a ‘go to’ choice at vol-au-vent fuelled family gatherings, ‘Retrospective 4’ sees the launch of the first instalment of ‘WOW That’s What I F*cking Call Memories!’ Clever eh! You see what I did there? There is so much potential here and the end results for both the canvases and the editions are so authentic, fun and engaging, they need to be seen to be truly enjoyed!
The cassette format features a retro style cassette case with my artwork printed and hand detailed to look aged and well used, complete with a crumpled sticker offering a little guidance. Beneath this is a quirky cassette that is unravelling before your eyes, showing that the request has been well and truly ignored. I’m sure I’m not alone in being guilty of ruining many a tape when trying to record the Top 40 on a Sunday or typically when borrowing a friend’s cherished album.
I hope you love this, the attention to detail is off the charts!
-
- Released: 2022
- Collection: Retrospective 4
- Edition Size: 20 + 5AP
- Specification:
- Hand embellished
- Floated retro cassette case and cassette and double mount
- Custom spray-painted frame
- Sticker decal
- Hand signed by artist
- Image Size: 8.3” x 11.7"
- Framed Size (Approx): 13.5” x 16.75”
-
- Get in touch for overseas delivery
- Please allow approximately 21 days for delivery, should you need delivery sooner please let us know.
WOW That's What I F*cking Call Memories - Vinyl LP Limited Edition
£895.00
-
Ok, so for those who have followed my work closely for years, you will know that music plays a prominent and inspiring role in both my art and my life. It fuels both the fire and the fun behind the meaning of my work, driving the narrative and helping to keep me in that particular mindset that helps me to stay focused and create a truly authentic piece.
Not wanting to toot my trumpet, I would say that I have a crackingly (is that even a word) diverse taste in music, from the hauntingly beautiful Ólafur Arnalds through to the ballistic chaos of Slipknot. However, it didn’t start that well looking back at my earlier choices! I’m man enough to admit that my first vinyl single was Andy Stewart’s ‘Donald Where’s Your Troosers’. Please tell me I’m not alone on this one! I’ve just put it on now and I genuinely have no idea what I was thinking, it’s woeful! How do I follow that up? Ok, so my first vinyl LP album that I bought? ‘Soul Provider’ by Michael ‘the hair’ Bolton. I was a shy little beast back then. I must have had Georgia on my mind from those smoky school discos! Donald has had his pants pulled down but the soulful, sepia toned crooner is staying on, after all, how am I supposed to live without you?!
I have really gone for it of late, conceiving and delivering innovative and engaging new formats to showcase my work that transforms the artwork and nostalgia that radiates from it. ‘Retrospective 4’ sees the release of my playing card edition which looks superb, but I had to ensure that the collection retained the WOW factor, so that’s what I’ve done!
My ‘Retrospective’ body of work is all about looking back to look forward, pausing to rewind and play, as a break from a life set to fast forward. It has always been striving to inject those details and references that create so much happiness from that point where you remember a moment or detail that was so special but was pushed right to the far corner of your memory bank. It’s always been about memories; the best will always remain and burn brightest.
So, combining all of what I’ve just waffled on about, I am so bloody excited to unveil my debut into the music industry, well sort of! My debut album is out now, available on both cassette and vinyl LP, albeit in art form only for both legal and your sanity, mainly legal though! Taking inspiration from the music compilation albums that were a firm favourite at Christmas time, both from Santa and a ‘go to’ choice at vol-au-vent fuelled family gatherings, ‘Retrospective 4’ sees the launch of the first instalment of ‘WOW That’s What I F*cking Call Memories!’ Clever eh! You see what I did there? There is so much potential here and the end results for both the canvases and the editions are so authentic, fun and engaging, they need to be seen to be truly enjoyed!
The vinyl LP format just works brilliantly, I’m buzzing for it and it’s potential. This is how I saw my much earlier ‘Remastered’ collection being done, so having the freedom and ability to go full on with the production side of things has taken this format to a level that is so authentic and nostalgic. My artwork has been professionally printed by a specialist within the music industry and is beautifully presented, float mounted against a heavily painted backboard. It’s unique, very different and protected so you can’t scratch it! I hope you love this, the attention to detail will leave your head spinning!
-
- Released: 2022
- Collection: Retrospective 4
- Edition Size: 20 + 5AP
- Specification:
- Hand embellished
- Floated album cover, inner sleeve and record and double mount
- Custom spray-painted frame
- Sticker decal
- Hand signed by artist
- Image Size: 15” x 22"
- Framed Size (Approx): 21” x 29”
-
- Get in touch for overseas delivery
- Please allow approximately 21 days for delivery, should you need delivery sooner please let us know.
WOW That's What I F*cking Call Memories Cassette - MDV
£1,995.00
-
Ok, so for those who have followed my work closely for years, you will know that music plays a prominent and inspiring role in both my art and my life. It fuels both the fire and the fun behind the meaning of my work, driving the narrative and helping to keep me in that particular mindset that helps me to stay focused and create a truly authentic piece.
Not wanting to toot my trumpet, I would say that I have a crackingly (is that even a word) diverse taste in music, from the hauntingly beautiful Ólafur Arnalds through to the ballistic chaos of Slipknot. However, it didn’t start that well looking back at my earlier choices! I’m man enough to admit that my first vinyl single was Andy Stewart’s ‘Donald Where’s Your Troosers’. Please tell me I’m not alone on this one! I’ve just put it on now and I genuinely have no idea what I was thinking, it’s woeful! How do I follow that up? Ok, so my first vinyl LP album that I bought? ‘Soul Provider’ by Michael ‘the hair’ Bolton. I was a shy little beast back then. I must have had Georgia on my mind from those smoky school discos! Donald has had his pants pulled down but the soulful, sepia toned crooner is staying on, after all, how am I supposed to live without you?!
I have really gone for it of late, conceiving and delivering innovative and engaging new formats to showcase my work that transforms the artwork and nostalgia that radiates from it. ‘Retrospective 4’ sees the release of my playing card edition which looks superb, but I had to ensure that the collection retained the WOW factor, so that’s what I’ve done!
My ‘Retrospective’ body of work is all about looking back to look forward, pausing to rewind and play, as a break from a life set to fast forward. It has always been striving to inject those details and references that create so much happiness from that point where you remember a moment or detail that was so special but was pushed right to the far corner of your memory bank. It’s always been about memories; the best will always remain and burn brightest.
So, combining all of what I’ve just waffled on about, I am so bloody excited to unveil my debut into the music industry, well sort of! My debut album is out now, available on both cassette and vinyl LP, albeit in art form only for both legal and your sanity, mainly legal though! Taking inspiration from the music compilation albums that were a firm favourite at Christmas time, both from Santa and a ‘go to’ choice at vol-au-vent fuelled family gatherings, ‘Retrospective 4’ sees the launch of the first instalment of ‘WOW That’s What I F*cking Call Memories!’ Clever eh! You see what I did there? There is so much potential here and the end results for both the canvases and the editions are so authentic, fun and engaging, they need to be seen to be truly enjoyed!
The cassette format features a retro style cassette case with my artwork printed and hand detailed to look aged and well used, complete with a crumpled sticker offering a little guidance. Beneath this is a quirky cassette that is unravelling before your eyes, showing that the request has been well and truly ignored. I’m sure I’m not alone in being guilty of ruining many a tape when trying to record the Top 40 on a Sunday or typically when borrowing a friend’s cherished album.
I hope you love this, the attention to detail is off the charts!
-
- Released: 2022
- Collection: Retrospective 4
- Edition Size: 5 Original Variations
- Specification:
- Hand embellished and heavily painted heavyweight canvas
- Custom Frame
- Hand signed by artist
- Image Size: 32” x 24"
- Framed Size (Approx): 38” x 32”
-
- Get in touch for overseas delivery
- Please allow approximately 21 days for delivery, should you need delivery sooner please let us know.
WOW That's What I F*cking Call Memories Vinyl LP - MDV
£1,995.00
-
Ok, so for those who have followed my work closely for years, you will know that music plays a prominent and inspiring role in both my art and my life. It fuels both the fire and the fun behind the meaning of my work, driving the narrative and helping to keep me in that particular mindset that helps me to stay focused and create a truly authentic piece.
Not wanting to toot my trumpet, I would say that I have a crackingly (is that even a word) diverse taste in music, from the hauntingly beautiful Ólafur Arnalds through to the ballistic chaos of Slipknot. However, it didn’t start that well looking back at my earlier choices! I’m man enough to admit that my first vinyl single was Andy Stewart’s ‘Donald Where’s Your Troosers’. Please tell me I’m not alone on this one! I’ve just put it on now and I genuinely have no idea what I was thinking, it’s woeful! How do I follow that up? Ok, so my first vinyl LP album that I bought? ‘Soul Provider’ by Michael ‘the hair’ Bolton. I was a shy little beast back then. I must have had Georgia on my mind from those smoky school discos! Donald has had his pants pulled down but the soulful, sepia toned crooner is staying on, after all, how am I supposed to live without you?!
I have really gone for it of late, conceiving and delivering innovative and engaging new formats to showcase my work that transforms the artwork and nostalgia that radiates from it. ‘Retrospective 4’ sees the release of my playing card edition which looks superb, but I had to ensure that the collection retained the WOW factor, so that’s what I’ve done!
My ‘Retrospective’ body of work is all about looking back to look forward, pausing to rewind and play, as a break from a life set to fast forward. It has always been striving to inject those details and references that create so much happiness from that point where you remember a moment or detail that was so special but was pushed right to the far corner of your memory bank. It’s always been about memories; the best will always remain and burn brightest.
So, combining all of what I’ve just waffled on about, I am so bloody excited to unveil my debut into the music industry, well sort of! My debut album is out now, available on both cassette and vinyl LP, albeit in art form only for both legal and your sanity, mainly legal though! Taking inspiration from the music compilation albums that were a firm favourite at Christmas time, both from Santa and a ‘go to’ choice at vol-au-vent fuelled family gatherings, ‘Retrospective 4’ sees the launch of the first instalment of ‘WOW That’s What I F*cking Call Memories!’ Clever eh! You see what I did there? There is so much potential here and the end results for both the canvases and the editions are so authentic, fun and engaging, they need to be seen to be truly enjoyed!
The vinyl LP format just works brilliantly, I’m buzzing for it and it’s potential. This is how I saw my much earlier ‘Remastered’ collection being done, so having the freedom and ability to go full on with the production side of things has taken this format to a level that is so authentic and nostalgic. My artwork has been professionally printed by a specialist within the music industry and is beautifully presented, float mounted against a heavily painted backboard. It’s unique, very different and protected so you can’t scratch it! I hope you love this, the attention to detail will leave your head spinning!
-
- Released: 2022
- Collection: Retrospective 4
- Edition Size: 5 Original Variations
- Specification:
- Hand embellished and heavily painted heavyweight canvas
- Custom Frame
- Hand signed by artist
- Image Size: 32” x 24"
- Framed Size (Approx): 38” x 32”
-
- Get in touch for overseas delivery
- Please allow approximately 21 days for delivery, should you need delivery sooner please let us know.