Products
Rise Of The Machine - Canvas Limited Edition
£1,195.00
- Here’s something very different for me, a scene that showcases the characters rather than eluding to them. The reason for this will become clearer in 2020 as part of my recently established ‘MD Studios’ brand but I do love the impact of this addition, something that I embraced with the ‘The Fight Of Our Lives’ (Avengers) original and ‘My Greatest Adventure’ (UP) original that went to the U.S.
My ‘Lost in Hollywood’ collections have been so incredibly well received by collectors and with my previous collection continuing to be popular in galleries I was keen to create a piece that followed on and would sit really nicely within the movie artworks yet offer something a little different.
What we see is an abandoned theme park that is starting to be reclaimed whilst an imposing entrance to ‘Lost in Hollywood’ world frames the scene. The cool thing is it is all a question of timing and what you see compared to what you could have missed. My previous style of not showing characters could have existed a mere ten seconds prior to what you now see, yet you now see a scenario where the machines are rising up and taking control.
Like with so many other movies I have toyed with the idea of interpreting ‘Short Circuit’ for years and it was at a charity event earlier in the year and the day after ‘Lost in Hollywood 2’ was released that I was heckled by Johnny 5! It reminded me just how much I loved him from the films so I had to give him the lead role here. It was his mischievous character that is shown again here as he goes on a mission to ‘tag’ the park.
I always have the main hook when planning each piece but I love to see how it evolves and adjusts as you create and build each scene and that is personified by a bumper car rocking up (well at a steady 8.8mph!) and being driven by EVE and WALL-E, totally random but really quite cute. Other iconic machines and characters play their part, quite something to imagine being stood there as Alien and Predator jump into view! Then ED-209 takes his position, he scared the hell out of me as a kid when I first watched Robocop on VHS with my mate Keith. The brutality was so raw and real I had never seen anything like it and it still freaks me out seeing the sense of panic in the room as the countdown starts. You have twenty seconds to buy!
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- Released: 2019
- Collection: Retrospective
- Edition Size: 10
- Specification: Hand embellished heavyweight artist canvas, double framed, hand signed by artist.
- Image Size: 36” x 27"
- Framed Size (Approx): 41.5” x 32"
-
- Get in touch for overseas delivery
- Please allow approximately 14 days for delivery, should you need delivery sooner please let us know.
Rise Of The Machine - Large Limited Edition
£545.00
- Here’s something very different for me, a scene that showcases the characters rather than eluding to them. The reason for this will become clearer in 2020 as part of my recently established ‘MD Studios’ brand but I do love the impact of this addition, something that I embraced with the ‘The Fight Of Our Lives’ (Avengers) original and ‘My Greatest Adventure’ (UP) original that went to the U.S.
My ‘Lost in Hollywood’ collections have been so incredibly well received by collectors and with my previous collection continuing to be popular in galleries I was keen to create a piece that followed on and would sit really nicely within the movie artworks yet offer something a little different.
What we see is an abandoned theme park that is starting to be reclaimed whilst an imposing entrance to ‘Lost in Hollywood’ world frames the scene. The cool thing is it is all a question of timing and what you see compared to what you could have missed. My previous style of not showing characters could have existed a mere ten seconds prior to what you now see, yet you now see a scenario where the machines are rising up and taking control.
Like with so many other movies I have toyed with the idea of interpreting ‘Short Circuit’ for years and it was at a charity event earlier in the year and the day after ‘Lost in Hollywood 2’ was released that I was heckled by Johnny 5! It reminded me just how much I loved him from the films so I had to give him the lead role here. It was his mischievous character that is shown again here as he goes on a mission to ‘tag’ the park.
I always have the main hook when planning each piece but I love to see how it evolves and adjusts as you create and build each scene and that is personified by a bumper car rocking up (well at a steady 8.8mph!) and being driven by EVE and WALL-E, totally random but really quite cute. Other iconic machines and characters play their part, quite something to imagine being stood there as Alien and Predator jump into view! Then ED-209 takes his position, he scared the hell out of me as a kid when I first watched Robocop on VHS with my mate Keith. The brutality was so raw and real I had never seen anything like it and it still freaks me out seeing the sense of panic in the room as the countdown starts. You have twenty seconds to buy!
-
- Released: 2019
- Collection: Retrospective
- Edition Size: 20
- Specification: Limited edition fine art print, hand signed by artist.
- Image Size: 32” x 24"
- Framed Size (Approx): 42” x 34"
-
- Get in touch for overseas delivery
- Please allow approximately 14 days for delivery, should you need delivery sooner please let us know.
Rise Of The Machine - The Original
- Here’s something very different for me, a scene that showcases the characters rather than eluding to them. The reason for this will become clearer in 2020 as part of my recently established ‘MD Studios’ brand but I do love the impact of this addition, something that I embraced with the ‘The Fight Of Our Lives’ (Avengers) original and ‘My Greatest Adventure’ (UP) original that went to the U.S.
My ‘Lost in Hollywood’ collections have been so incredibly well received by collectors and with my previous collection continuing to be popular in galleries I was keen to create a piece that followed on and would sit really nicely within the movie artworks yet offer something a little different.
What we see is an abandoned theme park that is starting to be reclaimed whilst an imposing entrance to ‘Lost in Hollywood’ world frames the scene. The cool thing is it is all a question of timing and what you see compared to what you could have missed. My previous style of not showing characters could have existed a mere ten seconds prior to what you now see, yet you now see a scenario where the machines are rising up and taking control.
Like with so many other movies I have toyed with the idea of interpreting ‘Short Circuit’ for years and it was at a charity event earlier in the year and the day after ‘Lost in Hollywood 2’ was released that I was heckled by Johnny 5! It reminded me just how much I loved him from the films so I had to give him the lead role here. It was his mischievous character that is shown again here as he goes on a mission to ‘tag’ the park.
I always have the main hook when planning each piece but I love to see how it evolves and adjusts as you create and build each scene and that is personified by a bumper car rocking up (well at a steady 8.8mph!) and being driven by EVE and WALL-E, totally random but really quite cute. Other iconic machines and characters play their part, quite something to imagine being stood there as Alien and Predator jump into view! Then ED-209 takes his position, he scared the hell out of me as a kid when I first watched Robocop on VHS with my mate Keith. The brutality was so raw and real I had never seen anything like it and it still freaks me out seeing the sense of panic in the room as the countdown starts. You have twenty seconds to buy!
-
- Released: 2019
- Collection: Retrospective
- Specification: Limited edition fine art print, hand signed by artist.
- Image Size: 48” x 36"
- Framed Size (Approx): 54” x 41"
-
- Get in touch for overseas delivery
- Please allow approximately 14 days for delivery, should you need delivery sooner please let us know.
Spielberg's Hollywood - The Original - SOLD
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You know I’m partial to the occasional piece of movie art! I know this falls within my ‘Retrospective’ body of work but I always look to include a movie scene as this collection tends to fall just ahead of the festive season and there aren’t many better times to watch a blockbuster than at Christmas.
My movie art is typically within my ‘Lost in Hollywood’ series and if you look at this piece and what is going on, then you well and truly are just that, or possibly legged it in Hollywood! I have wanted to do a full-on movie ‘mash up’ for a good while now as I have always enjoyed the prospect of different movies all playing out at the same time and seeing the chaos that ensues. Building on this, I also knew that there was cracking potential to showcase a specific film director each time as each attracts a die-hard following. So here we are in 2022 and the premier of ‘Spielberg’s Hollywood’.
So, initially the plan was to set this within the cinema itself, which would have been great and still can be but given the type of films that Spielberg has mastered and that I have loved depicting in past works, I felt that I needed more space for the mayhem to unfurl and I do love a gritty street scene. A retro styled movie theatre is the backdrop to an alleyway that is literally littered with detail and references to some of his most incredible movies, some more blatant than others! I won’t list them all for you as I prefer you to be left to seek them out. I’ll give you a clue though, there’s a couple of dinosaurs in there hiding!
I’ve said before how I don’t plan out every single detail before I start as I prefer to see how the piece evolves, twists and turns whilst I fall deeper into the mindset of what I am creating, and this is personified with this image and is so much stronger and intriguing from it. In an age where nothing stands still and you can’t keep up with the new ways that they are bringing the movie closer to the audience, it’s crazy and exciting, brutal actually. I say that from past experience of watching a Jurassic Park movie in 4DX, I left feeling battered and bruised and a bit giddy, to think I almost brought my Mum along with me too!
I wanted to go even further in this piece, and this is how it evolved so nicely. A solitary movie chair takes center stage, with the sole audience, you, clearly missing! At what point did you decide to leg it? The T-rex? The three-legged alien? (I’m sure I had a friend with that nickname!) Surely not E.T? The aim was to create a truly immersive cinematic experience that makes 4DX and IMAX look like a Punch and Judy show! Oh, and a little insight into my thinking, the position of the chair with the T-Rex bearing down on it, or you was a nod to the toilet scene in Jurassic Park.
I loved working on ‘Speilberg’s Hollywood’, it has turned out so well and hit another level to how I first envisaged. I hope you love it, it’s a blockbuster that’s offered in small numbers, after all, greed breeds monsters.
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- Released: 2022
- Collection: Retrospective 4
- Edition Size: 1 of 1
- Specification:
- Hand embellished and heavily painted heavyweight canvas
- Custom Frame
- Hand signed by artist
- Image Size: 58” x 36"
- Framed Size (Approx): 62” x 41”
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- Get in touch for overseas delivery
- Available for immediate despatch or collection.
Underwater Love - Canvas Limited Edition
£1,195.00
- So, this piece literally came out of the blue! In May 2020, as part of my ‘Lost In Hollywood 3’ collection, I created a piece entitled ‘Q-Division’ - a conceptual piece designed to celebrate and combine all of Daniel Craig’s James Bond movies. ‘No Time To Die’ was due to be released that year and I wanted to mark the finale of his fifteen-year tenure as Bond with something special. Then the pandemic took hold, and it is only now (September 2021) that the film finally makes its long-awaited appearance. I was in the middle of creating a piece for my ‘Retrospective 3’ collection when an idea was born, and I just had to run with it. Despite having a clear plan for each month, it was something that got into my head, and I just thought, bollocks to it! I’m doing it! So here we are, with ‘Underwater Love’.
Memories of the classic Bond films as a kid are vivid and special and I cherish them. I lost my way with several of them after that but became drawn to them more for the beautiful introductions that showcase the lead song, they are works of art in themselves. ‘Skyfall’ was an incredible example of this, but it was the hypnotic and surreal qualities of ‘Spectre’ that stuck with me. It is just brilliant! I guess, it is that quality that I strive to inject into my work, and it has driven this piece. The scene is dominated by the beautiful Aston Martin DB10 that is flanked by the backdrop of Rome as Bond waits to welcome Madeleine Swann. The two characters add a real quality to the piece as their eyes are on you, helping to put you in the scene, or just outside of view. If you look closely, you will see that her dress is starting to morph into a mermaid’s tail, it is a beautiful addition.
My portfolio has a good number of underwater pieces, it is the concept of not knowing if you are above or below the surface that I love. So, for this piece you will see that the octopus that creeps and curls itself throughout the intro to ‘Spectre’ is present and is coming towards you, but is it through the air or making its way through the water? ‘Underwater Love’ explores the concept of being under ones’ spell, hypnotised, giddy by their presence and power. Where you are influenced or controlled by one through being fascinated, enchanted, or seduced. Reality gets blurred as you retreat into your own, very different world. This is the point where it could get heavy, intense but that is for another day. If you embrace how I think and work then you will get what this piece can truly symbolise, but it can simply be enjoyed for a beautiful scene made up of beautiful characters, a beautiful car and a beautiful city. So, even though Daniel Craig’s time as Bond nears its end, my apparent love for mermaids lives strong! -
- Released: 2021
- Collection: Lost In Hollywood
- Edition Size: 7 + 1AP
- Specification: Limited edition fine art print, hand signed by artist.
- Image Size: 36” x 27"
- Framed Size (Approx): 41.5” x 32"
-
- Get in touch for overseas delivery
- Please allow approximately 14 days for delivery, should you need delivery sooner please let us know.
Underwater Love - Standard Limited Edition
- So, this piece literally came out of the blue! In May 2020, as part of my ‘Lost In Hollywood 3’ collection, I created a piece entitled ‘Q-Division’ - a conceptual piece designed to celebrate and combine all of Daniel Craig’s James Bond movies.
‘No Time To Die’ was due to be released that year and I wanted to mark the finale of his fifteen-year tenure as Bond with something special. Then the pandemic took hold, and it is only now (September 2021) that the film finally makes its long-awaited appearance. I was in the middle of creating a piece for my ‘Retrospective 3’ collection when an idea was born, and I just had to run with it. Despite having a clear plan for each month, it was something that got into my head, and I just thought, bollocks to it! I’m doing it! So here we are, with ‘Underwater Love’.
Memories of the classic Bond films as a kid are vivid and special and I cherish them. I lost my way with several of them after that but became drawn to them more for the beautiful introductions that showcase the lead song, they are works of art in themselves. ‘Skyfall’ was an incredible example of this, but it was the hypnotic and surreal qualities of ‘Spectre’ that stuck with me. It is just brilliant! I guess, it is that quality that I strive to inject into my work, and it has driven this piece. The scene is dominated by the beautiful Aston Martin DB10 that is flanked by the backdrop of Rome as Bond waits to welcome Madeleine Swann. The two characters add a real quality to the piece as their eyes are on you, helping to put you in the scene, or just outside of view. If you look closely, you will see that her dress is starting to morph into a mermaid’s tail, it is a beautiful addition.
My portfolio has a good number of underwater pieces, it is the concept of not knowing if you are above or below the surface that I love. So, for this piece you will see that the octopus that creeps and curls itself throughout the intro to ‘Spectre’ is present and is coming towards you, but is it through the air or making its way through the water? ‘Underwater Love’ explores the concept of being under ones’ spell, hypnotised, giddy by their presence and power. Where you are influenced or controlled by one through being fascinated, enchanted, or seduced. Reality gets blurred as you retreat into your own, very different world. This is the point where it could get heavy, intense but that is for another day. If you embrace how I think and work then you will get what this piece can truly symbolise, but it can simply be enjoyed for a beautiful scene made up of beautiful characters, a beautiful car and a beautiful city. So, even though Daniel Craig’s time as Bond nears its end, my apparent love for mermaids lives strong! -
- Released: 2021
- Collection: Lost In Hollywood
- Edition Size: 7 + 1AP
- Specification: Limited edition fine art print, hand signed by artist.
- Image Size: 25” x 18.5"
- Framed Size (Approx): 32.5” x 26"
-
- Get in touch for overseas delivery
- Please allow approximately 14 days for delivery, should you need delivery sooner please let us know.
‘Driven by Dreams’ (Porsche) - The Original
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To celebrate the opening of the brand-new Destination Porsche Centre, I was invited by Porsche Centre Cambridge to create a striking piece that showcased their brand and that was innovative and true to my style of working. To have the opportunity to work with such a quality company was one that I naturally jumped at and gave everything to the project.
To be given free reign was a cracking start, the fact that I could utilise all the years of retouching for the automotive industry was a huge pull and for those of you who have followed my work over the past ten years will know that I will get a car of some sort into a scene if I can!
However, the important thing was that instead of adopting a clinical approach with the retouching where you work to a formula to achieve consistency and a ‘real’ quality, I always worked in line with adding a sense of magic and emotion in the detailing so that the result wasn’t reminiscent of a beautiful, staged shot within a piece of marketing collateral.
It was equally important that the piece of art was ‘on brand’ from my perspective too, it had to be authentic (as f*ck!) and sit perfectly amongst other works of a similar subject matter. So naturally, the link had to be movies and Hollywood! So many movies are adored largely because of the iconic vehicle that stars alongside the lead characters, my portfolio is littered with them!
My most popular piece to date is ‘Petrolheads’ that brought an immense collection of movie cars out into the desert to watch a movie on the big screen under the setting sun. It was a format that just worked so well and really captured the imagination and pulled on the heart strings of my collectors. It’s interesting how a particular image does that, over another that I maybe look at as having stronger characteristics, you just can’t predict it and I love that!
So, when I set about planning the Porsche piece, it quickly evolved into a concept that was built around movies with the intention of creating something bold and beautiful, striking yet something that had real class and that would resonate with the client’s audience. I was inspired rather than intimidated; I love a challenge and as always would go full throttle!
This is where it is important not to go into a project like a bull in a china shop, the initial idea was great, but I am so pleased that I then stopped and looked a little deeper to build on that concept and allow it to evolve into something that was so much stronger and would appeal to a wider audience. The plan was to create a scene inspired by the ‘Bad Boys’ movies as the latest instalment was coming out just prior to this project and it featured the stunning Porsche 964 Turbo – it’s funny, the title that popped into my head was ‘You damn right it’s limited!’ I will keep that for another!
Yet, it was when I started researching into the affiliation that Porsche had with Hollywood that I quickly realised just how many other movies featured the brand. This is where the link to my ‘Petrolheads’ piece came into play; it would allow me to lay out these stunning machines against a beautiful backdrop that would be a cracking case of strength in numbers and that would feature the blatant alongside other lesser-known details that would make you think.
And here it is! A truly immense line up of incredible cars that featured in these movies: ‘Against all Odds’ ‘Arthur’, ‘Bad Boys’, ‘Death Race’, ‘Gone in 60 Seconds’, ‘Good Guys Wear Black’, ‘Le Mans, ‘Maverick’, ‘Scarface’ and ‘Top Gun’! Oh, and there are a few things in the sky too! The backdrop has turned out so well, a blend of Hollywood and Miami with a wonderfully subtle detail for the Porsche brand icon up on the hills above Los Angeles.
All the above have turned out so well but it is the result of the central crest that is being uncovered from the shifting sands. I love to challenge myself technically and this was so worth it, the piece would have worked beautifully, yet with this detail it adds so much, and I feel epitomises a quality of what Porsche represents – going the extra mile in pursuit of absolute perfection whilst radiating class. The distinction is in the detail.
Writing this post event, I sit here with an enormous sense of pride for what has been achieved not only with the image that you see now but how the entire project ran and to have been able to play my part and contribute towards such an innovative and prestigious event. The reaction has been amazing and is hopefully just the first stage of a wonderful journey!
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- Released: 2024
- Collection: Lost in Hollywood
- Edition Size: 1 of 1 Original
- Specification: Embellished canvas with custom frame, hand signed by artist.
- Image Size: 48” x 36"
- Framed Size (Approx): 54” x 41"
-
- Get in touch for overseas delivery
- Please allow approximately 14 days for delivery, should you need delivery sooner please let us know.