Full Portfolio
To Boldly Go (Star Trek) - Standard Limited Edition
£395.00
-
- Released: 2021
- Collection: Lost in Hollywood
- Edition Size: 10 + 2 AP
- Specification: Limited edition fine art print, hand signed by artist.
- Image Size: 25” x 18.5"
- Framed Size (Approx): 32” x 26"
-
- Get in touch for overseas delivery
- Please allow approximately 14 days for delivery, should you need delivery sooner please let us know.
Toile & Trouble (Hansel & Gretel) - Limited Edition
- Avoiding the much used cottage in a wood clearing synonymous with Hansel and Gretel, you are instead exposed to a vast space and a very different environment than you first thought existed. This piece magnifies the sense of scale whilst representing the act of being tricked and misled with wonderfully enticing sweets and cakes sitting amongst the rawness of black magic, witchcraft and imprisonment that pays homage to the dark minds of the Brothers Grimm. The devil is in the detail, literally.
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- Released: 2015
- Collection: Storyteller
- Edition Size: 45 + 5AP
- Specification: Limited edition fine art print, hand signed by artist.
- Image Size: 21.5” x 16.5"
- Framed Size: 29.5” x 25"
Toile & Trouble (Hansel & Gretel) - Original
- Avoiding the much used cottage in a wood clearing synonymous with Hansel and Gretel, you are instead exposed to a vast space and a very different environment than you first thought existed. This piece magnifies the sense of scale whilst representing the act of being tricked and misled with wonderfully enticing sweets and cakes sitting amongst the rawness of black magic, witchcraft and imprisonment that pays homage to the dark minds of the Brothers Grimm. The devil is in the detail, literally.
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- Released: 2015
- Collection: Storyteller
- Specification: 1 of 1 original framed embellished canvas, hand signed by artist.
- Image Size: 48” x 36"
- Framed Size: 54” x 41"
Toxicity (Suicide Squad) - Canvas Limited Edition
£1,195.00
- This piece follows on from my 2020 Joker piece ‘Smile’ that was set within the Arkham Asylum. I wanted to do something as equally dark, it is really intense! What you see focuses on the relationship between Harley Quinn and the Joker and how incredibly toxic it is. It conveys how completely intoxicated and infatuated she is and under his spell and unable to to see the wrongs from their relationship and being unable to truly break away from it. It focuses on how someone can have such a hold over you where you will literally sacrifice everything and do anything for them, whether that is quality of life, state of mind or self worth.
It runs true to the narrative of the film but it really builds on this sense of toxicity within a relationship that feature in past pieces such as ‘The Wolf Within’, very dark and real. Yet, I didn’t want it to become too conceptual, as with the ‘Smile’ piece, it has an underlying narrative but it is a celebration of what the movie’s fans would love but done in my way.
This scene is complete on fire, everything burns and is about to explode and implode. As with ‘Smile’, there are two main characters to enjoy. Harley is breaking away, she screams fight, inner strength and power! Yet the impact of the Joker’ stood central is massive, sinister and controlling. The piece would have been a cracker without him there as Harley is literally strong enough on her own but he just reinforces the fact that he still lives on in her mind. Her memories of their relationship exist within the factory buildings, the moment when they first met when she was his Psychiatrist is beautiful and contrasting.
I love how you then see them move in for a kiss. In contrast there’s the powerful moment when the Joker jumps in to pull her out from the acid bath after she almost paid the ultimate sacrifice for his love. These semi-translucent memories that we see and that she sees represent just how no matter how toxic and destructive a relationship can be, these innocent memories that flood your mind won’t fade as quickly as a bruised arm or heart but that ultimately will hold you back.
Ultimately it is a positive image, she is basically saying ‘fuck this, you have no power over me, you don’t own me’. You know what I’m like, I always try to get a car into a scene where possible! I love it! The other characters are depicted in various ways amongst the scene. I have had such fun creating something that is so angry but so positive and I hope through my own interpretation that I have given something unique to the fans of the movie. -
- Released: 2021
- Collection: Lost In Hollywood 4
- Edition Size: 10 + 2AP
- Specification: Hand embellished heavyweight artist canvas, double framed, hand signed by artist.
- Image Size: 37” x 26"
- Framed Size (Approx): 41.5” x 32"
-
- Get in touch for overseas delivery
- Please allow approximately 14 days for delivery, should you need delivery sooner please let us know.
Toxicity (Suicide Squad) - Large Limited Edition
£545.00
- This piece follows on from my 2020 Joker piece ‘Smile’ that was set within the Arkham Asylum. I wanted to do something as equally dark, it is really intense! What you see focuses on the relationship between Harley Quinn and the Joker and how incredibly toxic it is. It conveys how completely intoxicated and infatuated she is and under his spell and unable to to see the wrongs from their relationship and being unable to truly break away from it. It focuses on how someone can have such a hold over you where you will literally sacrifice everything and do anything for them, whether that is quality of life, state of mind or self worth.
It runs true to the narrative of the film but it really builds on this sense of toxicity within a relationship that feature in past pieces such as ‘The Wolf Within’, very dark and real. Yet, I didn’t want it to become too conceptual, as with the ‘Smile’ piece, it has an underlying narrative but it is a celebration of what the movie’s fans would love but done in my way.
This scene is complete on fire, everything burns and is about to explode and implode. As with ‘Smile’, there are two main characters to enjoy. Harley is breaking away, she screams fight, inner strength and power! Yet the impact of the Joker’ stood central is massive, sinister and controlling. The piece would have been a cracker without him there as Harley is literally strong enough on her own but he just reinforces the fact that he still lives on in her mind. Her memories of their relationship exist within the factory buildings, the moment when they first met when she was his Psychiatrist is beautiful and contrasting.
I love how you then see them move in for a kiss. In contrast there’s the powerful moment when the Joker jumps in to pull her out from the acid bath after she almost paid the ultimate sacrifice for his love. These semi-translucent memories that we see and that she sees represent just how no matter how toxic and destructive a relationship can be, these innocent memories that flood your mind won’t fade as quickly as a bruised arm or heart but that ultimately will hold you back.
Ultimately it is a positive image, she is basically saying ‘fuck this, you have no power over me, you don’t own me’. You know what I’m like, I always try to get a car into a scene where possible! I love it! The other characters are depicted in various ways amongst the scene. I have had such fun creating something that is so angry but so positive and I hope through my own interpretation that I have given something unique to the fans of the movie. -
- Released: 2021
- Collection: Lost in Hollywood 4
- Edition Size: 20 + 5AP
- Specification: Limited edition fine art print, hand signed by artist.
- Image Size: 32” x 24"
- Framed Size (Approx): 42” x 34"
-
- Get in touch for overseas delivery
- Please allow approximately 14 days for delivery, should you need delivery sooner please let us know.
Toxicity (Suicide Squad) - Original
-
- Released: 2021
- Collection: Lost In Hollywood 4
Toxicity (Suicide Squad) - Standard Limited Edition
£395.00
- This piece follows on from my 2020 Joker piece ‘Smile’ that was set within the Arkham Asylum. I wanted to do something as equally dark, it is really intense! What you see focuses on the relationship between Harley Quinn and the Joker and how incredibly toxic it is. It conveys how completely intoxicated and infatuated she is and under his spell and unable to to see the wrongs from their relationship and being unable to truly break away from it. It focuses on how someone can have such a hold over you where you will literally sacrifice everything and do anything for them, whether that is quality of life, state of mind or self worth.
It runs true to the narrative of the film but it really builds on this sense of toxicity within a relationship that feature in past pieces such as ‘The Wolf Within’, very dark and real. Yet, I didn’t want it to become too conceptual, as with the ‘Smile’ piece, it has an underlying narrative but it is a celebration of what the movie’s fans would love but done in my way.
This scene is complete on fire, everything burns and is about to explode and implode. As with ‘Smile’, there are two main characters to enjoy. Harley is breaking away, she screams fight, inner strength and power! Yet the impact of the Joker’ stood central is massive, sinister and controlling. The piece would have been a cracker without him there as Harley is literally strong enough on her own but he just reinforces the fact that he still lives on in her mind. Her memories of their relationship exist within the factory buildings, the moment when they first met when she was his Psychiatrist is beautiful and contrasting.
I love how you then see them move in for a kiss. In contrast there’s the powerful moment when the Joker jumps in to pull her out from the acid bath after she almost paid the ultimate sacrifice for his love. These semi-translucent memories that we see and that she sees represent just how no matter how toxic and destructive a relationship can be, these innocent memories that flood your mind won’t fade as quickly as a bruised arm or heart but that ultimately will hold you back.
Ultimately it is a positive image, she is basically saying ‘fuck this, you have no power over me, you don’t own me’. You know what I’m like, I always try to get a car into a scene where possible! I love it! The other characters are depicted in various ways amongst the scene. I have had such fun creating something that is so angry but so positive and I hope through my own interpretation that I have given something unique to the fans of the movie. -
- Released: 2021
- Collection: Lost in Hollywood 4
- Edition Size: 45 + 5AP
- Specification: Limited edition fine art print, hand signed by artist.
- Image Size: 25” x 18.5"
- Framed Size (Approx): 32” x 26"
-
- Get in touch for overseas delivery
- Please allow approximately 14 days for delivery, should you need delivery sooner please let us know.
True Blue (Madonna) - Original
- My portrait piece shows Madonna in a lighter fashion, inspired from her True Blue album. The image is so striking through her expression, the tight crop leaves you to decide exactly what is going on out of view but one that you could imagine she is in her element. The aim was to create something that amplifies the original image and is really beautiful and sexy, the overriding aim for both pieces really, depending on what floats your boat!
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- Released: 2018
- Collection: Icons
- Specification: 1 of 1 original - Bespoke frame & embellished canvas, hand signed by artist.
- Image Size: 36” x 36"
- Framed Size: 38” x 38"
- Available exclusively with Images In Frames - Wanstead
Underwater Love - Canvas Limited Edition
£1,195.00
- So, this piece literally came out of the blue! In May 2020, as part of my ‘Lost In Hollywood 3’ collection, I created a piece entitled ‘Q-Division’ - a conceptual piece designed to celebrate and combine all of Daniel Craig’s James Bond movies. ‘No Time To Die’ was due to be released that year and I wanted to mark the finale of his fifteen-year tenure as Bond with something special. Then the pandemic took hold, and it is only now (September 2021) that the film finally makes its long-awaited appearance. I was in the middle of creating a piece for my ‘Retrospective 3’ collection when an idea was born, and I just had to run with it. Despite having a clear plan for each month, it was something that got into my head, and I just thought, bollocks to it! I’m doing it! So here we are, with ‘Underwater Love’.
Memories of the classic Bond films as a kid are vivid and special and I cherish them. I lost my way with several of them after that but became drawn to them more for the beautiful introductions that showcase the lead song, they are works of art in themselves. ‘Skyfall’ was an incredible example of this, but it was the hypnotic and surreal qualities of ‘Spectre’ that stuck with me. It is just brilliant! I guess, it is that quality that I strive to inject into my work, and it has driven this piece. The scene is dominated by the beautiful Aston Martin DB10 that is flanked by the backdrop of Rome as Bond waits to welcome Madeleine Swann. The two characters add a real quality to the piece as their eyes are on you, helping to put you in the scene, or just outside of view. If you look closely, you will see that her dress is starting to morph into a mermaid’s tail, it is a beautiful addition.
My portfolio has a good number of underwater pieces, it is the concept of not knowing if you are above or below the surface that I love. So, for this piece you will see that the octopus that creeps and curls itself throughout the intro to ‘Spectre’ is present and is coming towards you, but is it through the air or making its way through the water? ‘Underwater Love’ explores the concept of being under ones’ spell, hypnotised, giddy by their presence and power. Where you are influenced or controlled by one through being fascinated, enchanted, or seduced. Reality gets blurred as you retreat into your own, very different world. This is the point where it could get heavy, intense but that is for another day. If you embrace how I think and work then you will get what this piece can truly symbolise, but it can simply be enjoyed for a beautiful scene made up of beautiful characters, a beautiful car and a beautiful city. So, even though Daniel Craig’s time as Bond nears its end, my apparent love for mermaids lives strong! -
- Released: 2021
- Collection: Lost In Hollywood
- Edition Size: 7 + 1AP
- Specification: Limited edition fine art print, hand signed by artist.
- Image Size: 36” x 27"
- Framed Size (Approx): 41.5” x 32"
-
- Get in touch for overseas delivery
- Please allow approximately 14 days for delivery, should you need delivery sooner please let us know.
Underwater Love - Large Limited Edition
- So, this piece literally came out of the blue! In May 2020, as part of my ‘Lost In Hollywood 3’ collection, I created a piece entitled ‘Q-Division’ - a conceptual piece designed to celebrate and combine all of Daniel Craig’s James Bond movies.
‘No Time To Die’ was due to be released that year and I wanted to mark the finale of his fifteen-year tenure as Bond with something special. Then the pandemic took hold, and it is only now (September 2021) that the film finally makes its long-awaited appearance. I was in the middle of creating a piece for my ‘Retrospective 3’ collection when an idea was born, and I just had to run with it. Despite having a clear plan for each month, it was something that got into my head, and I just thought, bollocks to it! I’m doing it! So here we are, with ‘Underwater Love’.
Memories of the classic Bond films as a kid are vivid and special and I cherish them. I lost my way with several of them after that but became drawn to them more for the beautiful introductions that showcase the lead song, they are works of art in themselves. ‘Skyfall’ was an incredible example of this, but it was the hypnotic and surreal qualities of ‘Spectre’ that stuck with me. It is just brilliant! I guess, it is that quality that I strive to inject into my work, and it has driven this piece. The scene is dominated by the beautiful Aston Martin DB10 that is flanked by the backdrop of Rome as Bond waits to welcome Madeleine Swann. The two characters add a real quality to the piece as their eyes are on you, helping to put you in the scene, or just outside of view. If you look closely, you will see that her dress is starting to morph into a mermaid’s tail, it is a beautiful addition.
My portfolio has a good number of underwater pieces, it is the concept of not knowing if you are above or below the surface that I love. So, for this piece you will see that the octopus that creeps and curls itself throughout the intro to ‘Spectre’ is present and is coming towards you, but is it through the air or making its way through the water? ‘Underwater Love’ explores the concept of being under ones’ spell, hypnotised, giddy by their presence and power. Where you are influenced or controlled by one through being fascinated, enchanted, or seduced. Reality gets blurred as you retreat into your own, very different world. This is the point where it could get heavy, intense but that is for another day. If you embrace how I think and work then you will get what this piece can truly symbolise, but it can simply be enjoyed for a beautiful scene made up of beautiful characters, a beautiful car and a beautiful city. So, even though Daniel Craig’s time as Bond nears its end, my apparent love for mermaids lives strong! -
- Released: 2021
- Collection: Lost In Hollywood
- Edition Size: 7 + 1AP
- Specification: Limited edition fine art print, hand signed by artist.
- Image Size: 32” x 24"
- Framed Size (Approx): 42” x 34"
-
- Get in touch for overseas delivery
- Please allow approximately 14 days for delivery, should you need delivery sooner please let us know.
Underwater Love - Standard Limited Edition
- So, this piece literally came out of the blue! In May 2020, as part of my ‘Lost In Hollywood 3’ collection, I created a piece entitled ‘Q-Division’ - a conceptual piece designed to celebrate and combine all of Daniel Craig’s James Bond movies.
‘No Time To Die’ was due to be released that year and I wanted to mark the finale of his fifteen-year tenure as Bond with something special. Then the pandemic took hold, and it is only now (September 2021) that the film finally makes its long-awaited appearance. I was in the middle of creating a piece for my ‘Retrospective 3’ collection when an idea was born, and I just had to run with it. Despite having a clear plan for each month, it was something that got into my head, and I just thought, bollocks to it! I’m doing it! So here we are, with ‘Underwater Love’.
Memories of the classic Bond films as a kid are vivid and special and I cherish them. I lost my way with several of them after that but became drawn to them more for the beautiful introductions that showcase the lead song, they are works of art in themselves. ‘Skyfall’ was an incredible example of this, but it was the hypnotic and surreal qualities of ‘Spectre’ that stuck with me. It is just brilliant! I guess, it is that quality that I strive to inject into my work, and it has driven this piece. The scene is dominated by the beautiful Aston Martin DB10 that is flanked by the backdrop of Rome as Bond waits to welcome Madeleine Swann. The two characters add a real quality to the piece as their eyes are on you, helping to put you in the scene, or just outside of view. If you look closely, you will see that her dress is starting to morph into a mermaid’s tail, it is a beautiful addition.
My portfolio has a good number of underwater pieces, it is the concept of not knowing if you are above or below the surface that I love. So, for this piece you will see that the octopus that creeps and curls itself throughout the intro to ‘Spectre’ is present and is coming towards you, but is it through the air or making its way through the water? ‘Underwater Love’ explores the concept of being under ones’ spell, hypnotised, giddy by their presence and power. Where you are influenced or controlled by one through being fascinated, enchanted, or seduced. Reality gets blurred as you retreat into your own, very different world. This is the point where it could get heavy, intense but that is for another day. If you embrace how I think and work then you will get what this piece can truly symbolise, but it can simply be enjoyed for a beautiful scene made up of beautiful characters, a beautiful car and a beautiful city. So, even though Daniel Craig’s time as Bond nears its end, my apparent love for mermaids lives strong! -
- Released: 2021
- Collection: Lost In Hollywood
- Edition Size: 7 + 1AP
- Specification: Limited edition fine art print, hand signed by artist.
- Image Size: 25” x 18.5"
- Framed Size (Approx): 32.5” x 26"
-
- Get in touch for overseas delivery
- Please allow approximately 14 days for delivery, should you need delivery sooner please let us know.
Underwater Love - VHS Limited Edition 4AP
£595.00
- So, this piece literally came out of the blue! In May 2020, as part of my ‘Lost In Hollywood 3’ collection, I created a piece entitled ‘Q-Division’ - a conceptual piece designed to celebrate and combine all of Daniel Craig’s James Bond movies. ‘No Time To Die’ was due to be released that year and I wanted to mark the finale of his fifteen-year tenure as Bond with something special. Then the pandemic took hold, and it is only now (September 2021) that the film finally makes its long-awaited appearance. I was in the middle of creating a piece for my ‘Retrospective 3’ collection when an idea was born, and I just had to run with it. Despite having a clear plan for each month, it was something that got into my head, and I just thought, bollocks to it! I’m doing it! So here we are, with ‘Underwater Love’.
Memories of the classic Bond films as a kid are vivid and special and I cherish them. I lost my way with several of them after that but became drawn to them more for the beautiful introductions that showcase the lead song, they are works of art in themselves. ‘Skyfall’ was an incredible example of this, but it was the hypnotic and surreal qualities of ‘Spectre’ that stuck with me. It is just brilliant! I guess, it is that quality that I strive to inject into my work, and it has driven this piece. The scene is dominated by the beautiful Aston Martin DB10 that is flanked by the backdrop of Rome as Bond waits to welcome Madeleine Swann. The two characters add a real quality to the piece as their eyes are on you, helping to put you in the scene, or just outside of view. If you look closely, you will see that her dress is starting to morph into a mermaid’s tail, it is a beautiful addition.
My portfolio has a good number of underwater pieces, it is the concept of not knowing if you are above or below the surface that I love. So, for this piece you will see that the octopus that creeps and curls itself throughout the intro to ‘Spectre’ is present and is coming towards you, but is it through the air or making its way through the water? ‘Underwater Love’ explores the concept of being under ones’ spell, hypnotised, giddy by their presence and power. Where you are influenced or controlled by one through being fascinated, enchanted, or seduced. Reality gets blurred as you retreat into your own, very different world. This is the point where it could get heavy, intense but that is for another day. If you embrace how I think and work then you will get what this piece can truly symbolise, but it can simply be enjoyed for a beautiful scene made up of beautiful characters, a beautiful car and a beautiful city. So, even though Daniel Craig’s time as Bond nears its end, my apparent love for mermaids lives strong! -
- Released: 2023
- Collection: Lost In Hollywood VHS
- Edition Size: 20 + 5AP
- Specification:
- Hand embellished
- Floated poster and double mount
- Custom spray-painted frame
- Sticker decals
- Hand signed by artist
- Image Size: 8.3” x 11.7"
- Framed Size (Approx): 13.5” x 16.75”
-
- Get in touch for overseas delivery
- Available for immediate despatch or collection from the Hive
Underwater Love Lenticular Edition
£2,650.00
- So, this piece literally came out of the blue! In May 2020, as part of my ‘Lost In Hollywood 3’ collection, I created a piece entitled ‘Q-Division’ - a conceptual piece designed to celebrate and combine all of Daniel Craig’s James Bond movies.
‘No Time To Die’ was due to be released that year and I wanted to mark the finale of his fifteen-year tenure as Bond with something special. Then the pandemic took hold, and it is only now (September 2021) that the film finally makes its long-awaited appearance. I was in the middle of creating a piece for my ‘Retrospective 3’ collection when an idea was born, and I just had to run with it. Despite having a clear plan for each month, it was something that got into my head, and I just thought, bollocks to it! I’m doing it! So here we are, with ‘Underwater Love’.
Memories of the classic Bond films as a kid are vivid and special and I cherish them. I lost my way with several of them after that but became drawn to them more for the beautiful introductions that showcase the lead song, they are works of art in themselves. ‘Skyfall’ was an incredible example of this, but it was the hypnotic and surreal qualities of ‘Spectre’ that stuck with me. It is just brilliant! I guess, it is that quality that I strive to inject into my work, and it has driven this piece. The scene is dominated by the beautiful Aston Martin DB10 that is flanked by the backdrop of Rome as Bond waits to welcome Madeleine Swann. The two characters add a real quality to the piece as their eyes are on you, helping to put you in the scene, or just outside of view. If you look closely, you will see that her dress is starting to morph into a mermaid’s tail, it is a beautiful addition.
My portfolio has a good number of underwater pieces, it is the concept of not knowing if you are above or below the surface that I love. So, for this piece you will see that the octopus that creeps and curls itself throughout the intro to ‘Spectre’ is present and is coming towards you, but is it through the air or making its way through the water? ‘Underwater Love’ explores the concept of being under ones’ spell, hypnotised, giddy by their presence and power. Where you are influenced or controlled by one through being fascinated, enchanted, or seduced. Reality gets blurred as you retreat into your own, very different world. This is the point where it could get heavy, intense but that is for another day. If you embrace how I think and work then you will get what this piece can truly symbolise, but it can simply be enjoyed for a beautiful scene made up of beautiful characters, a beautiful car and a beautiful city. So, even though Daniel Craig’s time as Bond nears its end, my apparent love for mermaids lives strong!
-
- Released: 2021
- Collection: Lost In Hollywood
- Edition Size: 7 + 1AP
- Specification: '3 Way Flip' Lenticular, custom double frame, hand signed by artist.
- Image Size: 37” x 26"
- Framed Size (Approx): 42” x 33"
-
- Get in touch for overseas delivery
- Please allow approximately 14 days for delivery, should you need delivery sooner please let us know.
- PLEASE NOTE: The lenticular is incredibly fragile in that it cannot be exposed to any liquids and can easily be scratched. Handle and display with care as you would expect. Full care guidance supplied.
Unrequited (The Little Mermaid) - Limited Edition
- This piece ‘Unrequited’ is inspired by the much loved Little Mermaid by Hans Christian Andersen and complements the ‘Little Wing’ piece that was created at the same period. I have created pockets of drama through brushstrokes and textures and vivid colour along with beautiful light.
Hundreds of tiny hearts come together to form the mermaid and contrast with the abstract markings that represent the rock that she sits on. For me it is how she just sits calmly, looking out to see, waiting with hope. The colours of the hearts that make up her upper body depict that emotion and love that she holds for the Prince. The composition is based on the beautiful sculpture that sits at Copenhagen’s harbour.
There is beauty and hope blended with darkness and frustration to depict her love that she has for the Prince and it going unnoticed that leads to sadness, heartbreak and a waste of life. -
- Released: 2017
- Collection: Storyteller
- Edition Size: 10 + 1AP
- Specification: Limited edition fine art print, hand signed by artist.
- Image Size: 21” x 27"
- Framed Size: 27” x 33"
Unrequited (The Little Mermaid) - Original
- This piece ‘Unrequited’ is inspired by the much loved Little Mermaid by Hans Christian Andersen and complements the ‘Little Wing’ piece that was created at the same period.
I have created pockets of drama through brushstrokes and textures and vivid colour along with beautiful light. Hundreds of tiny hearts come together to form the mermaid and contrast with the abstract markings that represent the rock that she sits on.
For me it is how she just sits calmly, looking out to see, waiting with hope. The colours of the hearts that make up her upper body depict that emotion and love that she holds for the Prince.
The composition is based on the beautiful sculpture that sits at Copenhagen’s harbour. There is beauty and hope blended with darkness and frustration to depict her love that she has for the Prince and it going unnoticed that leads to sadness, heartbreak and a waste of life. -
- Released: 2016
- Collection: Storyteller
- Specification: 1 of 1 original framed embellished canvas, hand signed by artist.
- Image Size: 48” x 36"
- Framed Size: 54” x 41"