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The whale is portrayed as a monster and appears in top ten sea monsters of all time all over the internet. Was he actually a monster or was he simply provoked for years on end? Who is hunting who here? They say that everyone, no matter how placid has a breaking point and my interpretation looks at the story from this angle. Angry seas, boats caught in the monsters jaws saturate any image search - I have kept well away from that and pushed to portray a scene of devastation, of sheer terror, in a beautiful light that is the complete opposite yet ultimately showing the same result.

I have chosen a calm, serene seascape to truly demonstrate the environment where the whale should swim free, not be hunted. Something so huge and powerful doesn’t need to wage war, a simple flick of its’ huge tail and it’s done. There is something much more powerful to see such a huge creature slip beneath the surface like this rather than a backward leap and crashing down, it’s what is underneath, what you can’t see that is ultimately more dangerous, more powerful.

My portrayal of the whale is one of beauty and peace. I have created the tail in a way that actually looks like a dove about to fly away towards the light. There’s no better way to symbolise peace and being set free than this and it fits perfectly with may concept that the whale can finally swim freely now that those that hunted it obsessively lay beneath him. If you look closely you can see subtle feather details, creating a tail within a tail.
My aim is that you see a beautiful scene before you are fixated with what has just happened and the untold destruction that has occurred.

The whale is finally shown in it’s true light. A solitary oar from the Pequods’ hunting boat floats in the water, opposite a single broken piece from the boat, a part of its’ mast as there is a Spanish Doubloon nailed to it, with an oily hand print where one tried to make a final grab for their reward, Captain Ahab is also inscribed on the wood. A torn section of rope just about keeps itself above the surface, torn from the harpoon that proved so futile. In the foreground there is a message in a bottle, written by Ishmael. Written in hope that his tales will be found one day, almost accepting his fate, tragic but beautiful.

Another so called monster heads into view, a shark, again - who’s killing who? In contrast and in keeping with my love for good vs evil, dolphins swim the opposing direction, head on so as to symbolise the battle between good and ‘evil’. Ultimately I have strived to create something that is beautiful and serene, with intensity but yet with remoteness, a positive message that comes from a scene of complete and utter devastation.

The whale is portrayed as a monster and appears in top ten sea monsters of all time all over the internet. Was he actually a monster or was he simply provoked for years on end? Who is hunting who here? They say that everyone, no matter how placid has a breaking point and my interpretation looks at the story from this angle. Angry seas, boats caught in the monsters jaws saturate any image search - I have kept well away from that and pushed to portray a scene of devastation, of sheer terror, in a beautiful light that is the complete opposite yet ultimately showing the same result.

I have chosen a calm, serene seascape to truly demonstrate the environment where the whale should swim free, not be hunted. Something so huge and powerful doesn’t need to wage war, a simple flick of its’ huge tail and it’s done. There is something much more powerful to see such a huge creature slip beneath the surface like this rather than a backward leap and crashing down, it’s what is underneath, what you can’t see that is ultimately more dangerous, more powerful.

My portrayal of the whale is one of beauty and peace. I have created the tail in a way that actually looks like a dove about to fly away towards the light. There’s no better way to symbolise peace and being set free than this and it fits perfectly with may concept that the whale can finally swim freely now that those that hunted it obsessively lay beneath him. If you look closely you can see subtle feather details, creating a tail within a tail.
My aim is that you see a beautiful scene before you are fixated with what has just happened and the untold destruction that has occurred.

The whale is finally shown in it’s true light. A solitary oar from the Pequods’ hunting boat floats in the water, opposite a single broken piece from the boat, a part of its’ mast as there is a Spanish Doubloon nailed to it, with an oily hand print where one tried to make a final grab for their reward, Captain Ahab is also inscribed on the wood. A torn section of rope just about keeps itself above the surface, torn from the harpoon that proved so futile. In the foreground there is a message in a bottle, written by Ishmael. Written in hope that his tales will be found one day, almost accepting his fate, tragic but beautiful.

Another so called monster heads into view, a shark, again - who’s killing who? In contrast and in keeping with my love for good vs evil, dolphins swim the opposing direction, head on so as to symbolise the battle between good and ‘evil’. Ultimately I have strived to create something that is beautiful and serene, with intensity but yet with remoteness, a positive message that comes from a scene of complete and utter devastation.

What an absolutely brilliant film The Lost Boys is! The ultimate vampire movie? Yeah I think so! It is the same as horror movies, I prefer those that aren’t all about gouging eyeballs out but instead have a multi-layered plot that you can imagine actually exists - that is ultimately more terrifying and believable.

That’s why The Lost Boys captured the imagination whilst instilling fear, it is one of those movies that you forget just how much you loved it and how scared it made you in parts. The point where the car roof was torn off and the occupants dragged out is one that haunted me as a kid and was no way going to ever find a place in this interpretation!

What I love is that it is another cracking example of how darkness resides so closely with normal life, where evil walks the same streets as those that will become prey. Under the bright glows of the board-walk and the iconic fair that dominates, the screams of excitement mask those of terror. That giddiness from the buzz and intensity of the rides and the crowds blur the lines between what you think you saw and what you actually just did. It has an almost drug-like quality to it and that is what I wanted to portray within my take on this amazing movie.

The rich glows of the fairground and the pier, the warm glow of the fire that burns on the beach and the beautiful sky all mask the much more sinister plot. Key details are placed within the scene, some subtle, others more disguised but all combine to not just pay homage to the film but to allow you to decipher what is happening. Where are the key characters?

By placing the fire close to you in the foreground you could imagine that Michael and Star are stood just behind you staring into the flames, possibly. That is what I love about not showing the characters within my work and by positioning the details in the way that I do, it means they are there, just out of sight but you’re part of it, you’re amongst them, right amongst them.

Another quality of the film and link to my work is that it makes you look at what is actually genuinely evil, and who if anyone is actually born evil or simply put under a spell, either by an individual or by life itself. It’s the battle to be set free, either yourself or a loved one, to win out and beat the curse and not to succumb to the demons even if you are bitten by life, or love.

What an absolutely brilliant film The Lost Boys is! The ultimate vampire movie? Yeah I think so! It is the same as horror movies, I prefer those that aren’t all about gouging eyeballs out but instead have a multi-layered plot that you can imagine actually exists - that is ultimately more terrifying and believable.

That’s why The Lost Boys captured the imagination whilst instilling fear, it is one of those movies that you forget just how much you loved it and how scared it made you in parts. The point where the car roof was torn off and the occupants dragged out is one that haunted me as a kid and was no way going to ever find a place in this interpretation! 

What I love is that it is another cracking example of how darkness resides so closely with normal life, where evil walks the same streets as those that will become prey. Under the bright glows of the board-walk and the iconic fair that dominates, the screams of excitement mask those of terror. That giddiness from the buzz and intensity of the rides and the crowds blur the lines between what you think you saw and what you actually just did. It has an almost drug-like quality to it and that is what I wanted to portray within my take on this amazing movie.  

The rich glows of the fairground and the pier, the warm glow of the fire that burns on the beach and the beautiful sky all mask the much more sinister plot. Key details are placed within the scene, some subtle, others more disguised but all combine to not just pay homage to the film but to allow you to decipher what is happening. Where are the key characters? 

By placing the fire close to you in the foreground you could imagine that Michael and Star are stood just behind you staring into the flames, possibly. That is what I love about not showing the characters within my work and by positioning the details in the way that I do, it means they are there, just out of sight but you’re part of it, you’re amongst them, right amongst them.

Another quality of the film and link to my work is that it makes you look at what is actually genuinely evil, and who if anyone is actually born evil or simply put under a spell, either by an individual or by life itself. It’s the battle to be set free, either yourself or a loved one, to win out and beat the curse and not to succumb to the demons even if you are bitten by life, or love.

What an absolutely brilliant film The Lost Boys is! The ultimate vampire movie? Yeah I think so! It is the same as horror movies, I prefer those that aren’t all about gouging eyeballs out but instead have a multi-layered plot that you can imagine actually exists - that is ultimately more terrifying and believable.

That’s why The Lost Boys captured the imagination whilst instilling fear, it is one of those movies that you forget just how much you loved it and how scared it made you in parts. The point where the car roof was torn off and the occupants dragged out is one that haunted me as a kid and was no way going to ever find a place in this interpretation! 

What I love is that it is another cracking example of how darkness resides so closely with normal life, where evil walks the same streets as those that will become prey. Under the bright glows of the board-walk and the iconic fair that dominates, the screams of excitement mask those of terror. That giddiness from the buzz and intensity of the rides and the crowds blur the lines between what you think you saw and what you actually just did. It has an almost drug-like quality to it and that is what I wanted to portray within my take on this amazing movie.  

The rich glows of the fairground and the pier, the warm glow of the fire that burns on the beach and the beautiful sky all mask the much more sinister plot. Key details are placed within the scene, some subtle, others more disguised but all combine to not just pay homage to the film but to allow you to decipher what is happening. Where are the key characters? 

By placing the fire close to you in the foreground you could imagine that Michael and Star are stood just behind you staring into the flames, possibly. That is what I love about not showing the characters within my work and by positioning the details in the way that I do, it means they are there, just out of sight but you’re part of it, you’re amongst them, right amongst them.

Another quality of the film and link to my work is that it makes you look at what is actually genuinely evil, and who if anyone is actually born evil or simply put under a spell, either by an individual or by life itself. It’s the battle to be set free, either yourself or a loved one, to win out and beat the curse and not to succumb to the demons even if you are bitten by life, or love.

What an absolutely brilliant film The Lost Boys is! The ultimate vampire movie? Yeah I think so! It is the same as horror movies, I prefer those that aren’t all about gouging eyeballs out but instead have a multi-layered plot that you can imagine actually exists - that is ultimately more terrifying and believable.

That’s why The Lost Boys captured the imagination whilst instilling fear, it is one of those movies that you forget just how much you loved it and how scared it made you in parts. The point where the car roof was torn off and the occupants dragged out is one that haunted me as a kid and was no way going to ever find a place in this interpretation! 

What I love is that it is another cracking example of how darkness resides so closely with normal life, where evil walks the same streets as those that will become prey. Under the bright glows of the board-walk and the iconic fair that dominates, the screams of excitement mask those of terror. That giddiness from the buzz and intensity of the rides and the crowds blur the lines between what you think you saw and what you actually just did. It has an almost drug-like quality to it and that is what I wanted to portray within my take on this amazing movie.  

The rich glows of the fairground and the pier, the warm glow of the fire that burns on the beach and the beautiful sky all mask the much more sinister plot. Key details are placed within the scene, some subtle, others more disguised but all combine to not just pay homage to the film but to allow you to decipher what is happening. Where are the key characters? 

By placing the fire close to you in the foreground you could imagine that Michael and Star are stood just behind you staring into the flames, possibly. That is what I love about not showing the characters within my work and by positioning the details in the way that I do, it means they are there, just out of sight but you’re part of it, you’re amongst them, right amongst them.

Another quality of the film and link to my work is that it makes you look at what is actually genuinely evil, and who if anyone is actually born evil or simply put under a spell, either by an individual or by life itself. It’s the battle to be set free, either yourself or a loved one, to win out and beat the curse and not to succumb to the demons even if you are bitten by life, or love. 

‘Doctor Who’ was a must, it sticks in my head from watching with my family. The quirkiness was great but even with the ropey special effects it had a darkness that caused a particular recurring nightmare that I will leave well alone!

I felt that there was a big opportunity to create something really special, something that didn’t appear to have been done to date, a scene loaded with an incredible amount of detail that was truly authentic and that the die-hard fans could embrace. It’s not a subject that you can rush or take on lightly for sure.

The catalyst for ‘Time Lord’ was the huge new chapter with the series that saw the introduction of the first female Doctor played by the talented Jodie Whittaker, an actress who I had the pleasure of meeting through my obsession with the ITV drama ‘Broadchurch’ with the plot truly capturing my imagination and the soundtrack inspiring so many of my works.

I love to inject a subtle narrative within the detail of the scene and this was embraced with the battle of control between the new arrival and the previous Doctor. There are small references to seek out that suggest something is going on, it just depends on how your mind works!

A piece created to enjoy and to interact with, to stir up great memories, to take a trip back in time whilst looking to the future - see what I did there? There is so much to spot and interpret, some obvious, some random, I look forward to hearing your thoughts on what is going on down in the woods.

I absolutely loved working on ‘Time Lord’, and it’s given me the opportunity for closure. Those bloody Cybermen scared the hell out of me as a kid so the saying ‘putting lipstick on a pig’ has been well and truly actioned here, it’s over!

We’re all stories in the end. Just make it a good one, eh?

‘Doctor Who’ was a must, it sticks in my head from watching with my family. The quirkiness was great but even with the ropey special effects it had a darkness that caused a particular recurring nightmare that I will leave well alone!

I felt that there was a big opportunity to create something really special, something that didn’t appear to have been done to date, a scene loaded with an incredible amount of detail that was truly authentic and that the die-hard fans could embrace. It’s not a subject that you can rush or take on lightly for sure.

The catalyst for ‘Time Lord’ was the huge new chapter with the series that saw the introduction of the first female Doctor played by the talented Jodie Whittaker, an actress who I had the pleasure of meeting through my obsession with the ITV drama ‘Broadchurch’ with the plot truly capturing my imagination and the soundtrack inspiring so many of my works.

I love to inject a subtle narrative within the detail of the scene and this was embraced with the battle of control between the new arrival and the previous Doctor. There are small references to seek out that suggest something is going on, it just depends on how your mind works!

A piece created to enjoy and to interact with, to stir up great memories, to take a trip back in time whilst looking to the future - see what I did there? There is so much to spot and interpret, some obvious, some random, I look forward to hearing your thoughts on what is going on down in the woods.

I absolutely loved working on ‘Time Lord’, and it’s given me the opportunity for closure. Those bloody Cybermen scared the hell out of me as a kid so the saying ‘putting lipstick on a pig’ has been well and truly actioned here, it’s over!

We’re all stories in the end. Just make it a good one, eh?