Lost In Hollywood VHS
We all loved going to the video rental store as a kid!
A select number of pieces from the very first 2016 'Lost in Hollywood' collection have been re-imagined and transformed into highly authentic, retro VHS cases with a level of detail and production quality that is unparalleled.
‘The Trilogy’ (Star Wars VHS Box Set) - Limited Edition
£895.00
- Ok, I am so bloody excited about this piece! So excited that I’m trying to write the narrative ahead of its release and all I can get down is fuuuuuuuuuuuuuuuuuuuuuuu********KKKKK! Only joking! The fact that it is being unveiled as a completely secret image has just amplified everything!
When I created my VHS editions a few years back I knew that they offered something unique and authentic. The format and my determination to go the extra mile, created editions that had an original quality to them with the hand finished detail and customisation, whilst the size allowed for collectors to either fill that awkward space or create a cracking collection of their favourite movies from the pieces that I created. They have been so popular and have led to several other formats that have evolved my brand as well as my portfolio.
In truth, I have been wanting to create a box set edition for what seems like an age. As with so much, it is all a question of timing and I guess the best things come to those who wait eh! 2016 was the year when I launched my now sought after ‘Lost in Hollywood’ series of iconic movies. Each film has so many possible interpretations, the possibilities are vast! When you then have the opportunity to embrace follow up editions through sequels then it really does open the door to truly embrace the collectability nature of my art and movie box sets that so many of us loved to own. I guess it was my destiny!
I am so proud of my Star Wars pieces that I have created to date, I have always strived to produce respectful works that amplify all that is amazing with the earlier films, embracing the very essence of darkness and light and the battle between good and bad! In line with these works, I have always been honest to acknowledge that I am not a Star Wars obsessive, but I respect those that are. So, I have continually strived to create exciting and powerful pieces of art that amplify all that we know and love from growing up as kids whilst not trying to make them be something that they shouldn’t. I am so pleased to see these continually be so collectible. Thank you.
So, with 2024 marking a decade in this ridiculous industry, I saw it as the perfect time to deliver a new format that opens the opportunity to create others on movies that are acclaimed for their multiples. I already know what I will take on next! For now, though, I need to block that out of my mind, not an easy task. Some VHS editions lend themselves perfectly to adapting an earlier piece into the format and that is cool, however for The Trilogy box set I wanted it to be all new, and wow! I am so bloody pleased with the results!
Ok so my thinking was this. I wanted to showcase the three original movies, ‘A New Hope’, ‘The Empire Strikes Back’ and ‘The Return of The Jedi’ and whilst ensuring that each image was dramatic in its own right, I wanted them to flow from one to another and not to jolt as you looked from left to right. They had to work as one. I knew that the key factor to the success of this piece would be the choice of scene to depict. I know everyone has their own and you can’t please everyone, but I did so much research into what was deemed to be the most iconic moments from each and then if I could get them to work and to resonate, not just with my audience but with myself to remain authentic.
So, let’s start with ‘A New Hope’ – the scene that I have based my artwork on is so incredibly powerful and full of emotion. The colours are beautiful and draw parallels with my 2019 piece ‘Shifting Sands’. The isolated figure of Luke stood watching the horror that he came back to, that sense of helplessness is so strong. The detail that I then injected into the scene had to be subtle but play a part and acknowledge that this was the moment when he would ultimately choose his destiny and channel that hurt that would fuel his fire.
Second was ‘The Empire Strikes Back’ and wow, what a moment. In 2016 I created a unique piece entitled ‘Teach You I Will’ that depicted Yoda through smoked outlines. The background hinted at being the swamps of Dagobah, an environment that always fascinated me as a kid watching the movie. So, for me, this had to be the scene, when Luke is being trained and guided by Yoda and set on his path. That moment when the X-Wing was lifted out from the swamp was so damned good!
Finally, if you know my work then you know that I love to work within forest scenes and ‘The Return of The Jedi’ gave me a cracking opportunity to do just that. A much earlier piece ‘Battles Passed’ took you to the forests of Endor and was such a wonderfully subtle scene where key details were hidden and obscured. This time however, I wanted to go big and showcase the battle that raged amongst the beautiful fauna, such a contrast! One powerful detail that is so serene is the puddle that shows the reflection of a very special trio. I love how this has turned out.
I am so pleased with the result, not just how 3 VHS’s work alongside each other but with how the three images complement and contrast. Each is a very different movie, yet the overriding narrative is one of choosing your destiny, being set on the right path by those who inspire and guide you, even through spirit. It’s the importance of acknowledging the destructive force of the dark side despite its appeal when you are vulnerable and embracing the good around you and within. Oh, and being prepared to fight for everything that you deserve with everything that you have.
-
- Released: 2024
- Collection: Decadence
- Edition Size: 20 + 5AP
- Specification: Hand embellished heavyweight artist canvas, double framed, hand signed by artist.
- Image Size: 23” x 11.7"
- Framed Size (Approx): 28” x 16.75"
-
- Get in touch for overseas delivery
- Please allow approximately 14 days for delivery, should you need delivery sooner please let us know.
‘The Trilogy’ (Star Wars VHS Box Set) - The Original
£3,595.00
- Ok, I am so bloody excited about this piece! So excited that I’m trying to write the narrative ahead of its release and all I can get down is fuuuuuuuuuuuuuuuuuuuuuuu********KKKKK! Only joking! The fact that it is being unveiled as a completely secret image has just amplified everything!
When I created my VHS editions a few years back I knew that they offered something unique and authentic. The format and my determination to go the extra mile, created editions that had an original quality to them with the hand finished detail and customisation, whilst the size allowed for collectors to either fill that awkward space or create a cracking collection of their favourite movies from the pieces that I created. They have been so popular and have led to several other formats that have evolved my brand as well as my portfolio.
In truth, I have been wanting to create a box set edition for what seems like an age. As with so much, it is all a question of timing and I guess the best things come to those who wait eh! 2016 was the year when I launched my now sought after ‘Lost in Hollywood’ series of iconic movies. Each film has so many possible interpretations, the possibilities are vast! When you then have the opportunity to embrace follow up editions through sequels then it really does open the door to truly embrace the collectability nature of my art and movie box sets that so many of us loved to own. I guess it was my destiny!
I am so proud of my Star Wars pieces that I have created to date, I have always strived to produce respectful works that amplify all that is amazing with the earlier films, embracing the very essence of darkness and light and the battle between good and bad! In line with these works, I have always been honest to acknowledge that I am not a Star Wars obsessive, but I respect those that are. So, I have continually strived to create exciting and powerful pieces of art that amplify all that we know and love from growing up as kids whilst not trying to make them be something that they shouldn’t. I am so pleased to see these continually be so collectible. Thank you.
So, with 2024 marking a decade in this ridiculous industry, I saw it as the perfect time to deliver a new format that opens the opportunity to create others on movies that are acclaimed for their multiples. I already know what I will take on next! For now, though, I need to block that out of my mind, not an easy task. Some VHS editions lend themselves perfectly to adapting an earlier piece into the format and that is cool, however for The Trilogy box set I wanted it to be all new, and wow! I am so bloody pleased with the results!
Ok so my thinking was this. I wanted to showcase the three original movies, ‘A New Hope’, ‘The Empire Strikes Back’ and ‘The Return of The Jedi’ and whilst ensuring that each image was dramatic in its own right, I wanted them to flow from one to another and not to jolt as you looked from left to right. They had to work as one. I knew that the key factor to the success of this piece would be the choice of scene to depict. I know everyone has their own and you can’t please everyone, but I did so much research into what was deemed to be the most iconic moments from each and then if I could get them to work and to resonate, not just with my audience but with myself to remain authentic.
So, let’s start with ‘A New Hope’ – the scene that I have based my artwork on is so incredibly powerful and full of emotion. The colours are beautiful and draw parallels with my 2019 piece ‘Shifting Sands’. The isolated figure of Luke stood watching the horror that he came back to, that sense of helplessness is so strong. The detail that I then injected into the scene had to be subtle but play a part and acknowledge that this was the moment when he would ultimately choose his destiny and channel that hurt that would fuel his fire.
Second was ‘The Empire Strikes Back’ and wow, what a moment. In 2016 I created a unique piece entitled ‘Teach You I Will’ that depicted Yoda through smoked outlines. The background hinted at being the swamps of Dagobah, an environment that always fascinated me as a kid watching the movie. So, for me, this had to be the scene, when Luke is being trained and guided by Yoda and set on his path. That moment when the X-Wing was lifted out from the swamp was so damned good!
Finally, if you know my work then you know that I love to work within forest scenes and ‘The Return of The Jedi’ gave me a cracking opportunity to do just that. A much earlier piece ‘Battles Passed’ took you to the forests of Endor and was such a wonderfully subtle scene where key details were hidden and obscured. This time however, I wanted to go big and showcase the battle that raged amongst the beautiful fauna, such a contrast! One powerful detail that is so serene is the puddle that shows the reflection of a very special trio. I love how this has turned out.
I am so pleased with the result, not just how 3 VHS’s work alongside each other but with how the three images complement and contrast. Each is a very different movie, yet the overriding narrative is one of choosing your destiny, being set on the right path by those who inspire and guide you, even through spirit. It’s the importance of acknowledging the destructive force of the dark side despite its appeal when you are vulnerable and embracing the good around you and within. Oh, and being prepared to fight for everything that you deserve with everything that you have.
-
- Released: 2024
- Collection: Decadence
- Edition Size: 1 of 1 Original
- Specification: Hand embellished heavyweight artist canvas, custom frame, hand signed by artist.
- Image Size: 46” x 24"
- Framed Size (Approx): 52” x 29"
-
- Get in touch for overseas delivery
- Please allow approximately 14 days for delivery, should you need delivery sooner please let us know.
I’ll Be Right Here, Always (E.T.) - VHS Limited Edition 5AP
- Who doesn’t love E.T.?! What a movie, what an era!
2016 was the year when I first released ‘Lost in Hollywood’ and I created a wonderful piece on this movie entitled ‘I’ll Be Right Here’. It was subtle but equally blatant. The forest, the bikes and the lights from the spaceship drew you in, it’s intriguing and captivating. It was only when you looked closer, into the darkness that you could then spot the glow of our little alien’s heart. It is funny how many people who own this piece never realised until I pointed out at subsequent gallery shows. I love that!
There then followed a second piece – entitled ‘I Never Left’ but this was part of my ‘Love Knows No Bounds’ body of work as you saw the little man stood there on the rock looking towards Elliott, who you couldn’t see but knew he was there as the front of his BMX tyre had just come into view. The purpose of that piece and the body of work was to focus in on the bond between two individuals and what they will do in the name of love. I love how popular that series has become, for so many reasons.
So, what we see now is completely different to both, yet still represents the spirit of the two. This time, the image is delivered in my hugely successful VHS format, this is perfect as the subtle, neutral tones of the background draw you in and immerses you within scene. In complete contrast to hiding in the shadows or being a small part of the scene, this time E.T. is oversized and in your face as much as in your heart. The reason for this and if you look closely is that it conveys the sense that it is his spirit that remains, beautifully conveying the previous two titles whilst clarifying the new one.
The strapline, ‘In every sunrise and each time the wind blows’ symbolises how the bond between two that grew to be so strong whilst together is unbreakable when apart and that that person has never truly left and will remain there for the other, always. This was so important for me to embrace for this movie and beyond because there is such a widespread affiliation for the film and it’s narrative for this reason, yes it’s a brilliant 80’s feast but it’s the sentiment that resonates with so many of us. Be Good.
-
- Released: 2023
- Collection: KIDULTS
- Edition Size: 20 + 5AP
- Specification:
- Hand embellished
- Floated VHS and double mount
- Custom spray-painted frame
- Sticker decals
- Hand signed by artist
- Image Size: 8.3” x 11.7"
- Framed Size (Approx): 13.5” x 16.75”
-
- Get in touch for overseas delivery
- Available for immediate despatch or collection from the Hive
OUTASTEAM (Back to the Future) - VHS Limited Edition 1AP
- My interpretation of the iconic Back To The Future 3 film set in 1885. In line with my first Back To The Future piece that was called ‘OUTATIME’ I have called this particular piece 'OUTASTEAM’. My original plan was to show the locomotive pushing the Delorean down the tracks just before it reached 88mph and was sent back the future, however from watching the movie again it reminded me just how the narrative played on key details changing from what was originally set and therefore impacting on the future and ultimately who’s name was inscribed onto the tombstone. So my concept explores and expands on the fact that the locomotive fell short for a reason to be decided by the viewer and therefore the Delorean never made it back. The scene that you see shows the ‘OUTASTEAM’ train standing rusted with it’s tracks being covered by the shifting sands of time, a concept reinforced by the nesting bird of prey that has made the train it’s home.
The scene itself features a desert plain within the Monument Valley - Utah where the timber structure of the Hill Valley Town Hall exists along with the unfinished railroad wooden bridge. By setting the time of day the way I have it not only creates a beautiful looking image but it mimics the colour ways of the movie branding - a detail that I played on within the original piece. There is so much detail and texture within this piece and so many objects from the original movie along with subtle random scrawled messages from characters out of view, it follows on nicely from the original piece from 2016. What I have done is to leave the big factors open to interpretation. Is the devil in the detail? What happened to Doc, Marty, Clara and Mad Dog?! Who’s name is on the tombstone? Is it blank for a reason or simply shown from the rear?! Are we in fact looking at the point of no return?
-
- Released: 2024
- Collection: Lost In Hollywood VHS
- Edition Size: 20 + 5AP
- Specification:
- Hand embellished
- Floated poster and double mount
- Custom spray-painted frame
- Sticker decals
- Hand signed by artist
- Image Size: 8.3” x 11.7"
- Framed Size (Approx): 13.5” x 16.75”
-
- Get in touch for overseas delivery
- Available for immediate despatch or collection from the Hive
You’re Gonna Need A Bigger Boat (Jaws) - VHS Limited Edition 1AC
-
EDITION SOLD OUT - THIS IS A UNIQUE ARTIST COPY
'You’re Gonna Need A Bigger Boat’ is my interpretation of Spielberg’s classic horror film’ Jaws’. I wanted to approach it in a completely different way, embracing the ‘two sides to every story’ viewpoint. The piece is portrait to allow me to create depth in the ocean and to run in line with the classic movie poster. It is a completely different perspective to what I have done before, as you look up towards the surface. The boat is based on the ‘ORCA’ from the film, I even looked at the original plan drawings of the model to gauge proportions and shape.
So what we have is a classic scene that is relating to the narrative where the boat is on the hunt for Jaws, with yellow barrels of explosives cast overboard. Trails of blood mix with water from their attempts to lure the shark in. Here is where I take it to a different place, through the use of beautiful lighting, colour, and detail I have made the bottom of the boat (the target) beautiful and intriguing to the shark, is it just intrigued and only able to communicate with its mouth?
A diesel spill runs downwards through the water creating another source of confusion and attraction to the shark. There is a rusted oil drum plummeting through the water just in front of the shark that has a subtle leak of toxics that escape and leave their mark.
So, at this point is it purely intrigue that lures it to the surface and to the source? There then resides a darker layer as you notice the shadowed shark circling the boat from underneath.
A subtle trail of blood infiltrates the water close by, suggesting something has been bitten or worse out of view. If you then look at the trail of diesel, there are a number of skeletal fish that swim amongst the toxic trail, killed by the shark, or killed by the real source of evil in the water? What is the actual stain on nature?
This angle then opens the question that exists where people strongly believe that sharks are misunderstood and antagonised by human actions, possibly for ones’ own benefit where lies and scaremongering exist. When you look at it from this angle then the items in the water such as the barrels etc aren’t to lure off the shark but are a representation of mans’ wrongdoing.
-
- Released: 2021
- Collection: Lost In Hollywood VHS
- Edition Size: 10 + 2AP
- Specification:
- Hand embellished
- Floated poster and double mount
- Custom spray-painted frame
- Sticker decals
- Hand signed by artist
- Image Size: 8.3” x 11.7"
- Framed Size (Approx): 13.5” x 16.75”
-
- Get in touch for overseas delivery
- Available for immediate despatch or collection
My Heart Will Go On (Titanic) - VHS Limited Edition
£595.00
- Ok, so who hasn’t cried whilst watching the movie Titanic? Whilst you’re holding the truth stick, here’s another one for you, how many times will you admit to watching it?! The most I have heard is double figures! Celine has a lot to answer for too, that song still gets me. Do you remember when they first laid audio clips from the film over ‘My Heart Will Go On’? Even with it being played on loop on the local radio station, it got me every time. Whoever decided to start dubbing the instrumental version over clips of Leeds United clinching promotion has a lot to answer for!
The real-life events of the disaster has always struck a chord with me since school days, it is hard to choose the right word to describe it given the unimaginable loss involved but your mind was full trying to comprehend the events of that voyage. The movie is a truly stunning depiction and is one of the all-time greats, a movie that I have wanted to take on for many a year. I have had so many thoughts as to possible directions that I could take the piece, some much darker than others but maybe that is best suited to a commissioned piece. I wanted to create a piece of art that was really different, that focused on the love story and fortitude, whilst not forgetting the tragedy. For a movie to be adored by so many, I needed to deliver an image that would suit a wide audience and one that would look beautiful on a wall. I knew I could make the iconic scene of the sinking look stunning, but would that be right for your typical home setting? I can also see legs (almost a pun!) in a beautiful scene that focused on the grand staircase. With every piece, there is always so many possible directions and for this one I have gone with my incredibly popular VHS format as it allows you to create a striking image that is sized perfectly.
Ok, so not only was Jack a handsome little shit, he was also a bloody talent with his pencil, and I’m not referring to his back seat antics! His sketching experience with the beautiful English Rose must have been incredible, at least he wasn’t short of options to rest his sketchbook on! My experiences of life drawing classes were very, very different. Stinking rooms that were so hot from the heater to not just keep the fossilised model warm but alive! How could I possibly get the anatomical proportions right when I’m staring at the worst case of ‘long bollock’ that my innocent eyes had ever seen?!
Joking aside, what a wonderfully intimate and powerful scene that was, the movie not mine! For someone that has a phobia of jewellery, I loved the stunning ‘Heart of the Ocean’ necklace that Rose wore, to then see how it played such a special role in the narrative was really something. I have created a beautiful version in my piece that features Jack and Rose in their iconic pose. If you look closely, you can see water droplets cascading off the diamonds to suggest that it is rising back from the ocean floor, nothing is gone forever. The rose that drifts in the tranquil water is a detail that I really love whilst seeing how the ship works so successfully is a relief as it took so long to play around with how it could feature without distracting, it has an enchanting ghost-like quality that I feel is perfect.
Keep your memories close, never let go.
-
- Released: 2022
- Collection: Lost In Hollywood 5
- Edition Size: 20 + 5AP
- Specification:
- Hand embellished
- Floated poster and double mount
- Custom spray-painted frame
- Sticker decals
- Hand signed by artist
- Image Size: 8.3” x 11.7"
- Framed Size (Approx): 13.5” x 16.75”
-
- Get in touch for overseas delivery
- Please allow approximately 21 days for delivery, should you need delivery sooner please let us know.
In Pursuit Of Gold (James Bond) - VHS Limited Edition
£595.00
- The classic James Bond films offer great memories from my childhood, on reflection I started to lose interest in the more recent films as I have always preferred those where they aren’t dominated by over the top special effects.
Goldfinger was a particular favourite, it was classy yet had a real sinister undertone to it, the image of the lady dead on the bed covered in gold freaked me out as a kid! Have you spotted her within the scene?! ‘Oddjob’ was another that scared the hell out of me, that bloody hat! With names like ‘Pussy Galore’ and how my mind works, this piece could have gone in a very different direction but I was determined to create a scene with real class and focus on THE Bond car, the stunning and acclaimed Aston Martin DBS.
The presence of the car is more than enough, you can’t mess around with it. The film had so many great locations but my preferred setting was always the stunning Swiss mountains and the Furka Pass that twists and turns through the mountains. This piece was only ever going to be about the car, surrounded by iconic details to seek out and in front of a beautiful backdrop – it is perfect for you to use your imagination and invent your own narrative as to where Bond is and what is happening.
What I feel has worked really well is how the scene has been ‘photobombed’ by some of the native animals that live within the region. Bond could simply be out of shot stood admiring his car or looking out for others and a red stag just happens to walk into shot. That split second makes all of the difference, I love how it interacts with the gold bars on the ground – a nod to my ‘Love Knows No Bounds’ collection. I absolutely loved reconnecting to this film and this really has fueled my imagination for future pieces - do you expect me to talk?... Time to dust off the box set for now!
-
- Released: 2021
- Collection: Lost In Hollywood VHS
- Edition Size: 20 + 5AP
- Specification:
- Hand embellished
- Floated poster and double mount
- Custom spray-painted frame
- Sticker decals
- Hand signed by artist
- Image Size: 8.3” x 11.7"
- Framed Size (Approx): 13.5” x 16.75”
-
- Get in touch for overseas delivery
- Please allow approximately 21 days for delivery, should you need delivery sooner please let us know.
Judgement Day (Terminator) - VHS Limited Edition
£595.00
- He's back!
-
- Released: 2021
- Collection: Lost In Hollywood VHS
- Edition Size: 20 + 5AP
- Specification:
- Hand embellished
- Floated poster and double mount
- Custom spray-painted frame
- Sticker decals
- Hand signed by artist
- Image Size: 8.3” x 11.7"
- Framed Size (Approx): 13.5” x 16.75”
-
- Get in touch for overseas delivery
- Please allow approximately 21 days for delivery, should you need delivery sooner please let us know.
REGAN (The Exorcist) - VHS Limited Edition
£595.00
- This is an example of when you get free reign to do whatever you think is right and are trusted in your judgement! End result was an incredibly happy client!
The original film was truly shocking, made even more so because the lead character was played by a 12 year old girl - Regan MacNeil. In keeping with not showing the main character in my work I have embraced this challenge by focusing the scene on one of Regan’s dolls and giving the characteristics of the possessed child to her doll. I have always found those old porcelain dolls to be creepy and uneasily life-like so it was the perfect route for me to create the shock factor for the piece but one that had genuine meaning and emotion. Some of the scenes from the film involving the girls’ body are horrific and I have not wimped out on approaching this and depicting this within this piece. Ultimately my aim was to create a truly scary character but who is then made more easily confronted through injecting beauty into the scene and suggesting an underlying concept.
I have spent a good amount of time looking at the theories behind the plot and embracing the story lines for the characters in the hope that I would find something subtle that I could base my concept on and the one that struck a chord was the existence of neglect for both the priest Karras and the daughter Regan. Karras blamed tormented himself for neglecting his dying mother, a weakness picked up by Pazuzu the devil who possessed Regan and more importantly how the child herself had been neglected by her actress mother as a result of her work. This is the reason that I have set my piece up in the way that I have, showing a solitary doll sat in the darkness. However as with so much of my work and no matter how harsh and dark a piece may be I will always look to convey a sense of hope through the use of light and I have embraced this within this piece.
The room and more importantly the doll is brought into light from an opening door, primarily to represent the Priest coming to rid Regan of Pazuzu but also as a sign that she is about to be taken out of the darkness and away from neglect, it works in the sense that the mother acknowledges the negative impact of her work and reacts in a positive way for the benefit of both Mother and Daughter. Was Regan such an easy target for the devil because she was so vulnerable through neglect?
My aim here is to suggest this and to open up a much bigger concept where a child can become possessed in so many more ways through being shrouded in darkness and becoming vulnerable to their demons that are born purely from neglect. The scene shows the doll sat on a bed surrounded by objects that relate to the film in various ways, the piece is subtly divided into two, into dark and light. The old wooden bed frame is blackened and shows the sign of the devil burned into the surface which shows signs of cracking and it beginning the burn. Yet this is contrasted with hints of vibrant paint that signifies the happiness that should resonate from within a girls bedroom. The torn Damask wallpaper behind the bed adds to the darkness and ageing characteristics of the room, dated decor again suggesting neglect. Centrally to the bed is a small statue of Jesus nailed to his cross with head turned towards the darkness, a beaten figure, just another fallen hero. The ornate pillows feature an embroidered ‘P’ on the darker side representing Pazuzu whilst shrouded in light is a contrasting ‘R’ for Regan - portraying the girl and the devil within.
The doll that represents Regan shows cuts to her body that relate to those shown in the film, her eyes have a hint of green to further relate whilst her mouth, dress and skin show signs of the vomit that was projected towards Karras in another one of the iconic scenes from the film, made from pea soup and oatmeal apparently! A quote from the film is scrawled onto her skin ‘You Let him f*ck you’, pretty strong stuff. The most shocking part of the film for me was to see the possessed Regan driving a crucifix into her genitalia and I have not shied away from this, it is hard to stomach but this is the Exorcist. The battle between good and evil is played out over the doll with a combination of dark smoke and beautiful lighting detail with the latter working to gloss over the horror that is laid out before you. The dominant light that shines over the doll brings with it hope and goodness and leads towards her heart, good will always triumph over evil.
To the left of the doll as we look at it and where the shadows and darkness rule is an old wooden model of a church that has succumbed to evil, cracked wood, smoke and flames engulf the building and a sign reads ‘F*ck you Damien Karras’. In front of this are a pair of smashed glasses, those of the other Priest - Father Merrin, if you look closely you will see a hint of goodness there, with the little icons that are attracted to the glasses in the darkness. A solitary dove feather sits on the stained bed sheets in the gloom of the shadows yet there still exists light and hope surrounding it. To the right of the doll is the bible and rosary beads that burn, an upturned candlestick portraying something that should bring light and security yet with a single gesture can turn into a destructive force.
Finally, a single rose - Regan loved her mother so much, making clay animals for her and giving her a rose at each breakfast time yet suffered neglect and hurt. All in all a very challenging subject and a great commission and brief, I am happy that I have gone for it full on without just settling to shock but to make you think and to acknowledge that all hope is not lost.
-
- Released: 2021
- Collection: Lost In Hollywood VHS
- Edition Size: 10 + 2AP
- Specification:
- Hand embellished
- Floated poster and double mount
- Custom spray-painted frame
- Sticker decals
- Hand signed by artist
- Image Size: 8.3” x 11.7"
- Framed Size (Approx): 13.5” x 16.75”
-
- Get in touch for overseas delivery
- Please allow approximately 21 days for delivery, should you need delivery sooner please let us know.
Teach You I Will (Star Wars) - VHS Limited Edition
£595.00
- I have wanted to take on Star Wars for an age as I loved the earlier films as a kid growing up. This piece focuses on Yoda within the misty swamps of Dagobah.
As with BALBOA it is an evolution of the silhouetted pieces that I have created to date, even more intense and facial features are brought out through the smoke shapes. I have strived to embrace the translucency and glows from the film within this style and showcase the lighting details that I work with around the sabre.
The dark side is also represented as an opposing detail with black saturated equivalent floating detail coming out from the shadows and towards the light in places. Every single element is individually layered and the count is 1,977 to coincide with the year of release.
-
- Released: 2021
- Collection: Lost In Hollywood VHS
- Edition Size: 20 + 5AP
- Specification:
- Hand embellished
- Floated poster and double mount
- Custom spray-painted frame
- Sticker decals
- Hand signed by artist
- Image Size: 8.3” x 11.7"
- Framed Size (Approx): 13.5” x 16.75”
-
- Get in touch for overseas delivery
- Please allow approximately 21 days for delivery, should you need delivery sooner please let us know.
BALBOA (Rocky) - VHS Limited Edition
£595.00
- ‘BALBOA’ was my first piece where I work with smoke detail to create a silhouetted character and I am so pleased by the results. Rather than the static and stark silhouettes that are typical I have strived to inject movement and depth into mine through using the smoke textures. I love how it flows, expanding and contracting to take the shape of the body.
The image of Rocky is so incredibly iconic and exists in so many variants, so I was keen on going at this in a different way. Through using the smoke-like textures to create the body it gives off this wonderful ghost-like quality that is perfect for my ‘Lost In Hollywood’ series where we consider the characters from the film that are left behind once the filming stops and the lights go out.
The USA flag has been depicted within the body through the red, white, and blue and the stars whilst hints of the cityscape form the background. I wanted to do something that was gritty where the smoke represents the downtown Philadelphia element whilst in contrast the stars and lighting signify the bright lights of the arena and the fame that Rocky found.
-
- Released: 2021
- Collection: Lost In Hollywood VHS
- Edition Size: 20 + 5AP
- Specification:
- Hand embellished
- Floated poster and double mount
- Custom spray-painted frame
- Sticker decals
- Hand signed by artist
- Image Size: 8.3” x 11.7"
- Framed Size (Approx): 13.5” x 16.75”
-
- Get in touch for overseas delivery
- Please allow approximately 21 days for delivery, should you need delivery sooner please let us know.
THERE WILL BE BLOOD (SAW) - VHS Limited Edition
£595.00
- STUDIO EXCLUSIVE!
-
- Released: 2021
- Collection: Lost In Hollywood VHS
- Edition Size: 10 + 2AP
- Specification:
- Hand embellished
- Floated poster and double mount
- Custom spray-painted and burnt frame
- Sticker decals
- Hand signed by artist
- Image Size: 8.3” x 11.7"
- Framed Size (Approx): 13.5” x 16.75”
-
- Get in touch for overseas delivery
- Please allow approximately 21 days for delivery, should you need delivery sooner please let us know.
You’re Gonna Need A Bigger Boat (Jaws) - VHS Limited Edition
- 'You’re Gonna Need A Bigger Boat’ is my interpretation of Spielberg’s classic horror film’ Jaws’. I wanted to approach it in a completely different way, embracing the ‘two sides to every story’ viewpoint. The piece is portrait to allow me to create depth in the ocean and to run in line with the classic movie poster. It is a completely different perspective to what I have done before, as you look up towards the surface. The boat is based on the ‘ORCA’ from the film, I even looked at the original plan drawings of the model to gauge proportions and shape.
So what we have is a classic scene that is relating to the narrative where the boat is on the hunt for Jaws, with yellow barrels of explosives cast overboard. Trails of blood mix with water from their attempts to lure the shark in. Here is where I take it to a different place, through the use of beautiful lighting, colour, and detail I have made the bottom of the boat (the target) beautiful and intriguing to the shark, is it just intrigued and only able to communicate with its mouth?
A diesel spill runs downwards through the water creating another source of confusion and attraction to the shark. There is a rusted oil drum plummeting through the water just in front of the shark that has a subtle leak of toxics that escape and leave their mark.
So, at this point is it purely intrigue that lures it to the surface and to the source? There then resides a darker layer as you notice the shadowed shark circling the boat from underneath.
A subtle trail of blood infiltrates the water close by, suggesting something has been bitten or worse out of view. If you then look at the trail of diesel, there are a number of skeletal fish that swim amongst the toxic trail, killed by the shark, or killed by the real source of evil in the water? What is the actual stain on nature?
This angle then opens the question that exists where people strongly believe that sharks are misunderstood and antagonised by human actions, possibly for ones’ own benefit where lies and scaremongering exist. When you look at it from this angle then the items in the water such as the barrels etc aren’t to lure off the shark but are a representation of mans’ wrongdoing.
-
- Released: 2021
- Collection: Lost In Hollywood VHS
- Edition Size: 10 + 2AP
- Specification:
- Hand embellished
- Floated poster and double mount
- Custom spray-painted frame
- Sticker decals
- Hand signed by artist
- Image Size: 8.3” x 11.7"
- Framed Size (Approx): 13.5” x 16.75”
-
- Get in touch for overseas delivery
- Please allow approximately 21 days for delivery, should you need delivery sooner please let us know.
OUTATIME (Back To The Future) - VHS Limited Edition
- In keeping with the theme of ‘Lost in Hollywood’ and creating scenes with the same objects but in an amplified scenario that could have been an alternative vision by the director, I have set this piece within an unused factory. The layered composition with two sets of doors and great depth allowed me to play on the perspective and distance, meaning I could create a tunnel detail which could simply be an escape route, or a more significant role should you go that way in your head. The layout of the detail that goes into the piece is done in a way that it channels your eye straight down the middle of the piece in line with the perspective of the room.
There isn’t a deep narrative that this piece relies on, I haven’t tried to be to too clever or go off at a tangent, in favour of just creating a piece that is really striking and that embraces everything that is in the film and what makes it great. Entitled ‘OUTATIME’ I have chosen a strong statement title that relates to what you see, a scene where the Doc is working on the DeLorean to get it ready in time to go. Objects are set out to show that Marty is there also. The branding for the film has always been vivid and I have embraced that with the colour ways of the tunnel and the glass bricks, this contrasts really well with the darkness of the front doors and also with the cool blue of the DeLorean lighting.
Because of the cult following of this film there is so much photographic reference material, so I have thrown everything into this piece to pay homage to such a great film. In terms of composition because I have put so much focus on the channels of the piece and the car and tunnel, I have kept the middle front area clean so as not to confuse, instead using fire detail reminiscent of when the car reached 88 and the road burned.
-
- Released: 2021
- Collection: Lost In Hollywood VHS
- Edition Size: 10 + 2AP
- Specification:
- Hand embellished
- Floated poster and double mount
- Custom spray-painted frame
- Sticker decals
- Hand signed by artist
- Image Size: 8.3” x 11.7"
- Framed Size (Approx): 13.5” x 16.75”
-
- Get in touch for overseas delivery
- Please allow approximately 21 days for delivery, should you need delivery sooner please let us know.
Old Skin (Silence Of The Lambs) - VHS Limited Edition
-
EDITION SOLD OUT - GET IN TOUCH TO DISCUSS COMMISSIONED OPTIONS
'I had a good long look at potential directions for this piece and identified key scenes and settings from the film, such as the cage, the cell, Buffalo Bills’ house etc. but opposed them for the concern that they just wouldn’t look right on someone's living room wall. Anything else wouldn’t have been iconic enough to sit under the film title so I have chosen to focus on the Death Head Hawkmoth which is such a striking image and one that is clearly associated with the film, not just from the disturbing place that it is put by Bill but because it is dominating film posters and covers since the start.
For me, I have previously used moths and butterflies within both published and unpublished works as I love the transformation from one state to another and have always linked that to personal development that is linked to happiness and confidence. So, what I have done is tackle this piece by focusing on the killer Jame Gumb, Buffalo Bill. I have focused on the mind-set of the character and what is driving him to commit such horrific crimes in pursuit of his goals, clearly one messed up person but why?
I am a firm believer that people aren’t born bad, something must happen to take away the light and bring darkness in floods. This is clearly the case with Jame, abandoned by his mother — an alcoholic prostitute who misspelled “James” on his birth certificate — and then taken into foster care at two years old. The film’s screenplay implies that he had a traumatic childhood. In the movie, Lecter quotes “Billy was not born a criminal, but made one by years of systematic abuse.” His twisted pursuit to become a woman adds a fascinating layer to the plot and his character, killing obese women and using their skin to create a skin suit for him to wear is extreme to say the least.
The Hawkmoth definitely symbolises Gumbs’ determination to see his gender transition become real, blocked by the authorities for being too unstable he has resorted to his own methods. Skin becomes his canvas and make up and blood his paint and the sewing machine his glue. In his eyes he does no wrong, its’ an art form, a procedure, the scene with him dancing to ‘Goodbye Horses’ (which I've had on loop for a large part of creating this piece) is testament to his portrayed innocence.
What I love about the moth is the clear divide between the top and bottom halves, one being bright and warm whilst the other being dark and slightly uncomfortable. My interpretation adapts each half with detail that is an opposite to each so the perceived warm and bright half is breaking and combusting whilst the darker half is shrouded in beautiful light and warmth. This is to depict the reality that true feelings and characters are much greater and deep rooted than the depth of one’s skin, a person who wears make up and dances around a room is assigned the happy and carefree tag whilst someone who is cold, and dark is deemed to be troubled rather than lacking confidence and simply hasn’t shed their skin and transformed.
The detail now in place on the moth takes an iconic image and creates so much more detail and a sense of intrigue which I love, ultimately it is more beautiful for that, an image that symbolises someone's’ layers and troubles whist conveying a wonderful determination to fly. The image of a skull that is present on the head of the moth and that gives it such a sinister feel and link to death is a detail that drew me in, you might not notice at first but when you do it is all you see. What I have done is to replace this with the iconic Hannibal Lecter mask icon as there had to be a link to such a formidable character within this piece. I hope that I have achieved the same result by doing this, that you might not notice initially but once you do it is all you see.
The background had to be kept subtle so as to make the moth shine and ultimately to create a piece that is very different to others within the collection. However, I wanted to introduce detail that further expanded on Gumbs’ character and killings. As mentioned, skin was his canvas, pretty horrific to say the least. I have created a pinched seam around the perimeter of the background that has been stitched to resemble the killers’ skin suit but treated in a way that it wouldn’t deter people.
However, cracks have appeared, fault lines within his work, from these there is darkness escaping within the lower half to match the darkness on the moths’ lower section that focuses centrally on an area that rises up towards its’ lower body. If you look closely, you can see the male and female icons drawn onto the canvas - the male icon has devil horns scrawled onto it to represent his aim to be a woman. In contrast, the upper sections show beautiful warm light escaping from the cracks and radiating downwards to the moths’ eyes. We must pass through the darkness, to reach the light.
-
- Released: 2021
- Collection: Lost In Hollywood VHS
- Edition Size: 10 + 2AP
- Specification:
- Hand embellished
- Floated poster and double mount
- Custom spray-painted frame
- Sticker decals
- Hand signed by artist
- Image Size: 8.3” x 11.7"
- Framed Size (Approx): 13.5” x 16.75”
-
- Get in touch for overseas delivery
- Please allow approximately 21 days for delivery, should you need delivery sooner please let us know.