Products
Custom Framed Rise Of The Machine 2 - Standard Limited Edition 10/45
- ‘Rise Of The Machine 2’ is the sequel to a piece that I created in 2019 as part of my ‘Retrospective’ collection that proved so popular I had to crack on with it. The concept for both pieces focuses upon a collection of Robots and man-made machines rising up and taking back control to become the dominant force. In the first piece we saw ‘Johnny 5’ running amok in the ‘Lost in Hollywood’ (did you see what I did there?!) world of an abandoned theme park. Rebelling against what he was programmed not to do and with a blatant disregard for the rules set by the management, the neckerchief-wearing blaggard graffiti’s over everything that he can get his boney little fingers on!
My initial plan was to set this sequel in another part of the theme park. Throughout my ‘Storyteller’ works I would spend countless hours searching for inspiration for derelict and abandoned settings I would often come back to scenes from the theme park within ‘Pripyat’- the ghost city in Ukraine that was devastated by the nuclear disaster. A brutal example of man-made machines failing spectacularly. What I loved was how the theme park and surrounding buildings within the city had slowly been taken over, not by man but by nature. I have always loved this concept and I simply adapted this for my ‘Rise Of The Machine’ narrative, where this time the machines fought back.
When conceiving and creating a new collection, it for me is always intense and immersive so that I can release a truly cohesive body of work. It was because of another piece from this ‘Retrospective 2’ collection that what you now see for ‘Rise Of The Machine 2’ is completely different to my original plan. This came from binging on ‘Breaking Bad’ for my ‘Let’s Cook, Bitch!’ piece and from a scene that was set in an old car breakers yard. It just stuck and the end result is something that I am incredibly happy with.
The intention for my ‘Retrospective’ ongoing body of work is one where I invite the audience to step inside the eye of my mind as I revisit memories from my formulative years and early adult-hood, the ones with minimal responsibility! The great thing with this is the crossover between a whole number of experiences that involved sport, music and movies and so on. I love the chance to blend these in with my ‘Lost In Hollywood’ collections, but with a lighter, less conceptually intense narrative and an ability to add focus to the characters that I typically leave out of view. I love combining films into one piece, to suggest that these characters all resided at the same time just in different areas but came together eventually. It is just pure good fun!
There is so much to seek out within this scene, legends such as R2-D2, C-3PO, Optimus Prime and Bumblebee shine amongst the shifting sands that surround the ominous car crusher. Other more subtle objects come to life just seconds after being previously hidden by the sand as the wind reveals them to you. What I hope is that you will stumble across a small detail that you maybe not identify immediately but on closer inspection remember how much you loved that movie and that then ignites a linked memory to that. This is what it does for me, and I ultimately feel better for it and closer to my childhood as a result.
Progress is made by the improvement of people, not the improvement of machines.
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- Released: 2020
- Collection: Retrospective 2
- Edition Size: 45
- Specification: Custom Framed Limited edition fine art print, hand signed by artist.
- Image Size: 25” x 18.5"
- Framed Size (Approx): 32” x 26"
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- Get in touch for overseas delivery
- Available for immediate despatch
Dream BIG - Large Limited Edition
£545.00
- Ok, so the 2020 ‘Retrospective 2’ collection featured a dedicated movie piece, ‘Midnight at the mall’ which was my take on the brilliant ‘Gremlins’! Given that my ‘Retrospective’ collections are typically in November and timed to be perfect for Christmas presents, I like to get a film in there as movies and Christmas just go together, regardless of the decade. This year I have gone for a concept that focuses in the main on the brilliant ‘BIG’ that starred the equally brilliant Tom Hanks. It is one that has been on my list to look at for an age as it is one that I remember renting from ‘Video Venture’ as a kid.
The main narrative of the film being the wish of a boy to become older and effectively fast forward what would typically be his formulative years is one that really shone to me. ‘Retrospective’ represents the importance of looking back to special memories to inspire you to look forward, to be brighter, happier and more positive, even if only for a moment but that moment is enough to make a difference, or even just to influence a decision. For me personally, I am looking back to my childhood more and more in recent years as it makes me even more appreciative of how great and special things were, it helps. I would give anything to relive parts of it, physically I can’t of course but my art gives me that opportunity to relive it emotionally. So, the idea of a kid wanting to fast forward to adulthood seems so wrong. Yes, I know it’s only a bloody film, so this is where the secondary narrative comes in!
In addition to celebrating a key moment of the movie, there is a positive message to ‘dream BIG’, to open your eyes and imagination and live for the moment, to be a kid. To be inspired through the joy of playing, really playing. Tablets and gadgets dull down the wonder of using imagination to fuel dreams, childhood is where dreams are born. So, what I show in this vivid scene is how the toys that we play with as a kid can become the tools of our careers when the time comes. You’ll see the iconic red and gold BMX and on the opposing side is the stunning red Ferrari. Have you spotted which movie that is from? Ok ignore who’s driving it, that is just showing how I become so consumed in the piece when creating it and those random ideas pop in when you are in that mindset, the big kid remains! I’m not one to list out every reference and reason as I love how you all enjoy seeking those out and trying to fathom what the hell I was thinking!
Going back to the movie itself, one angle was to feature the amazing department store ‘FAO Schwartz’ as I always loved the scene when they dance on the big light-up piano. However, I felt that this could encroach on the 2019 ‘The Memory Remains 2’ toy shop piece that so many love and now own. The store and the piano have both been referenced within this scene, one more obvious than the other! Like I said, ‘BIG’ is a great movie and Hanks plays the role superbly, the narrative is amazing and the toys that feature are just brilliant. I love how so many of them are so different to what we typically remember playing with. But you know me, you know I love the darkness (not the catsuit wearing lot!) and this exists big time (no pun intended) with the character that when he speaks, things happen… ZOLTAR! The deserted boardwalk at night with just the solitary, crappy looking fortune teller machine was an image that always stuck in my head. Would I have had the balls to go over and make my wish? I’d like to think I would but not sure! You?
So, this scene that you now see is dominated by ‘ZOLTAR’, to recreate the cabinet took an age but was really satisfying to see the end result play out just as I had hoped. Those bloody eyes! I’m not sure if it has anything to do with us all being scared shitless by a rumoured ‘dog with red eyes’ that roamed the spinney at the top of our court as kids but when Zoltar’s eyes shone red, there was something there. Powerful! That part of the film was shot brilliantly! The closed and battered shutters of the snack kiosks behind lend themselves to the huge amount of detail that is all blended together giving it a graffiti quality without committing the crime as I know it can cause offence. Oh, hang on, one popped out, sorry buddy! I love the funfair at night set behind the solitude of the boardwalk. It serves as a contrast on how so much activity and crowds can exist so close to a point in time when you find yourself alone in that moment. Shut out all that is going on around you, ignore the freaky green guy toasting mallow and just focus, make your wish!
I would love to think that this piece appeals to more than just those who loved the movie and attracts people to what it stands for. As for Zoltar, I reckon I could go toe to toe with him now, actually, does he have toes? Maybe he could be sat like the newsreaders do, all dolled up in his gear but naff all below. But does he have toes? Do ghosts have teeth? Ok, it’s late and I need to get out of the studio as there’s way too much glass and it’s pitch black. Are there two red dots through the window? Were they taillights in the carpark, I’m sure they were, surely not, no it can’t be! Not the dog with the….! Can someone come and get me please!
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- Released: 2021
- Collection: Retrospective 3
- Edition Size: 20 + 5AP
- Specification: Limited edition fine art print, hand signed by artist.
- Image Size: 32” x 24"
- Framed Size (Approx): 42” x 34"
-
- Get in touch for overseas delivery
- Please allow approximately 14 days for delivery, should you need delivery sooner please let us know.
Earth Angel (Back to the Future) - Vinyl LP Limited Edition 1AC
£895.00
- This is a surreal interpretation of the brilliant Back To The Future films entitled ‘‘OUTAAIR’. Continuing on from my previous pieces inspired by the legendary franchise and embracing the iconic Delorean time machine what I have done is to create a very different scene that is inspired by one of the most memorable scenes from the first movie, the Enchantment Under The Sea dance that saw Marty’s parents-to-be get together for the first time with a little help from the main man himself.
The Delorean has featured in varying extents within all of my Back To The Future Pieces to date but I have always been keen to show it in it’s flying state. I wanted to create something very different however, to literally place the dance under the sea, why not?! I have created several pieces that are set underwater and have enjoyed the challenge to achieve that effect where the objects truly look like they are surrounded by water, I wanted to create a piece that looked really cool and nostalgic but that had a beautiful and magical quality to it, to ideally open the appeal of the image to a wider audience.
What we see is the moment that the Delorean is rising up from the sea bed and heading up to the surface for air, what happens after this or what kick started it is open to interpretation, I’ve simply set the scene. Key details from the dance are positioned on the ocean floor with the glow of the lights in the distance hinting at a stage, there is a sense of movement from the shifting sands caused by the Delorean, exposing further details. Something that is always key for me is to unify the objects that exist within the scene, so that they aren’t just static, what I feel has worked really well is the introduction of the various sea life that interact with the detail and really add something lovely to the scene, as the classic line reads, this is one for all you lovers out there!
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- Released: 2022
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- Collection: Remastered
- Edition Size: 20 + 5AP
- Specification:
- Hand embellished
- Floated album cover, inner sleeve and record and double mount
- Custom spray-painted frame
- Sticker decal
- Hand signed by artist
- Image Size: 15” x 22"
- Framed Size (Approx): 21” x 29”
- Collection: Remastered
-
- Get in touch for overseas delivery
- Available for immediate despatch or collection
Ghetto Supastars - Large Limited Edition
£545.00
- I have said so many times just how instrumental and influential music is to my art, art that is a reflection and a response to my life and it’s experiences. The past year has seen me create pieces such as ‘Mad For It’, a 90’s inspired ‘brit-pop’ image and ‘Glasto!, a celebration of 50 years of headliners at the Glastonbury music festival. I love how the power of music can transport you back so easily to a period or a moment in your life and hold you there until you decide to turn ‘auto repeat’ off – something that expands over several days for me when I’m in that mindset to create a piece of art.
I’m one of those people who genuinely has a really diverse taste in music that includes bands that you are proud to know because you know the majority have never heard of, and yet are cursed with the ability to completely forget all of these when asked ‘so what music are you into’ and just blurt out the generics! For those who follow my social media posts you will know that the majority of my videos have often obscure tracks playing in the background. You know when you have a really good one when it is so left field (close to being a pun!) that the powers that be don’t delete your video and scald you!
Music is always on in the studio, currently it’s ‘Some Kind Of Peace’ by ‘Olafur Arnalds’ because I’m waffling through these narratives that need to go to print ahead of the collection release and I’m absolutely bloody knackered. Three more to go and a few cups of tea later and it will be on to spraying more original works so by that time it will have probably switched up to the likes of ‘Slipknot, ‘Chevelle’ and ‘Metallica’. Anyway! Let’s talk about this piece, ‘Ghetto Supastars’ and leave the darker stuff for another day, another piece.
Some great memories of my love for ‘hip hop’ and rap music as a teenager include asking my grandparents for ‘Cypress Hill’s’ ’Black Sunday’ for Christmas and hearing my mum trying to explain it to them over the phone. It was the thought of them going into ‘HMV’, or ‘Our Price’ (remember that?!) and asking for it that always drew a smile. Another was handing my Dad a tape to put on in the car on the way back home and watching his disgust build as I cringed in the back seat – the tape was ‘Death Certificate’ by ‘Ice Cube!
The 1990s’ and early 2000’s were brilliant for hip-hop and rap music, way too many to list here but the most iconic are all hidden within this piece, the perfect ‘lockdown’ boredom beater! ‘Ghetto Supastars’ is set on a gritty American basketball court in the inner city and literally littered with cracking details synonymous with the ‘baller’ lifestyle, some blatant, others more subtle and linked to song titles. Speaking of which can you work out what song the title is inspired by? I chose to add people into this piece and have done in a poignant way to pay homage to three true icons that have passed. ‘Tupac’, ‘Biggie Smalls’ and ‘Lisa (Left Eye) Lopez. The subtle dove and angel wing detailing adds something really special to this piece that has been created to just be bloody cool.
I hope you love seeking out all of the details within this piece, I loved creating it and it’s different which is a good thing for both artist and collector. I’ll be honest, I switched to ‘Black Sunday’ at the start of paragraph 5. Playing ‘Cypress Hill’ just got me thinking back to listening to the album on family holidays in Menorca, and how we would love to be back there right now eh. The power of music and the power of memories. So, bollocks to NAS, Hip Hop ain’t dead mate!
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- Released: 2020
- Collection: Retrospective 2
- Edition Size: 20
- Specification: Limited edition fine art print, hand signed by artist.
- Image Size: 32” x 24"
- Framed Size (Approx): 42” x 34"
-
- Get in touch for overseas delivery
- Please allow approximately 14 days for delivery, should you need delivery sooner please let us know.
Ghetto Supastars - Standard Limited Edition
£395.00
- I have said so many times just how instrumental and influential music is to my art, art that is a reflection and a response to my life and it’s experiences. The past year has seen me create pieces such as ‘Mad For It’, a 90’s inspired ‘brit-pop’ image and ‘Glasto!, a celebration of 50 years of headliners at the Glastonbury music festival. I love how the power of music can transport you back so easily to a period or a moment in your life and hold you there until you decide to turn ‘auto repeat’ off – something that expands over several days for me when I’m in that mindset to create a piece of art.
I’m one of those people who genuinely has a really diverse taste in music that includes bands that you are proud to know because you know the majority have never heard of, and yet are cursed with the ability to completely forget all of these when asked ‘so what music are you into’ and just blurt out the generics! For those who follow my social media posts you will know that the majority of my videos have often obscure tracks playing in the background. You know when you have a really good one when it is so left field (close to being a pun!) that the powers that be don’t delete your video and scald you!
Music is always on in the studio, currently it’s ‘Some Kind Of Peace’ by ‘Olafur Arnalds’ because I’m waffling through these narratives that need to go to print ahead of the collection release and I’m absolutely bloody knackered. Three more to go and a few cups of tea later and it will be on to spraying more original works so by that time it will have probably switched up to the likes of ‘Slipknot, ‘Chevelle’ and ‘Metallica’. Anyway! Let’s talk about this piece, ‘Ghetto Supastars’ and leave the darker stuff for another day, another piece.
Some great memories of my love for ‘hip hop’ and rap music as a teenager include asking my grandparents for ‘Cypress Hill’s’ ’Black Sunday’ for Christmas and hearing my mum trying to explain it to them over the phone. It was the thought of them going into ‘HMV’, or ‘Our Price’ (remember that?!) and asking for it that always drew a smile. Another was handing my Dad a tape to put on in the car on the way back home and watching his disgust build as I cringed in the back seat – the tape was ‘Death Certificate’ by ‘Ice Cube!
The 1990s’ and early 2000’s were brilliant for hip-hop and rap music, way too many to list here but the most iconic are all hidden within this piece, the perfect ‘lockdown’ boredom beater! ‘Ghetto Supastars’ is set on a gritty American basketball court in the inner city and literally littered with cracking details synonymous with the ‘baller’ lifestyle, some blatant, others more subtle and linked to song titles. Speaking of which can you work out what song the title is inspired by? I chose to add people into this piece and have done in a poignant way to pay homage to three true icons that have passed. ‘Tupac’, ‘Biggie Smalls’ and ‘Lisa (Left Eye) Lopez. The subtle dove and angel wing detailing adds something really special to this piece that has been created to just be bloody cool.
I hope you love seeking out all of the details within this piece, I loved creating it and it’s different which is a good thing for both artist and collector. I’ll be honest, I switched to ‘Black Sunday’ at the start of paragraph 5. Playing ‘Cypress Hill’ just got me thinking back to listening to the album on family holidays in Menorca, and how we would love to be back there right now eh. The power of music and the power of memories. So, bollocks to NAS, Hip Hop ain’t dead mate!
-
- Released: 2020
- Collection: Retrospective 2
- Edition Size: 45
- Specification: Limited edition fine art print, hand signed by artist.
- Image Size: 25” x 18.5"
- Framed Size (Approx): 32” x 26"
-
- Get in touch for overseas delivery
- Please allow approximately 14 days for delivery, should you need delivery sooner please let us know.
Ghetto Supastars - Standard Limited Edition #2AP
£296.25
- I have said so many times just how instrumental and influential music is to my art, art that is a reflection and a response to my life and it’s experiences. The past year has seen me create pieces such as ‘Mad For It’, a 90’s inspired ‘brit-pop’ image and ‘Glasto!, a celebration of 50 years of headliners at the Glastonbury music festival. I love how the power of music can transport you back so easily to a period or a moment in your life and hold you there until you decide to turn ‘auto repeat’ off – something that expands over several days for me when I’m in that mindset to create a piece of art.
I’m one of those people who genuinely has a really diverse taste in music that includes bands that you are proud to know because you know the majority have never heard of, and yet are cursed with the ability to completely forget all of these when asked ‘so what music are you into’ and just blurt out the generics! For those who follow my social media posts you will know that the majority of my videos have often obscure tracks playing in the background. You know when you have a really good one when it is so left field (close to being a pun!) that the powers that be don’t delete your video and scald you!
Music is always on in the studio, currently it’s ‘Some Kind Of Peace’ by ‘Olafur Arnalds’ because I’m waffling through these narratives that need to go to print ahead of the collection release and I’m absolutely bloody knackered. Three more to go and a few cups of tea later and it will be on to spraying more original works so by that time it will have probably switched up to the likes of ‘Slipknot, ‘Chevelle’ and ‘Metallica’. Anyway! Let’s talk about this piece, ‘Ghetto Supastars’ and leave the darker stuff for another day, another piece.
Some great memories of my love for ‘hip hop’ and rap music as a teenager include asking my grandparents for ‘Cypress Hill’s’ ’Black Sunday’ for Christmas and hearing my mum trying to explain it to them over the phone. It was the thought of them going into ‘HMV’, or ‘Our Price’ (remember that?!) and asking for it that always drew a smile. Another was handing my Dad a tape to put on in the car on the way back home and watching his disgust build as I cringed in the back seat – the tape was ‘Death Certificate’ by ‘Ice Cube!
The 1990s’ and early 2000’s were brilliant for hip-hop and rap music, way too many to list here but the most iconic are all hidden within this piece, the perfect ‘lockdown’ boredom beater! ‘Ghetto Supastars’ is set on a gritty American basketball court in the inner city and literally littered with cracking details synonymous with the ‘baller’ lifestyle, some blatant, others more subtle and linked to song titles. Speaking of which can you work out what song the title is inspired by? I chose to add people into this piece and have done in a poignant way to pay homage to three true icons that have passed. ‘Tupac’, ‘Biggie Smalls’ and ‘Lisa (Left Eye) Lopez. The subtle dove and angel wing detailing adds something really special to this piece that has been created to just be bloody cool.
I hope you love seeking out all of the details within this piece, I loved creating it and it’s different which is a good thing for both artist and collector. I’ll be honest, I switched to ‘Black Sunday’ at the start of paragraph 5. Playing ‘Cypress Hill’ just got me thinking back to listening to the album on family holidays in Menorca, and how we would love to be back there right now eh. The power of music and the power of memories. So, bollocks to NAS, Hip Hop ain’t dead mate!
-
- Released: 2020
- Collection: Retrospective 2
- Edition Size: 45
- Specification: Limited edition fine art print, hand signed by artist.
- Image Size: 25” x 18.5"
- Framed Size (Approx): 32” x 26"
-
- Get in touch for overseas delivery
- Please allow approximately 14 days for delivery, should you need delivery sooner please let us know.
He Who Dares, Wins! (Only Fools & Horses) - Canvas Limited Edition
£1,295.00
- Is this the best British sitcom ever made? If not, then feel free to suggest another! The characters and the scriptwriting are as Cushti as it gets. Following on from my 2020 piece ‘I’ll Be There For You’ that celebrated the enormity of the ‘Friends’ TV series, I wanted to create another in similar format but in a completely different era. Past pieces have referenced ‘Only Fools & Horses’ in a gentle way, through the iconic three-wheeler rolling into view but I have been itching to take this beast on for an age. It’s always a question on timing and having the ability to do it real justice.
As with other ‘Retrospective’ pieces, this wonderful example of comedy gold takes me right back to growing up and watching TV as a family, something that I feel is somewhat lost nowadays. It was always one of the ‘must see’ programmes when searching through the ‘Radio Times’ looking for the Christmas special. It wasn’t all Quality Streets and giggling though, god no! Something has just popped back into my mind whilst writing this that, if I’m right and I think I am, a certain brother disgraced himself by drinking too much of the beastly ‘Killepitsch’ liqueur that I brought back from a recent work trip to Dusseldorf (try it if you dare).
To my Mum’s horror we found him slumped in his bedroom chair covered in everything that he had eaten and drank on Christmas day with the announcement that he had ruined everything. On my hands and knees and channelling the big kid in me, I frantically scrubbed the red sludge off the carpet and trying hard not to exhale boldly announced that it was all fine and we could still make the Only Fools & Horses Christmas special. We made it, my brother crept back down on Boxing Day.
I guess this is what it is all about, my memories come flooding back from being immersed in my art. Bugger me I bloody love what I do! As with the ‘Friends’ series, the collective of different characters and catchphrases is just brilliant, all so different but such a close bond. Initially, this piece that you now see was going to be set within their flat within Mandela House but I wanted to go bigger, more pizazz, more je ne sais quoi as they say in the Dordogne. So, what we see is when the Trotters have cashed in their cheque and became ‘meewionaaires’ and are living the life in Miami where all that glitters is gold, and the jubbly is as lovely as it could ever be.
They say money doesn’t buy class, if so then who cares? The Trotters certainly don’t, they are all way too blotto on the Crème de menthe to care. Piecing together the ornate room is the same process as my original ‘Storyteller’ works but it all changes when you start to add the detail that you see filling the floor. I don’t shy away with things when seeking to make pieces authentic so the inclusion of Dels’ plastic pretties was a must but please picture the scene here, in the studio. Ok, so it was on a weekend that I began building the scene and I thought given that it is quiet here in general but even more so on a Saturday I would be safe to do whatever research I needed. You’ve probably seen the amount of glass in this studio, there’s not much to hide what you are doing, or looking at. So, whilst entering some search phrases into google that would get me to what I need without being pounced on, imagine what images popped up on my screen – just as I heard the young children whose family manage the estate run past the window! Not a scene Enid Blyton would have ever conceived! You plonker!
‘He Who Dares, Wins’ is littered with the detail that we all know and love from the series, it was just so much fun, and I don’t think that a piece like this exists, I hope you love it as much as I do. I won’t list out the references as I know how much you buggers love seeking them out but a detail that I love is the old couch. I spoke about how I wanted to do a piece that had the same qualities of the ‘Friends piece’ that centred around the sofa, and this is no different. This time however it takes pride of place because of what this series represents to me and to many, quality time with the family. The grubby yellow fabric is done this way to resemble the brilliant Robin Reliant and allows for lots of great details associated with it to be plonked there. You know it makes sense!
This piece could very well end up under the Christmas tree for some, just ask yourself this though, are you sure you took the giblets out?! Mange tout, mange tout! -
- Released: 2021
- Collection: Retrospective 3
- Edition Size: 10 + 2AP
- Specification: Limited edition fine art print, hand signed by artist.
- Image Size: 42” x 27"
- Framed Size (Approx): 48” x 33"
-
- Get in touch for overseas delivery
- Please allow approximately 14 days for delivery, should you need delivery sooner please let us know.
He Who Dares, Wins! (Only Fools & Horses) - Original
- Is this the best British sitcom ever made? If not, then feel free to suggest another! The characters and the scriptwriting are as Cushti as it gets. Following on from my 2020 piece ‘I’ll Be There For You’ that celebrated the enormity of the ‘Friends’ TV series, I wanted to create another in similar format but in a completely different era. Past pieces have referenced ‘Only Fools & Horses’ in a gentle way, through the iconic three-wheeler rolling into view but I have been itching to take this beast on for an age. It’s always a question on timing and having the ability to do it real justice.
As with other ‘Retrospective’ pieces, this wonderful example of comedy gold takes me right back to growing up and watching TV as a family, something that I feel is somewhat lost nowadays. It was always one of the ‘must see’ programmes when searching through the ‘Radio Times’ looking for the Christmas special. It wasn’t all Quality Streets and giggling though, god no! Something has just popped back into my mind whilst writing this that, if I’m right and I think I am, a certain brother disgraced himself by drinking too much of the beastly ‘Killepitsch’ liqueur that I brought back from a recent work trip to Dusseldorf (try it if you dare).
To my Mum’s horror we found him slumped in his bedroom chair covered in everything that he had eaten and drank on Christmas day with the announcement that he had ruined everything. On my hands and knees and channelling the big kid in me, I frantically scrubbed the red sludge off the carpet and trying hard not to exhale boldly announced that it was all fine and we could still make the Only Fools & Horses Christmas special. We made it, my brother crept back down on Boxing Day.
I guess this is what it is all about, my memories come flooding back from being immersed in my art. Bugger me I bloody love what I do! As with the ‘Friends’ series, the collective of different characters and catchphrases is just brilliant, all so different but such a close bond. Initially, this piece that you now see was going to be set within their flat within Mandela House but I wanted to go bigger, more pizazz, more je ne sais quoi as they say in the Dordogne. So, what we see is when the Trotters have cashed in their cheque and became ‘meewionaaires’ and are living the life in Miami where all that glitters is gold, and the jubbly is as lovely as it could ever be.
They say money doesn’t buy class, if so then who cares? The Trotters certainly don’t, they are all way too blotto on the Crème de menthe to care. Piecing together the ornate room is the same process as my original ‘Storyteller’ works but it all changes when you start to add the detail that you see filling the floor. I don’t shy away with things when seeking to make pieces authentic so the inclusion of Dels’ plastic pretties was a must but please picture the scene here, in the studio. Ok, so it was on a weekend that I began building the scene and I thought given that it is quiet here in general but even more so on a Saturday I would be safe to do whatever research I needed. You’ve probably seen the amount of glass in this studio, there’s not much to hide what you are doing, or looking at. So, whilst entering some search phrases into google that would get me to what I need without being pounced on, imagine what images popped up on my screen – just as I heard the young children whose family manage the estate run past the window! Not a scene Enid Blyton would have ever conceived! You plonker!
‘He Who Dares, Wins’ is littered with the detail that we all know and love from the series, it was just so much fun, and I don’t think that a piece like this exists, I hope you love it as much as I do. I won’t list out the references as I know how much you buggers love seeking them out but a detail that I love is the old couch. I spoke about how I wanted to do a piece that had the same qualities of the ‘Friends piece’ that centred around the sofa, and this is no different. This time however it takes pride of place because of what this series represents to me and to many, quality time with the family. The grubby yellow fabric is done this way to resemble the brilliant Robin Reliant and allows for lots of great details associated with it to be plonked there. You know it makes sense!
This piece could very well end up under the Christmas tree for some, just ask yourself this though, are you sure you took the giblets out?! Mange tout, mange tout! -
- Released: 2021
- Collection: Retrospective 3
- Edition Size: 1 of 1 Original
- Specification: Mixed media original piece, hand signed by artist.
- Image Size: 58” x 36"
- Framed Size (Approx): 64” x 39"
I Have The Power - Canvas Limited Edition
£1,195.00
- This piece has been absolutely brilliant to work on, excuse the pun but I have toyed with putting my stamp on the ‘Masters Of The Universe’ for a good while now and the recent move to include characters within my pieces (more on the rationale behind that to follow in 2020) provided the perfect platform for me to do something special and do justice to such an iconic and much-loved story.
My aspiration is to fuel one’s imagination through the images that I create, to amplify the qualities and to stir the senses and to take you back to a period that is so special for so many and for some many reasons. It is this ability that I have built a reputation for that I have wanted to exploit in this collection and if by adding characters within the scene takes the piece to another level then why not.
What I am conveying through this piece is how we saw things as a child playing with these toys, where we truly used our imagination to play. We may have been setting He-Man and his companions out on the shag pile carpet or on the kitchen table but in our head we were in Eternia and we weren’t leaving until it was time for dinner!
I wish I had my toys still but I, along with my Brothers and Sister played the hell out of them so they ended up in the ‘Sandy Sunshine playgroup’ jumble stall. A low point was playing with the Sorceress (ooh err) on De-Panne beach and being called back for a ride on the go-carts and forgetting the winged beauty only to return to see the tide take her away. MERDE!
Castle Grayskull was one of the best, if not the best toys I owned, damn it brings it all back just thinking about it! This piece was always going to focus on it, with the aim of building a magical landscape that I have done so many times throughout my ‘Storyteller’ works but then take it to a different direction by showing what I so often eluded to, yet maintaining integrity and not buggering about with them and making them into something that they weren’t and instead making them come to life, to be less plastic. Through my signature lighting style and the magical detailing that I inject, these iconic action figures are hopefully as you pictured them. Anyone else have a possessed Ram Man? Mine seemed to always aim his leap straight into my bloody Nesquik!
This collection was always intended to be fun, to feel great looking back with the aim to look forward and I have done exactly that. It has been great fun, this piece especially as it was the first one where I moved into something completely different and I have every intention of building on that in future works. ‘Hadouken’ (Streetfighter 2) is a further example on how this has worked so well – so this is just Round One! Look within ‘The Memory Remains 2’ toyshop for a clue as to what could follow up ‘I Have The Power’ next year.
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- Released: 2019
- Collection: Retrospective
- Edition Size: 10
- Specification: Hand embellished heavyweight artist canvas, double framed, hand signed by artist.
- Image Size: 36” x 27"
- Framed Size (Approx): 41.5” x 32"
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- Get in touch for overseas delivery
- Please allow approximately 14 days for delivery, should you need delivery sooner please let us know.
I Have The Power - Large Limited Edition
£545.00
- This piece has been absolutely brilliant to work on, excuse the pun but I have toyed with putting my stamp on the ‘Masters Of The Universe’ for a good while now and the recent move to include characters within my pieces (more on the rationale behind that to follow in 2020) provided the perfect platform for me to do something special and do justice to such an iconic and much-loved story.
My aspiration is to fuel one’s imagination through the images that I create, to amplify the qualities and to stir the senses and to take you back to a period that is so special for so many and for some many reasons. It is this ability that I have built a reputation for that I have wanted to exploit in this collection and if by adding characters within the scene takes the piece to another level then why not.
What I am conveying through this piece is how we saw things as a child playing with these toys, where we truly used our imagination to play. We may have been setting He-Man and his companions out on the shag pile carpet or on the kitchen table but in our head we were in Eternia and we weren’t leaving until it was time for dinner!
I wish I had my toys still but I, along with my Brothers and Sister played the hell out of them so they ended up in the ‘Sandy Sunshine playgroup’ jumble stall. A low point was playing with the Sorceress (ooh err) on De-Panne beach and being called back for a ride on the go-carts and forgetting the winged beauty only to return to see the tide take her away. MERDE!
Castle Grayskull was one of the best, if not the best toys I owned, damn it brings it all back just thinking about it! This piece was always going to focus on it, with the aim of building a magical landscape that I have done so many times throughout my ‘Storyteller’ works but then take it to a different direction by showing what I so often eluded to, yet maintaining integrity and not buggering about with them and making them into something that they weren’t and instead making them come to life, to be less plastic. Through my signature lighting style and the magical detailing that I inject, these iconic action figures are hopefully as you pictured them. Anyone else have a possessed Ram Man? Mine seemed to always aim his leap straight into my bloody Nesquik!
This collection was always intended to be fun, to feel great looking back with the aim to look forward and I have done exactly that. It has been great fun, this piece especially as it was the first one where I moved into something completely different and I have every intention of building on that in future works. ‘Hadouken’ (Streetfighter 2) is a further example on how this has worked so well – so this is just Round One! Look within ‘The Memory Remains 2’ toyshop for a clue as to what could follow up ‘I Have The Power’ next year.
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- Released: 2019
- Collection: Retrospective
- Edition Size: 20
- Specification: Limited edition fine art print, hand signed by artist.
- Image Size: 32” x 24"
- Framed Size (Approx): 42” x 34"
-
- Get in touch for overseas delivery
- Please allow approximately 14 days for delivery, should you need delivery sooner please let us know.
I Have The Power - Standard Limited Edition
£395.00
- This piece has been absolutely brilliant to work on, excuse the pun but I have toyed with putting my stamp on the ‘Masters Of The Universe’ for a good while now and the recent move to include characters within my pieces (more on the rationale behind that to follow in 2020) provided the perfect platform for me to do something special and do justice to such an iconic and much-loved story.
My aspiration is to fuel one’s imagination through the images that I create, to amplify the qualities and to stir the senses and to take you back to a period that is so special for so many and for some many reasons. It is this ability that I have built a reputation for that I have wanted to exploit in this collection and if by adding characters within the scene takes the piece to another level then why not.
What I am conveying through this piece is how we saw things as a child playing with these toys, where we truly used our imagination to play. We may have been setting He-Man and his companions out on the shag pile carpet or on the kitchen table but in our head we were in Eternia and we weren’t leaving until it was time for dinner!
I wish I had my toys still but I, along with my Brothers and Sister played the hell out of them so they ended up in the ‘Sandy Sunshine playgroup’ jumble stall. A low point was playing with the Sorceress (ooh err) on De-Panne beach and being called back for a ride on the go-carts and forgetting the winged beauty only to return to see the tide take her away. MERDE!
Castle Grayskull was one of the best, if not the best toys I owned, damn it brings it all back just thinking about it! This piece was always going to focus on it, with the aim of building a magical landscape that I have done so many times throughout my ‘Storyteller’ works but then take it to a different direction by showing what I so often eluded to, yet maintaining integrity and not buggering about with them and making them into something that they weren’t and instead making them come to life, to be less plastic. Through my signature lighting style and the magical detailing that I inject, these iconic action figures are hopefully as you pictured them. Anyone else have a possessed Ram Man? Mine seemed to always aim his leap straight into my bloody Nesquik!
This collection was always intended to be fun, to feel great looking back with the aim to look forward and I have done exactly that. It has been great fun, this piece especially as it was the first one where I moved into something completely different and I have every intention of building on that in future works. ‘Hadouken’ (Streetfighter 2) is a further example on how this has worked so well – so this is just Round One! Look within ‘The Memory Remains 2’ toyshop for a clue as to what could follow up ‘I Have The Power’ next year.
-
- Released: 2019
- Collection: Retrospective
- Edition Size: 45
- Specification: Limited edition fine art print, hand signed by artist.
- Image Size: 25” x 18.5"
- Framed Size (Approx): 32” x 26"
-
- Get in touch for overseas delivery
- Please allow approximately 14 days for delivery, should you need delivery sooner please let us know.
I Have The Power - The Original
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This piece has been absolutely brilliant to work on, excuse the pun but I have toyed with putting my stamp on the ‘Masters Of The Universe’ for a good while now and the recent move to include characters within my pieces (more on the rationale behind that to follow in 2020) provided the perfect platform for me to do something special and do justice to such an iconic and much-loved story.
My aspiration is to fuel one’s imagination through the images that I create, to amplify the qualities and to stir the senses and to take you back to a period that is so special for so many and for some many reasons. It is this ability that I have built a reputation for that I have wanted to exploit in this collection and if by adding characters within the scene takes the piece to another level then why not.
What I am conveying through this piece is how we saw things as a child playing with these toys, where we truly used our imagination to play. We may have been setting He-Man and his companions out on the shag pile carpet or on the kitchen table but in our head we were in Eternia and we weren’t leaving until it was time for dinner!
I wish I had my toys still but I, along with my Brothers and Sister played the hell out of them so they ended up in the ‘Sandy Sunshine playgroup’ jumble stall. A low point was playing with the Sorceress (ooh err) on De-Panne beach and being called back for a ride on the go-carts and forgetting the winged beauty only to return to see the tide take her away. MERDE!
Castle Grayskull was one of the best, if not the best toys I owned, damn it brings it all back just thinking about it! This piece was always going to focus on it, with the aim of building a magical landscape that I have done so many times throughout my ‘Storyteller’ works but then take it to a different direction by showing what I so often eluded to, yet maintaining integrity and not buggering about with them and making them into something that they weren’t and instead making them come to life, to be less plastic. Through my signature lighting style and the magical detailing that I inject, these iconic action figures are hopefully as you pictured them. Anyone else have a possessed Ram Man? Mine seemed to always aim his leap straight into my bloody Nesquik!
This collection was always intended to be fun, to feel great looking back with the aim to look forward and I have done exactly that. It has been great fun, this piece especially as it was the first one where I moved into something completely different and I have every intention of building on that in future works. ‘Hadouken’ (Streetfighter 2) is a further example on how this has worked so well – so this is just Round One! Look within ‘The Memory Remains 2’ toyshop for a clue as to what could follow up ‘I Have The Power’ next year.
-
- Released: 2019
- Collection: Retrospective
- Specification: Limited edition fine art print, hand signed by artist.
- Image Size: 48” x 36"
- Framed Size (Approx): 54” x 41"
-
- Get in touch for overseas delivery
- Please allow approximately 14 days for delivery, should you need delivery sooner please let us know.
I Have The Power - The Original
- This piece has been absolutely brilliant to work on, excuse the pun but I have toyed with putting my stamp on the ‘Masters Of The Universe’ for a good while now and the recent move to include characters within my pieces (more on the rationale behind that to follow in 2020) provided the perfect platform for me to do something special and do justice to such an iconic and much-loved story.
My aspiration is to fuel one’s imagination through the images that I create, to amplify the qualities and to stir the senses and to take you back to a period that is so special for so many and for some many reasons. It is this ability that I have built a reputation for that I have wanted to exploit in this collection and if by adding characters within the scene takes the piece to another level then why not.
What I am conveying through this piece is how we saw things as a child playing with these toys, where we truly used our imagination to play. We may have been setting He-Man and his companions out on the shag pile carpet or on the kitchen table but in our head we were in Eternia and we weren’t leaving until it was time for dinner!
I wish I had my toys still but I, along with my Brothers and Sister played the hell out of them so they ended up in the ‘Sandy Sunshine playgroup’ jumble stall. A low point was playing with the Sorceress (ooh err) on De-Panne beach and being called back for a ride on the go-carts and forgetting the winged beauty only to return to see the tide take her away. MERDE!
Castle Grayskull was one of the best, if not the best toys I owned, damn it brings it all back just thinking about it! This piece was always going to focus on it, with the aim of building a magical landscape that I have done so many times throughout my ‘Storyteller’ works but then take it to a different direction by showing what I so often eluded to, yet maintaining integrity and not buggering about with them and making them into something that they weren’t and instead making them come to life, to be less plastic. Through my signature lighting style and the magical detailing that I inject, these iconic action figures are hopefully as you pictured them. Anyone else have a possessed Ram Man? Mine seemed to always aim his leap straight into my bloody Nesquik!
This collection was always intended to be fun, to feel great looking back with the aim to look forward and I have done exactly that. It has been great fun, this piece especially as it was the first one where I moved into something completely different and I have every intention of building on that in future works. ‘Hadouken’ (Streetfighter 2) is a further example on how this has worked so well – so this is just Round One! Look within ‘The Memory Remains 2’ toyshop for a clue as to what could follow up ‘I Have The Power’ next year.
-
- Released: 2019
- Collection: Retrospective
- Specification: Limited edition fine art print, hand signed by artist.
- Image Size: 48” x 36"
- Framed Size (Approx): 54” x 41"
-
- Get in touch for overseas delivery
- In stock and available for despatch
Midnight At The Mall (Gremlins) - Standard Limited Edition
£315.00
- ‘Gremlins’ was on my wish-list of pieces way back in 2016 when planning my first ‘Lost in Hollywood’ collection but it didn’t come to fruition as I wasn’t convinced that I had the concept to do it justice. Since then it has always been a case of timing, or bad timing. ‘Lost in Hollywood 2’ was released in April 2019 and the third instalment was in May 2020 and considering ‘Gremlins’ has achieved cult status as a Christmas film I always wanted to get it done at a time that it would resonate the strongest with all of my collectors who have pestered me for it! It’s kind of ironic actually as the film was released in June but sod it, it’s a Christmas film!
Bloody hell did I love Christmas as a kid, just genuine family time where the magic shone bright. One of the memories was circling which films we wanted to record to VHS from the ‘Radio Times’ magazine whilst cramming in the ‘Quality Streets’ and randomly ‘Eddy Grant’ playing in the background, an album that became a ‘must play’ each Christmas. I’ve just put it on now actually, the beauty of ‘Spotify’, no more dropping the needle and scratching my Mum’s vinyl!
Anyway, I’ve got a story to tell… I have set the scene within a retro shopping mall, a slight deviation to the department store but it’s always good to do something a bit different, bigger and brighter but ultimately darker. What you see is all hell breaking loose caused by a right little shit who started off all cute and then got fed at the wrong time and turned into a monster. Amongst the chaos there are some lovely details to seek out, ‘Rand Peltzer’ who was a struggling inventor has finally got his break and recognition and now thrives within the mall. Cast your beadies out of the windows and you will probably wonder what the feck is the town hall from ‘Back To The Future’ doing there. Who knew but apparently the same set was used to film that scene as was used in Gremlins.
This film is so damned good and the memories that it stirs up are even better! Do they make films as good as this anymore? Probably but just different. This was the piece from this new collection that influenced the release date as I wanted to make sure it could be on collectors walls for the festive period. What you have seen throughout 2020 was planned in the main last year albeit with a few deviations. I worried if I could get into that Christmas spirit in Autumn when creating the piece but because of the effects of Covid-19 and the growing need to look towards Christmas much earlier it has actually been great to embrace it now. Bollocks to bah humbug!
I know this piece is on a good number of people’s Christmas lists and I hope you love it as much as I did creating it. As Eddy would say, it’s just a harmless piece of fun, however, one must always remember with Mogwai, comes much responsibility!
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- Released: 2020
- Collection: Retrospective 2
- Edition Size: 45
- Specification: Limited edition fine art print, hand signed by artist.
- Image Size: 25” x 18.5"
- Framed Size (Approx): 32” x 26"
-
- Get in touch for overseas delivery
- Please allow approximately 14 days for delivery, should you need delivery sooner please let us know.
Rise Of The Machine 2 - Large Limited Edition
£545.00
- ‘Rise Of The Machine 2’ is the sequel to a piece that I created in 2019 as part of my ‘Retrospective’ collection that proved so popular I had to crack on with it. The concept for both pieces focuses upon a collection of Robots and man-made machines rising up and taking back control to become the dominant force. In the first piece we saw ‘Johnny 5’ running amok in the ‘Lost in Hollywood’ (did you see what I did there?!) world of an abandoned theme park. Rebelling against what he was programmed not to do and with a blatant disregard for the rules set by the management, the neckerchief-wearing blaggard graffiti’s over everything that he can get his boney little fingers on!
My initial plan was to set this sequel in another part of the theme park. Throughout my ‘Storyteller’ works I would spend countless hours searching for inspiration for derelict and abandoned settings I would often come back to scenes from the theme park within ‘Pripyat’- the ghost city in Ukraine that was devastated by the nuclear disaster. A brutal example of man-made machines failing spectacularly. What I loved was how the theme park and surrounding buildings within the city had slowly been taken over, not by man but by nature. I have always loved this concept and I simply adapted this for my ‘Rise Of The Machine’ narrative, where this time the machines fought back.
When conceiving and creating a new collection, it for me is always intense and immersive so that I can release a truly cohesive body of work. It was because of another piece from this ‘Retrospective 2’ collection that what you now see for ‘Rise Of The Machine 2’ is completely different to my original plan. This came from binging on ‘Breaking Bad’ for my ‘Let’s Cook, Bitch!’ piece and from a scene that was set in an old car breakers yard. It just stuck and the end result is something that I am incredibly happy with.
The intention for my ‘Retrospective’ ongoing body of work is one where I invite the audience to step inside the eye of my mind as I revisit memories from my formulative years and early adult-hood, the ones with minimal responsibility! The great thing with this is the crossover between a whole number of experiences that involved sport, music and movies and so on. I love the chance to blend these in with my ‘Lost In Hollywood’ collections, but with a lighter, less conceptually intense narrative and an ability to add focus to the characters that I typically leave out of view. I love combining films into one piece, to suggest that these characters all resided at the same time just in different areas but came together eventually. It is just pure good fun!
There is so much to seek out within this scene, legends such as R2-D2, C-3PO, Optimus Prime and Bumblebee shine amongst the shifting sands that surround the ominous car crusher. Other more subtle objects come to life just seconds after being previously hidden by the sand as the wind reveals them to you. What I hope is that you will stumble across a small detail that you maybe not identify immediately but on closer inspection remember how much you loved that movie and that then ignites a linked memory to that. This is what it does for me, and I ultimately feel better for it and closer to my childhood as a result.
Progress is made by the improvement of people, not the improvement of machines.
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- Released: 2020
- Collection: Retrospective 2
- Edition Size: 20
- Specification: Limited edition fine art print, hand signed by artist.
- Image Size: 32” x 24"
- Framed Size (Approx): 42” x 34"
-
- Get in touch for overseas delivery
- Please allow approximately 14 days for delivery, should you need delivery sooner please let us know.