There is a message on the shopfront warning people that objects in the shop window appear larger in your head - playing on the fact that when you think back to getting a present the box was so much bigger than it actually was, castle greyskull for me was just that, the box seemed to be 10ft wide. There is a grabber placed in the window above the display, the idea here is that it represents your brain where it can grab an object and it’s memory and plant it in your head - the shop is exactly that - it represents your memories hence the sign saying the shop is always open.

It is these deep rooted memories that stay with us and are ageless regardless of everything outside that changes over time. To support the street scene there is also a hint of an old cinema and arcade that shows the overlaid posters to give that sense of time passing. There is so much to see, some blatant, some really subtle like the family photos that have been engrained into the wood. I have used maple leaves to add detail to the scene, these work nicely to interact with the objects and have featured green to red to further signify time passing. I will leave you to spot everything else.

The piece was about 80% done and saved ‘locally’ and due to go to print in two days’ time, oh how I wept like a baby. Blubbering and crapping myself aside I luckily was saved by ‘iCloud’ and was able to finish it to what you now see today. There’s a story for the Grandkids right there.

‘The Memory Remains’ focused on an intriguing, classic toy shop – a million miles away from how we shop for our kids nowadays. So, what we see in the follow up is inside the toy shop, a nostalgic feast of pretty much every toy that you can think back to owning or wanting to own. The room is full to bursting with classic games, toys and sweets in the hope that I have created the ultimate shrine to our childhood playtime. This is without doubt the most labour-intensive piece that I have created to date, with in excess of one hundred hours going into the scene. There are subtle qualities that link visually with the first piece in terms of composition and I am keen to see if you spot them.

I am always keen for my pieces to link together and this is done here by some of the toys and teddies being referenced in the toy shop that are also shown in my 2019 ‘Skool’s Out’ piece where the Summer holidays are in full swing (can’t help myself with the puns). This shows that everything revolves around the toy shop that you see here now, there was none of this shopping around or click and collecting – it was that trip in with you family or friends to the toy shop in town and you loved and lived every minute of it.

So, for everyone who owns the first piece or missed out but hoped for a great follow up I genuinely hope that you love what you see and that I have done justice to your memories. I have loved every single minute of creating this piece (with the exception of paragraph 1!) and on a personal level it has reinforced what a cracking childhood I enjoyed and without doubt those memories burn more vividly than before, the best memories will always remain.

The piece was about 80% done and saved ‘locally’ and due to go to print in two days’ time, oh how I wept like a baby. Blubbering and crapping myself aside I luckily was saved by ‘iCloud’ and was able to finish it to what you now see today. There’s a story for the Grandkids right there.

‘The Memory Remains’ focused on an intriguing, classic toy shop – a million miles away from how we shop for our kids nowadays. So, what we see in the follow up is inside the toy shop, a nostalgic feast of pretty much every toy that you can think back to owning or wanting to own. The room is full to bursting with classic games, toys and sweets in the hope that I have created the ultimate shrine to our childhood playtime. This is without doubt the most labour-intensive piece that I have created to date, with in excess of one hundred hours going into the scene. There are subtle qualities that link visually with the first piece in terms of composition and I am keen to see if you spot them.

I am always keen for my pieces to link together and this is done here by some of the toys and teddies being referenced in the toy shop that are also shown in my 2019 ‘Skool’s Out’ piece where the Summer holidays are in full swing (can’t help myself with the puns). This shows that everything revolves around the toy shop that you see here now, there was none of this shopping around or click and collecting – it was that trip in with you family or friends to the toy shop in town and you loved and lived every minute of it.

So, for everyone who owns the first piece or missed out but hoped for a great follow up I genuinely hope that you love what you see and that I have done justice to your memories. I have loved every single minute of creating this piece (with the exception of paragraph 1!) and on a personal level it has reinforced what a cracking childhood I enjoyed and without doubt those memories burn more vividly than before, the best memories will always remain.

The piece was about 80% done and saved ‘locally’ and due to go to print in two days’ time, oh how I wept like a baby. Blubbering and crapping myself aside I luckily was saved by ‘iCloud’ and was able to finish it to what you now see today. There’s a story for the Grandkids right there.

‘The Memory Remains’ focused on an intriguing, classic toy shop – a million miles away from how we shop for our kids nowadays. So, what we see in the follow up is inside the toy shop, a nostalgic feast of pretty much every toy that you can think back to owning or wanting to own. The room is full to bursting with classic games, toys and sweets in the hope that I have created the ultimate shrine to our childhood playtime. This is without doubt the most labour-intensive piece that I have created to date, with in excess of one hundred hours going into the scene. There are subtle qualities that link visually with the first piece in terms of composition and I am keen to see if you spot them.

I am always keen for my pieces to link together and this is done here by some of the toys and teddies being referenced in the toy shop that are also shown in my 2019 ‘Skool’s Out’ piece where the Summer holidays are in full swing (can’t help myself with the puns). This shows that everything revolves around the toy shop that you see here now, there was none of this shopping around or click and collecting – it was that trip in with you family or friends to the toy shop in town and you loved and lived every minute of it.

So, for everyone who owns the first piece or missed out but hoped for a great follow up I genuinely hope that you love what you see and that I have done justice to your memories. I have loved every single minute of creating this piece (with the exception of paragraph 1!) and on a personal level it has reinforced what a cracking childhood I enjoyed and without doubt those memories burn more vividly than before, the best memories will always remain.

‘Doctor Who’ was a must, it sticks in my head from watching with my family. The quirkiness was great but even with the ropey special effects it had a darkness that caused a particular recurring nightmare that I will leave well alone!

I felt that there was a big opportunity to create something really special, something that didn’t appear to have been done to date, a scene loaded with an incredible amount of detail that was truly authentic and that the die-hard fans could embrace. It’s not a subject that you can rush or take on lightly for sure.

The catalyst for ‘Time Lord’ was the huge new chapter with the series that saw the introduction of the first female Doctor played by the talented Jodie Whittaker, an actress who I had the pleasure of meeting through my obsession with the ITV drama ‘Broadchurch’ with the plot truly capturing my imagination and the soundtrack inspiring so many of my works.

I love to inject a subtle narrative within the detail of the scene and this was embraced with the battle of control between the new arrival and the previous Doctor. There are small references to seek out that suggest something is going on, it just depends on how your mind works!

A piece created to enjoy and to interact with, to stir up great memories, to take a trip back in time whilst looking to the future - see what I did there? There is so much to spot and interpret, some obvious, some random, I look forward to hearing your thoughts on what is going on down in the woods.

I absolutely loved working on ‘Time Lord’, and it’s given me the opportunity for closure. Those bloody Cybermen scared the hell out of me as a kid so the saying ‘putting lipstick on a pig’ has been well and truly actioned here, it’s over!

We’re all stories in the end. Just make it a good one, eh?

‘Doctor Who’ was a must, it sticks in my head from watching with my family. The quirkiness was great but even with the ropey special effects it had a darkness that caused a particular recurring nightmare that I will leave well alone!

I felt that there was a big opportunity to create something really special, something that didn’t appear to have been done to date, a scene loaded with an incredible amount of detail that was truly authentic and that the die-hard fans could embrace. It’s not a subject that you can rush or take on lightly for sure.

The catalyst for ‘Time Lord’ was the huge new chapter with the series that saw the introduction of the first female Doctor played by the talented Jodie Whittaker, an actress who I had the pleasure of meeting through my obsession with the ITV drama ‘Broadchurch’ with the plot truly capturing my imagination and the soundtrack inspiring so many of my works.

I love to inject a subtle narrative within the detail of the scene and this was embraced with the battle of control between the new arrival and the previous Doctor. There are small references to seek out that suggest something is going on, it just depends on how your mind works!

A piece created to enjoy and to interact with, to stir up great memories, to take a trip back in time whilst looking to the future - see what I did there? There is so much to spot and interpret, some obvious, some random, I look forward to hearing your thoughts on what is going on down in the woods.

I absolutely loved working on ‘Time Lord’, and it’s given me the opportunity for closure. Those bloody Cybermen scared the hell out of me as a kid so the saying ‘putting lipstick on a pig’ has been well and truly actioned here, it’s over!

We’re all stories in the end. Just make it a good one, eh?

I have so many vivid memories as a kid being taken to football matches by my Dad, Michael, be it Saturdays at Luton Town or long trips up to Elland Road. Yet it was the real treat when you were taken to Wembley to watch an England game, it was always about how you felt seeing those famous towers and all of the football coaches parked up that I remember more than the game itself. Coming home with a flag or sweatbands that you would cherish long after the game.

I’ve only been to the new Wembley once (all part of being a Leeds fan!) and whilst it is a magnificent arena it is nothing in comparison to the stature of seeing those towers appear. So that was the aim for this piece, to create a scene where the stadium loomed up suddenly between buildings with a real sense of magnificence. Nostalgia personified.

What we see took an absolute age as I wanted to create a perfect scenario within the London street scene. I wanted to feature an iconic green tiled boozer and a proper old-school high street shop that we can all relate to. I saw the opportunity to link nicely in with the format of ‘The Memory Remains’ and I am really pleased with how it has turned out!

The piece is actually celebrating the World Cup win of 1966 with so much of the details paying homage to the Ramsey boys who lifted the ‘Jules Rimet’, there are some really subtle but beautiful details for you to seek out. However, the more you look you realise that the scene is actually set in the late 80’s, references to ‘Live Aid’ and the Queen sell out Wembley concert all help to build the story.

Those who follow my work closely will know that I love to inject a multi-layered narrative where possible and this is the case with this piece. ‘Greavsies Rentals’ is a quirky TV rental shop like so many of us can remember. This detail in itself provided a really great quality to the scene but right from the start I had wanted to feature a reference to the wheeler and dealer Del Boy.

I had originally intended to just have his three wheeler parked up in the side street but the more personality that grew from the rentals shop and the questionable quality of the goods I chose to showcase the source of the TV’s by insinuating that it was actually Mr Trotter himself that was supplying Greavsie! It is just a wonderful bit of randomness that I feel takes this piece away from simply being able to be embraced by football fans. I hope you enjoy it as much as I did creating it.

I have so many vivid memories as a kid being taken to football matches by my Dad, Michael, be it Saturdays at Luton Town or long trips up to Elland Road. Yet it was the real treat when you were taken to Wembley to watch an England game, it was always about how you felt seeing those famous towers and all of the football coaches parked up that I remember more than the game itself. Coming home with a flag or sweatbands that you would cherish long after the game.

I’ve only been to the new Wembley once (all part of being a Leeds fan!) and whilst it is a magnificent arena it is nothing in comparison to the stature of seeing those towers appear. So that was the aim for this piece, to create a scene where the stadium loomed up suddenly between buildings with a real sense of magnificence. Nostalgia personified.

What we see took an absolute age as I wanted to create a perfect scenario within the London street scene. I wanted to feature an iconic green tiled boozer and a proper old-school high street shop that we can all relate to. I saw the opportunity to link nicely in with the format of ‘The Memory Remains’ and I am really pleased with how it has turned out!

The piece is actually celebrating the World Cup win of 1966 with so much of the details paying homage to the Ramsey boys who lifted the ‘Jules Rimet’, there are some really subtle but beautiful details for you to seek out. However, the more you look you realise that the scene is actually set in the late 80’s, references to ‘Live Aid’ and the Queen sell out Wembley concert all help to build the story.

Those who follow my work closely will know that I love to inject a multi-layered narrative where possible and this is the case with this piece. ‘Greavsies Rentals’ is a quirky TV rental shop like so many of us can remember. This detail in itself provided a really great quality to the scene but right from the start I had wanted to feature a reference to the wheeler and dealer Del Boy.

I had originally intended to just have his three wheeler parked up in the side street but the more personality that grew from the rentals shop and the questionable quality of the goods I chose to showcase the source of the TV’s by insinuating that it was actually Mr Trotter himself that was supplying Greavsie! It is just a wonderful bit of randomness that I feel takes this piece away from simply being able to be embraced by football fans. I hope you enjoy it as much as I did creating it.

I have so many vivid memories as a kid being taken to football matches by my Dad, Michael, be it Saturdays at Luton Town or long trips up to Elland Road. Yet it was the real treat when you were taken to Wembley to watch an England game, it was always about how you felt seeing those famous towers and all of the football coaches parked up that I remember more than the game itself. Coming home with a flag or sweatbands that you would cherish long after the game.

I’ve only been to the new Wembley once (all part of being a Leeds fan!) and whilst it is a magnificent arena it is nothing in comparison to the stature of seeing those towers appear. So that was the aim for this piece, to create a scene where the stadium loomed up suddenly between buildings with a real sense of magnificence. Nostalgia personified.

What we see took an absolute age as I wanted to create a perfect scenario within the London street scene. I wanted to feature an iconic green tiled boozer and a proper old-school high street shop that we can all relate to. I saw the opportunity to link nicely in with the format of ‘The Memory Remains’ and I am really pleased with how it has turned out!

The piece is actually celebrating the World Cup win of 1966 with so much of the details paying homage to the Ramsey boys who lifted the ‘Jules Rimet’, there are some really subtle but beautiful details for you to seek out. However, the more you look you realise that the scene is actually set in the late 80’s, references to ‘Live Aid’ and the Queen sell out Wembley concert all help to build the story.

Those who follow my work closely will know that I love to inject a multi-layered narrative where possible and this is the case with this piece. ‘Greavsies Rentals’ is a quirky TV rental shop like so many of us can remember. This detail in itself provided a really great quality to the scene but right from the start I had wanted to feature a reference to the wheeler and dealer Del Boy.

I had originally intended to just have his three wheeler parked up in the side street but the more personality that grew from the rentals shop and the questionable quality of the goods I chose to showcase the source of the TV’s by insinuating that it was actually Mr Trotter himself that was supplying Greavsie! It is just a wonderful bit of randomness that I feel takes this piece away from simply being able to be embraced by football fans. I hope you enjoy it as much as I did creating it.