From watching the earlier films as a family to making my Christmas list, writing down Argos catalogue codes whilst listening to Dire Straits and Eddie Grant - Star Wars evokes so many wonderful and vivid images of a brilliant childhood.

Taking on such a beast as this shouldn’t be under-estimated, anything must be done with authenticity, doing justice to an incredible narrative and to inspire a fan base like no other.

I would never confess to being an out-and-out die-hard Star Wars nerd, fair play to those who are but it is the earlier films that really appeal to me for the reasons above. This is why I feel comfortable and excited taking them on, and ultimately happier when doing so as I cherish my childhood and family more than ever now.

‘Battles Passed’ is my first landscape scene inspired by Star Wars and I am so proud of the end result. This is such an ultra-commercial and over saturated subject so anything I did would only ever run in line with what my work represents and offer something different, anything else doesn’t interest me and wouldn’t be authentic to my art.

The aim with this piece was to create something subtle, something with genuine class, where the real detail could actually be missed at first, instead taking it for simply a beautiful landscape scene. I didn’t intend to shout with this one, just to do it justice and I am so proud of the end result.

I loved the battles of Endor, it was the intensity of the fight set amongst such a rich forest setting that was such a contrast to those set within a ship for example. I wanted to suggest remnants of battles passed, to show how nature lives on, slowly taking back control against the harshness of the man-made objects. Continuing this concept of battles passed I felt it apt to include a subtle reference to those faced by the late Carrie Fisher. Less is more...

From watching the earlier films as a family to making my Christmas list, writing down Argos catalogue codes whilst listening to Dire Straits and Eddie Grant - Star Wars evokes so many wonderful and vivid images of a brilliant childhood.

Taking on such a beast as this shouldn’t be under-estimated, anything must be done with authenticity, doing justice to an incredible narrative and to inspire a fan base like no other.

I would never confess to being an out-and-out die-hard Star Wars nerd, fair play to those who are but it is the earlier films that really appeal to me for the reasons above. This is why I feel comfortable and excited taking them on, and ultimately happier when doing so as I cherish my childhood and family more than ever now.

‘Battles Passed’ is my first landscape scene inspired by Star Wars and I am so proud of the end result. This is such an ultra-commercial and over saturated subject so anything I did would only ever run in line with what my work represents and offer something different, anything else doesn’t interest me and wouldn’t be authentic to my art.

The aim with this piece was to create something subtle, something with genuine class, where the real detail could actually be missed at first, instead taking it for simply a beautiful landscape scene. I didn’t intend to shout with this one, just to do it justice and I am so proud of the end result.

I loved the battles of Endor, it was the intensity of the fight set amongst such a rich forest setting that was such a contrast to those set within a ship for example. I wanted to suggest remnants of battles passed, to show how nature lives on, slowly taking back control against the harshness of the man-made objects. Continuing this concept of battles passed I felt it apt to include a subtle reference to those faced by the late Carrie Fisher. Less is more...

From watching the earlier films as a family to making my Christmas list, writing down Argos catalogue codes whilst listening to Dire Straits and Eddie Grant - Star Wars evokes so many wonderful and vivid images of a brilliant childhood.

Taking on such a beast as this shouldn’t be under-estimated, anything must be done with authenticity, doing justice to an incredible narrative and to inspire a fan base like no other.

I would never confess to being an out-and-out die-hard Star Wars nerd, fair play to those who are but it is the earlier films that really appeal to me for the reasons above. This is why I feel comfortable and excited taking them on, and ultimately happier when doing so as I cherish my childhood and family more than ever now.

‘Battles Passed’ is my first landscape scene inspired by Star Wars and I am so proud of the end result. This is such an ultra-commercial and over saturated subject so anything I did would only ever run in line with what my work represents and offer something different, anything else doesn’t interest me and wouldn’t be authentic to my art.

The aim with this piece was to create something subtle, something with genuine class, where the real detail could actually be missed at first, instead taking it for simply a beautiful landscape scene. I didn’t intend to shout with this one, just to do it justice and I am so proud of the end result.

I loved the battles of Endor, it was the intensity of the fight set amongst such a rich forest setting that was such a contrast to those set within a ship for example. I wanted to suggest remnants of battles passed, to show how nature lives on, slowly taking back control against the harshness of the man-made objects. Continuing this concept of battles passed I felt it apt to include a subtle reference to those faced by the late Carrie Fisher. Less is more...

The difference with this piece is that it isn’t a scene that is driven by the detail in the foreground but instead focuses on the car in full view and full motion - just as it about to hit that critical 88MPH. With the lightning kicking off in the distance over the city there is something quite special about the car leaving everything behind. The composition is set so that you could quite easily simply be a bystander on the footpath just lucky enough to capture this dramatic sight. A few seconds later you’re stood there with just a spinning number plate and fire trails wondering if you really saw that.

Whilst creating this piece an earlier study involved focusing much more on the car and where the background became a subtle backdrop. I chose to rework it so it fitted better with the collection as a whole but what this meant is that the level of detail in and around the Delorean is insane as that was the challenge that I set myself. Even though the car is now reduced down in composition you can still clearly see the detail and that sense of drama and movement - something different for me as the cars tend to be static. 

This was a technically challenging piece to put it politely, piecing together the tunnel with a new opening and cliff that framed it whilst also softening the scene. I always seek to inject a dramatic light source where possible and the detailing within the tunnel was the perfect platform for this. Personally, I am really pleased with the sky and the drama within it, but something was missing, spotted it?!

The colour palette is soft and subtle, beautifully depicting the memories that so many have of the earlier films. I wanted to not hold back and feature key details that draw in so many fans whilst staying true to my style of working.

The subject is so well saturated within the commercial art world and I have wanted to do something a little different, to do the films justice and not to portray characters that are different to how they were envisaged and conceived.

The aim was not just to create a scene that was really strong visually but one where you could start to spot subtle yet massive details that would hint at something deeper. An unbreakable bond maybe?

A key aspiration was to create a sense of movement and time passing yet within an arid and stark environment where the winds blow the sand across like waves, exposing objects previously hidden. The question is, are the winds caused by mother nature or from something about to land?

I wanted to create a scene that was moving, where those return from battles passed. By leaving so much to the imagination I hope that yours runs away with you, to re-engage with your childhood memories from a cracking era.

So much has been left open to interpretation here, it has been great fun to be a part of and a long time coming and I hope that I have done justice to such an incredible cinematic masterpiece.

Just as an aside, the song that inspired the overriding concept of objects being revealed and picked up by a strong wind that blew in was actually ‘Vermilion Part 2’ by Slipknot! Random yes, watch the video and you’ll see where I am coming from, possibly!

Moving up a decade and into the late 90s, what a film Guy Ritchie’s ‘Lock Stock & Two Smoking Barrels’ is. A classic example of an incredibly complex and clever plot that leaves your head all over the place even after you’ve watched it again. It’s genius!

I was drawn to creating a piece based on this film in the same way I was towards ‘Trainspotting’ because of it’s grittiness, quality cast with legendary quotes and also a stunning soundtrack. It has everything and again like I have found myself repeating over and over again to my daughter recently, what a truly great decade the 90s were for music as well as everything else!

Music always plays a big part in my artworks and consumes me whilst I am creating each piece - without doubt the bands from the 90s’ were just endless and listening to them all at full pelt almost meant me rupturing my tendon in my foot again but I came out of it unscathed! It is definitely one of those pieces with the intensity of the detail that makes the process all a bit of a blur!

The general consensus when hinting to others that I planned to take on this movie was for a decision not to be taken lightly, it’s an absolute beast of a film and one that consistently generated a twinkle in the eye before blurting out an often X-rated line from the film!

I took on this piece with the view of achieving the qualities of my ‘The Memory Remains’ piece where a street scene was completely littered with references with the backdrop displaying a mash up of iconic music albums from the era, to create something that you spend an absolute age seeking out all of the details, some blatant, some much more disguised.

Another quality was that there were so many great motors within the film, and I do love my cars! So, the question was which one would feature, being a football man and a Leeds United fan it had to be Vinnie Jones AKA Big Chris’s Rover, what a car and what a complete nutter!

This was a piece that had to be cool, gritty, naughty and a break from the whimsical and beautiful for sure. Without a doubt this was the film that I took the most notes from whilst re-watching, pages of quotes and random objects - I’m pretty sure that they all made it into the final cut, oh and yes I did dare to include it ;)

I hope you enjoy this piece as much as I do, it’s a deal, it’s a steal, it’s the sale of the... well you know the rest!

Moving up a decade and into the late 90s, what a film Guy Ritchie’s ‘Lock Stock & Two Smoking Barrels’ is. A classic example of an incredibly complex and clever plot that leaves your head all over the place even after you’ve watched it again. It’s genius! 

I was drawn to creating a piece based on this film in the same way I was towards ‘Trainspotting’ because of it’s grittiness, quality cast with legendary quotes and also a stunning soundtrack. It has everything and again like I have found myself repeating over and over again to my daughter recently, what a truly great decade the 90s were for music as well as everything else!

Music always plays a big part in my artworks and consumes me whilst I am creating each piece - without doubt the bands from the 90s’ were just endless and listening to them all at full pelt almost meant me rupturing my tendon in my foot again but I came out of it unscathed! It is definitely one of those pieces with the intensity of the detail that makes the process all a bit of a blur! 

The general consensus when hinting to others that I planned to take on this movie was for a decision not to be taken lightly, it’s an absolute beast of a film and one that consistently generated a twinkle in the eye before blurting out an often X-rated line from the film! 

I took on this piece with the view of achieving the qualities of my ‘The Memory Remains’ piece where a street scene was completely littered with references with the backdrop displaying a mash up of iconic music albums from the era, to create something that you spend an absolute age seeking out all of the details, some blatant, some much more disguised. 

Another quality was that there were so many great motors within the film, and I do love my cars! So, the question was which one would feature, being a football man and a Leeds United fan it had to be Vinnie Jones AKA Big Chris’s Rover, what a car and what a complete nutter!

This was a piece that had to be cool, gritty, naughty and a break from the whimsical and beautiful for sure. Without a doubt this was the film that I took the most notes from whilst re-watching, pages of quotes and random objects - I’m pretty sure that they all made it into the final cut, oh and yes I did dare to include it ;) 

I hope you enjoy this piece as much as I do, it’s a deal, it’s a steal, it’s the sale of the... well you know the rest!

Moving up a decade and into the late 90s, what a film Guy Ritchie’s ‘Lock Stock & Two Smoking Barrels’ is. A classic example of an incredibly complex and clever plot that leaves your head all over the place even after you’ve watched it again. It’s genius! 

I was drawn to creating a piece based on this film in the same way I was towards ‘Trainspotting’ because of it’s grittiness, quality cast with legendary quotes and also a stunning soundtrack. It has everything and again like I have found myself repeating over and over again to my daughter recently, what a truly great decade the 90s were for music as well as everything else!

Music always plays a big part in my artworks and consumes me whilst I am creating each piece - without doubt the bands from the 90s’ were just endless and listening to them all at full pelt almost meant me rupturing my tendon in my foot again but I came out of it unscathed! It is definitely one of those pieces with the intensity of the detail that makes the process all a bit of a blur! 

The general consensus when hinting to others that I planned to take on this movie was for a decision not to be taken lightly, it’s an absolute beast of a film and one that consistently generated a twinkle in the eye before blurting out an often X-rated line from the film! 

I took on this piece with the view of achieving the qualities of my ‘The Memory Remains’ piece where a street scene was completely littered with references with the backdrop displaying a mash up of iconic music albums from the era, to create something that you spend an absolute age seeking out all of the details, some blatant, some much more disguised. 

Another quality was that there were so many great motors within the film, and I do love my cars! So, the question was which one would feature, being a football man and a Leeds United fan it had to be Vinnie Jones AKA Big Chris’s Rover, what a car and what a complete nutter!

This was a piece that had to be cool, gritty, naughty and a break from the whimsical and beautiful for sure. Without a doubt this was the film that I took the most notes from whilst re-watching, pages of quotes and random objects - I’m pretty sure that they all made it into the final cut, oh and yes I did dare to include it ;) 

I hope you enjoy this piece as much as I do, it’s a deal, it’s a steal, it’s the sale of the... well you know the rest!

I wanted to go in a different direction, creating an intriguing scenario that is full of detail that is open to interpretation that allows you to decide what has happened or in the midst of happening. I wanted to create a landscape that was beautiful, really beautiful, one of scale and wonder yet one that has a darkened quality where you’re afraid to look into the shadows in case you stumble upon something that is waiting, watching!

The contrast between mother nature and man is clear as day here, a beautiful forest with a majestic waterfall and meandering stream are impacted by a jeep that is trampling over all things bright and beautiful. Although I have left so much open to interpretation I have suggested however that the scene shown is set further on after the dramatic events within the park where the good plan had imploded into carnage. Look through the trees and you can’t not see the glow from a huge explosion - is that the park imploding or an eruption? The warmth from the fires that rage not only bring fear but comfort. Is nature taking back control?

The branded experience set up by the parks owners was left in tatters and most probably should have been left well alone, to be reclaimed by nature. However, an opportunist with an eye for a fortune looks to have exploited how exposed the venture was and has taken it on, whether it is being driven by good or bad hands is up to you. Is the past the past or is it the future? Who ultimately is the creator and who is actually the creature?

Greed breeds monsters but life will always find a way.

I wanted to go in a different direction, creating an intriguing scenario that is full of detail that is open to interpretation that allows you to decide what has happened or in the midst of happening. I wanted to create a landscape that was beautiful, really beautiful, one of scale and wonder yet one that has a darkened quality where you’re afraid to look into the shadows in case you stumble upon something that is waiting, watching!

The contrast between mother nature and man is clear as day here, a beautiful forest with a majestic waterfall and meandering stream are impacted by a jeep that is trampling over all things bright and beautiful. Although I have left so much open to interpretation I have suggested however that the scene shown is set further on after the dramatic events within the park where the good plan had imploded into carnage. Look through the trees and you can’t not see the glow from a huge explosion - is that the park imploding or an eruption? The warmth from the fires that rage not only bring fear but comfort. Is nature taking back control? 

The branded experience set up by the parks owners was left in tatters and most probably should have been left well alone, to be reclaimed by nature. However, an opportunist with an eye for a fortune looks to have exploited how exposed the venture was and has taken it on, whether it is being driven by good or bad hands is up to you. Is the past the past or is it the future? Who ultimately is the creator and who is actually the creature?

Greed breeds monsters but life will always find a way.

I wanted to go in a different direction, creating an intriguing scenario that is full of detail that is open to interpretation that allows you to decide what has happened or in the midst of happening. I wanted to create a landscape that was beautiful, really beautiful, one of scale and wonder yet one that has a darkened quality where you’re afraid to look into the shadows in case you stumble upon something that is waiting, watching!

The contrast between mother nature and man is clear as day here, a beautiful forest with a majestic waterfall and meandering stream are impacted by a jeep that is trampling over all things bright and beautiful. Although I have left so much open to interpretation I have suggested however that the scene shown is set further on after the dramatic events within the park where the good plan had imploded into carnage. Look through the trees and you can’t not see the glow from a huge explosion - is that the park imploding or an eruption? The warmth from the fires that rage not only bring fear but comfort. Is nature taking back control? 

The branded experience set up by the parks owners was left in tatters and most probably should have been left well alone, to be reclaimed by nature. However, an opportunist with an eye for a fortune looks to have exploited how exposed the venture was and has taken it on, whether it is being driven by good or bad hands is up to you. Is the past the past or is it the future? Who ultimately is the creator and who is actually the creature?

Greed breeds monsters but life will always find a way.

A sequel to BALBOA was always on the cards but it had to be a scene piece to tell the story and allow me to inject my signature style of touching on the darker side of the character and the world that he resided within. The more I researched the concept it grew stronger and stronger and an absolute must.

Set within Micky’s Gym (or my interpretation of it!) an imposing boxing ring dominates the room, bloodied and stark it pulls no punches as to the harshness of the pursuit to a means to an end, a way out from the shadows.

This piece casts light onto Rocky’s dark side and into the world that he resides, through circumstance rather than choice. Key details are positioned that combine to cast shade onto the light at the end of the tunnel. There are references to the thoughts and demons that go toe-to-toe with him daily, where he is fighting against his self-doubt as well as the doubters.

The composition shows the closeness that darkness and light reside and how failure is merely an arm’s length away from victory, when you choose to pick up the bottle or bat. When you’re down and out and on the ropes trading blows with life it’s all about drawing on that inner strength to get back out there.

Whether you’re driven by hate or consumed by fear, draw strength in the key quality that you have, that talent and bloody well go for it. ‘One More Round’ personifies the following quote: “The world ain’t all sunshine and rainbows. It’s a very mean and nasty place... and I don´t care how tough you are, it will beat you to your knees and keep you there permanently, if you let it. You, me or nobody, is gonna hit as hard as life. But ain’t about how hard you hit... It’s about how hard you can get hit, and keep moving forward... how much you can take, and keep moving forward. That´s how winning is done. Now, if you know what you worth, go out and get what you worth. But you gotta be willing to take the hits. And not pointing fingers saying: You ain´t what you wanna be because of him or her or anybody. Cowards do that and that ain´t you! You´re better than that.”

Keep fighting!