Products
You Reap What You Sow (Jack & The Beanstalk) - Original
- Poverty and hardship exist side by side with wealth and power in a striking rework of Benjamin Tabart’s Jack and the Beanstalk. Portraying mans’ effect on the landscape in both a positive and negative way we see the emptiness of Ypriana Farm sat in the shadows of two monstrous plants that loom upwards towards the sky. This piece cleverly depicts how a futile but honest attempt to work in harmony with nature contrasts with the ramifications that exist from the giant that man has come to fear.
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- Released: 2015
- Collection: Storyteller
- Specification: 1 of 1 original framed embellished canvas, hand signed by artist.
- Image Size: 48” x 36"
- Framed Size: 54” x 41"
You'll Sing Once More (The Sound Of Music) - Original
- The original film plot and my concept are all about hope and freedom through courage and faith, to embrace the smallest of things to find happiness and to rebel against restriction. The underlying concept in this piece is one that embraces all of this and shines light on a person’s hope that someone that they know and love can find freedom after restriction, be it in this life or their next. The title of the piece ‘You’ll Sing Once More’ is one that is like a silent statement that you would say that that person, one that you convey to them without the need for saying anything at all.
When this sentiment is conveyed I feel that it elevates this piece to a much higher state as the character in view takes on something so special to so many. I set about with the aim that this sense of freedom could touch many and in a number of ways, it can simply evoke that great feeling you get from being completely absorbed in music and free from reality, something that I embrace and need whilst creating my artworks.
This piece is an abstract take on the iconic Salzburg countryside with its mountainous backdrop and dandelion covered grasses, a number of textures have been created and integrated to form an engaging backdrop that has a painted quality to it that is full of movement and light.
As with other pieces that I have created I have depicted the lead character as a spirit-like silhouette that is formed by sweeping lines that symbolise the staves from a line of music along with music notes and bokeh whilst subtle areas of the body have been blurred to give off the sense of movement and ultimately freedom.
In line with this sense of setting a spirit set free I wanted to portray time passing so rather than show the classic yellow dandelion flowers I have moved the season on to show them in their white seed headed state where they are taken up with the wind into the sky and interacting with the character.
This I hope strengthens this lovely sense of being free, the soul being released from the body and taken up to create something new and beautiful, maybe something that can only be seen just for that split second when the sunlight breaks through. A further reflection of this wonderful sense of freedom and flight is shown through the subtle butterflies that are attracted to the figure and to the freedom and good that radiates from it. -
- Released: 2017
- Collection: Through Darkness & Light
- Specification: 1 of 1 original framed embellished canvas, hand signed by artist.
- Image Size: 48” x 36"
- Framed Size: 54” x 41"
You're Gonna Need A Bigger Boat - Standard Limited Edition
£315.00
- 'You’re Gonna Need A Bigger Boat’ is my interpretation of Speilberg’s classic horror film’ Jaws’. I wanted to approach it in a completely different way, embracing the ‘two sides to every story’ viewpoint. The piece is portrait to allow me to create depth in the ocean and to run inline with the classic movie poster. It is a completely different perspective to what I have done before, as you look up towards the surface. The boat is based on the ‘ORCA’ from the film, I even looked at the original plan drawings of the model to gauge proportions and shape.
So what we have is a classic scene that is relating to the narrative where the boat is on the hunt for Jaws, with yellow barrels of explosives cast overboard. Trails of blood mix with water from their attempts to lure the shark in. Here is where I take it to a different place, through the use of beautiful lighting, colour and detail I have made the bottom of the boat (the target) beautiful and intriguing to the shark, is it just intrigued and only able to communicate with its mouth?
A diesel spill runs downwards through the water creating another source of confusion and attraction to the shark. There is a rusted oil drum plummeting through the water just in front of the shark that has a subtle leak of toxics that escape and leave their mark.
So at this point is it purely intrigue that lures it to the surface and to the source? There then resides a darker layer as you notice the shadowed shark circling the boat from undeeath.
A subtle trail of blood infiltrates the water close by, suggesting something has been bitten or worse out of view. If you then look at the trail of diesel, there are a number of skeletal fish that swim amongst the toxic trail, killed by the shark, or killed by the real source of evil in the water? What is the actual stain on nature?
This angle then opens up the question that exists where people strongly believe that sharks are misunderstood and antagonised by human actions, possibly for ones own benefit where lies and scaremongering exist. When you look at it from this angle then the items in the water such as the barrels etc aren’t to lure off the shark but are a representation of mans’ wrong doing.
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- Released: 2016
- Collection: Lost In Hollywood
- Edition Size: 45 +5AP
- Specification: Limited edition fine art print, hand signed by artist.
- Image Size: 26" x 18.5"
- Framed Size (Approx): 33.5” x 25.5"
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- Free delivery to UK Mainland
- Get in touch for overseas delivery
- Please allow approximately 14 days for delivery, should you need delivery sooner please let us know.
You're Safe Now (101 Dalmatians) - Original
- This piece shows the living room scene from when the dogs are safely back in their homes and the dark forces that are Cruella and her dognappers have been banished. The angle is set so it is viewed as if you are sat on a sofa within the room with the puppy looking right at you. To start with I kept but reworked the window in the room as this not only creates depth but represents hope, hope for change. By moving this to the right I have introduced an ornate door that not only adds character and grandure to the room but also further adds to the depth and also creates a point at which darkness can get in. This is inline with how dogs tend to fear front doors and those that come anywhere close to it.
In this instance the door is where the battle between dark and light, evil and innocence plays out, dark shadows loom behind the glass, is that Cruella returning or simply from a tree shadow cast from the opposing Greenwich Park? The dark forces that are finding their way in are ultimately over powered by good, it makes for a really dramatic detail to the piece and sets up the end point of the narrative. A grille on the wall is an extension of this, again representing areas within a room that a dog (or a child) would typically fear. The window is much lighter, still with hints of the darkness that hides behind the curtains but ultimately good, with a subtle white dove overseeing the home from outside. If you look closely you will see rain drops on the glass yet it is sunny outside, representing that the storm has passed and brighter times ahead.
The focal point of the piece is ‘Lucky’ the dalmatian puppy who is sitting watching the TV but turned to look at you for reassurance. The soot that they covered themselves in to escape their captors is surrounding him, subtle tear stains and a tear runs down his face, showing his fragility and the impact on what has happened previously. The light details that surround him signify protection, positivity and comfort. These protrude from the door and also more significantly the TV (there is something really lovely about the original film where the puppy is stood up at the screen). -
- Released: 2016
- Collection: Storyteller
- Specification: 1 of 1 original framed embellished canvas, hand signed by artist.
- Image Size: 48” x 36"
- Framed Size: 54” x 41"
You’ll Sing Once More (The Sound Of Music) - Large Limited Edition
- The original film plot and my concept are all about hope and freedom through courage and faith, to embrace the smallest of things to find happiness and to rebel against restriction. The underlying concept in this piece is one that embraces all of this and shines light on a person’s hope that someone that they know and love can find freedom after restriction, be it in this life or their next. The title of the piece ‘You’ll Sing Once More’ is one that is like a silent statement that you would say that that person, one that you convey to them without the need for saying anything at all.
When this sentiment is conveyed I feel that it elevates this piece to a much higher state as the character in view takes on something so special to so many. I set about with the aim that this sense of freedom could touch many and in a number of ways, it can simply evoke that great feeling you get from being completely absorbed in music and free from reality, something that I embrace and need whilst creating my artworks.
This piece is an abstract take on the iconic Salzburg countryside with its mountainous backdrop and dandelion covered grasses, a number of textures have been created and integrated to form an engaging backdrop that has a painted quality to it that is full of movement and light. As with other pieces that I have created I have depicted the lead character as a spirit-like silhouette that is formed by sweeping lines that symbolise the staves from a line of music along with music notes and bokeh whilst subtle areas of the body have been blurred to give off the sense of movement and ultimately freedom.
In line with this sense of setting a spirit set free I wanted to portray time passing so rather than show the classic yellow dandelion flowers I have moved the season on to show them in their white seed headed state where they are taken up with the wind into the sky and interacting with the character.
This I hope strengthens this lovely sense of being free, the soul being released from the body and taken up to create something new and beautiful, maybe something that can only be seen just for that split second when the sunlight breaks through. A further reflection of this wonderful sense of freedom and flight is shown through the subtle butterflies that are attracted to the figure and to the freedom and good that radiates from it.
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- Released: 2017
- Collection: Through Darkness & Light
- Edition Size: 10 + 1AP
- Specification: Deluxe limited edition fine art print, hand signed by artist.
- Image Size: 37” x 24"
- Framed Size (Approx): 47” x 35"
You’ll Sing Once More (The Sound Of Music) - Standard Limited Edition
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The original film plot and my concept are all about hope and freedom through courage and faith, to embrace the smallest of things to find happiness and to rebel against restriction. The underlying concept in this piece is one that embraces all of this and shines light on a person’s hope that someone that they know and love can find freedom after restriction, be it in this life or their next. The title of the piece ‘You’ll Sing Once More’ is one that is like a silent statement that you would say that that person, one that you convey to them without the need for saying anything at all.
When this sentiment is conveyed I feel that it elevates this piece to a much higher state as the character in view takes on something so special to so many. I set about with the aim that this sense of freedom could touch many and in a number of ways, it can simply evoke that great feeling you get from being completely absorbed in music and free from reality, something that I embrace and need whilst creating my artworks.
This piece is an abstract take on the iconic Salzburg countryside with its mountainous backdrop and dandelion covered grasses, a number of textures have been created and integrated to form an engaging backdrop that has a painted quality to it that is full of movement and light. As with other pieces that I have created I have depicted the lead character as a spirit-like silhouette that is formed by sweeping lines that symbolise the staves from a line of music along with music notes and bokeh whilst subtle areas of the body have been blurred to give off the sense of movement and ultimately freedom.
In line with this sense of setting a spirit set free I wanted to portray time passing so rather than show the classic yellow dandelion flowers I have moved the season on to show them in their white seed headed state where they are taken up with the wind into the sky and interacting with the character.
This I hope strengthens this lovely sense of being free, the soul being released from the body and taken up to create something new and beautiful, maybe something that can only be seen just for that split second when the sunlight breaks through. A further reflection of this wonderful sense of freedom and flight is shown through the subtle butterflies that are attracted to the figure and to the freedom and good that radiates from it. -
- Released: 2017
- Collection: Through Darkness & Light
- Edition Size: 45 +5AP
- Specification: Limited edition fine art print, hand signed by artist.
- Image Size: 31” x 23"
- Framed Size (Approx): 34” x 27"
You’re Gonna Need A Bigger Boat (Jaws) - Canvas Limited Edition
£1,195.00
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‘You’re Gonna Need A Bigger Boat’ is my interpretation of Speilberg’s classic horror film’ Jaws’. I wanted to approach it in a completely different way, embracing the ‘two sides to every story’ viewpoint. The piece is portrait to allow me to create depth in the ocean and to run inline with the classic movie poster. It is a completely different perspective to what I have done before, as you look up towards the surface. The boat is based on the ‘ORCA’ from the film, I even looked at the original plan drawings of the model to gauge proportions and shape.
So what we have is a classic scene that is relating to the narrative where the boat is on the hunt for Jaws, with yellow barrels of explosives cast overboard. Trails of blood mix with water from their attempts to lure the shark in. Here is where I take it to a different place, through the use of beautiful lighting, colour and detail I have made the bottom of the boat (the target) beautiful and intriguing to the shark, is it just intrigued and only able to communicate with its mouth?
A diesel spill runs downwards through the water creating another source of confusion and attraction to the shark. There is a rusted oil drum plummeting through the water just in front of the shark that has a subtle leak of toxics that escape and leave their mark.
So at this point is it purely intrigue that lures it to the surface and to the source? There then resides a darker layer as you notice the shadowed shark circling the boat from undeeath.
A subtle trail of blood infiltrates the water close by, suggesting something has been bitten or worse out of view. If you then look at the trail of diesel, there are a number of skeletal fish that swim amongst the toxic trail, killed by the shark, or killed by the real source of evil in the water? What is the actual stain on nature?
This angle then opens up the question that exists where people strongly believe that sharks are misunderstood and antagonised by human actions, possibly for ones own benefit where lies and scaremongering exist. When you look at it from this angle then the items in the water such as the barrels etc aren’t to lure off the shark but are a representation of mans’ wrong doing.
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- Released: 2020
- Collection: Lost In Hollywood
- Edition Size: 10 + 2AP
- Specification: Hand embellished heavyweight artist canvas, double framed, hand signed by artist.
- Image Size: 37” x 26"
- Framed Size (Approx): 41.5” x 32"
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- Get in touch for overseas delivery
- Please allow approximately 14 days for delivery, should you need delivery sooner please let us know.
You’re Gonna Need A Bigger Boat (Jaws) - Large Limited Edition
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‘You’re Gonna Need A Bigger Boat’ is my interpretation of Speilberg’s classic horror film’ Jaws’. I wanted to approach it in a completely different way, embracing the ‘two sides to every story’ viewpoint. The piece is portrait to allow me to create depth in the ocean and to run inline with the classic movie poster. It is a completely different perspective to what I have done before, as you look up towards the surface. The boat is based on the ‘ORCA’ from the film, I even looked at the original plan drawings of the model to gauge proportions and shape.
So what we have is a classic scene that is relating to the narrative where the boat is on the hunt for Jaws, with yellow barrels of explosives cast overboard. Trails of blood mix with water from their attempts to lure the shark in. Here is where I take it to a different place, through the use of beautiful lighting, colour and detail I have made the bottom of the boat (the target) beautiful and intriguing to the shark, is it just intrigued and only able to communicate with its mouth?
A diesel spill runs downwards through the water creating another source of confusion and attraction to the shark. There is a rusted oil drum plummeting through the water just in front of the shark that has a subtle leak of toxics that escape and leave their mark.
So at this point is it purely intrigue that lures it to the surface and to the source? There then resides a darker layer as you notice the shadowed shark circling the boat from undeeath.
A subtle trail of blood infiltrates the water close by, suggesting something has been bitten or worse out of view. If you then look at the trail of diesel, there are a number of skeletal fish that swim amongst the toxic trail, killed by the shark, or killed by the real source of evil in the water? What is the actual stain on nature?
This angle then opens up the question that exists where people strongly believe that sharks are misunderstood and antagonised by human actions, possibly for ones own benefit where lies and scaremongering exist. When you look at it from this angle then the items in the water such as the barrels etc aren’t to lure off the shark but are a representation of mans’ wrong doing.
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- Released: 2016
- Collection: Lost In Hollywood
- Edition Size: 10 + 1AP
- Specification: Deluxe limited edition fine art print, hand signed by artist.
- Image Size: 37” x 24"
- Mounted Size: 44” x 32"
- Framed Size (Approx): 47” x 35"
You’re Gonna Need A Bigger Boat (Jaws) - Original
- I wanted to approach it in a completely different way, embracing the ‘two sides to every story’ viewpoint. The piece is portrait to allow me to create depth in the ocean and to run inline with the classic movie poster. It is a completely different perspective to what I have done before, as you look up towards the surface. The boat is based on the ‘ORCA’ from the film, I even looked at the original plan drawings of the model to gauge proportions and shape.
So what we have is a classic scene that is relating to the narrative where the boat is on the hunt for Jaws, with yellow barrels of explosives cast overboard. Trails of blood mix with water from their attempts to lure the shark in. Here is where I take it to a different place, through the use of beautiful lighting, colour and detail I have made the bottom of the boat (the target) beautiful and intriguing to the shark, is it just intrigued and only able to communicate with its mouth?
A diesel spill runs downwards through the water creating another source of confusion and attraction to the shark. There is a rusted oil drum plummeting through the water just in front of the shark that has a subtle leak of toxics that escape and leave their mark. So at this point is it purely intrigue that lures it to the surface and to the source? There then resides a darker layer as you notice the shadowed shark circling the boat from underneath.
A subtle trail of blood infiltrates the water close by, suggesting something has been bitten or worse out of view. If you then look at the trail of diesel, there are a number of skeletal fish that swim amongst the toxic trail, killed by the shark, or killed by the real source of evil in the water? What is the actual stain on nature?
This angle then opens up the question that exists where people strongly believe that sharks are misunderstood and antagonised by human actions, possibly for ones own benefit where lies and scaremongering exist. When you look at it from this angle then the items in the water such as the barrels etc aren’t to lure off the shark but are a representation of mans’ wrong doing. -
- Released: 2016
- Collection: Lost In Hollywood
- Specification: 1 of 1 original framed embellished canvas, hand signed by artist.
- Image Size: 48” x 36"
- Framed Size: 54” x 41"
You’re Gonna Need A Bigger Boat (Jaws) - VHS Limited Edition
- 'You’re Gonna Need A Bigger Boat’ is my interpretation of Spielberg’s classic horror film’ Jaws’. I wanted to approach it in a completely different way, embracing the ‘two sides to every story’ viewpoint. The piece is portrait to allow me to create depth in the ocean and to run in line with the classic movie poster. It is a completely different perspective to what I have done before, as you look up towards the surface. The boat is based on the ‘ORCA’ from the film, I even looked at the original plan drawings of the model to gauge proportions and shape.
So what we have is a classic scene that is relating to the narrative where the boat is on the hunt for Jaws, with yellow barrels of explosives cast overboard. Trails of blood mix with water from their attempts to lure the shark in. Here is where I take it to a different place, through the use of beautiful lighting, colour, and detail I have made the bottom of the boat (the target) beautiful and intriguing to the shark, is it just intrigued and only able to communicate with its mouth?
A diesel spill runs downwards through the water creating another source of confusion and attraction to the shark. There is a rusted oil drum plummeting through the water just in front of the shark that has a subtle leak of toxics that escape and leave their mark.
So, at this point is it purely intrigue that lures it to the surface and to the source? There then resides a darker layer as you notice the shadowed shark circling the boat from underneath.
A subtle trail of blood infiltrates the water close by, suggesting something has been bitten or worse out of view. If you then look at the trail of diesel, there are a number of skeletal fish that swim amongst the toxic trail, killed by the shark, or killed by the real source of evil in the water? What is the actual stain on nature?
This angle then opens the question that exists where people strongly believe that sharks are misunderstood and antagonised by human actions, possibly for ones’ own benefit where lies and scaremongering exist. When you look at it from this angle then the items in the water such as the barrels etc aren’t to lure off the shark but are a representation of mans’ wrongdoing.
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- Released: 2021
- Collection: Lost In Hollywood VHS
- Edition Size: 10 + 2AP
- Specification:
- Hand embellished
- Floated poster and double mount
- Custom spray-painted frame
- Sticker decals
- Hand signed by artist
- Image Size: 8.3” x 11.7"
- Framed Size (Approx): 13.5” x 16.75”
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- Get in touch for overseas delivery
- Please allow approximately 21 days for delivery, should you need delivery sooner please let us know.
You’re Gonna Need A Bigger Boat (Jaws) - VHS Limited Edition 1AC
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EDITION SOLD OUT - THIS IS A UNIQUE ARTIST COPY
'You’re Gonna Need A Bigger Boat’ is my interpretation of Spielberg’s classic horror film’ Jaws’. I wanted to approach it in a completely different way, embracing the ‘two sides to every story’ viewpoint. The piece is portrait to allow me to create depth in the ocean and to run in line with the classic movie poster. It is a completely different perspective to what I have done before, as you look up towards the surface. The boat is based on the ‘ORCA’ from the film, I even looked at the original plan drawings of the model to gauge proportions and shape.
So what we have is a classic scene that is relating to the narrative where the boat is on the hunt for Jaws, with yellow barrels of explosives cast overboard. Trails of blood mix with water from their attempts to lure the shark in. Here is where I take it to a different place, through the use of beautiful lighting, colour, and detail I have made the bottom of the boat (the target) beautiful and intriguing to the shark, is it just intrigued and only able to communicate with its mouth?
A diesel spill runs downwards through the water creating another source of confusion and attraction to the shark. There is a rusted oil drum plummeting through the water just in front of the shark that has a subtle leak of toxics that escape and leave their mark.
So, at this point is it purely intrigue that lures it to the surface and to the source? There then resides a darker layer as you notice the shadowed shark circling the boat from underneath.
A subtle trail of blood infiltrates the water close by, suggesting something has been bitten or worse out of view. If you then look at the trail of diesel, there are a number of skeletal fish that swim amongst the toxic trail, killed by the shark, or killed by the real source of evil in the water? What is the actual stain on nature?
This angle then opens the question that exists where people strongly believe that sharks are misunderstood and antagonised by human actions, possibly for ones’ own benefit where lies and scaremongering exist. When you look at it from this angle then the items in the water such as the barrels etc aren’t to lure off the shark but are a representation of mans’ wrongdoing.
-
- Released: 2021
- Collection: Lost In Hollywood VHS
- Edition Size: 10 + 2AP
- Specification:
- Hand embellished
- Floated poster and double mount
- Custom spray-painted frame
- Sticker decals
- Hand signed by artist
- Image Size: 8.3” x 11.7"
- Framed Size (Approx): 13.5” x 16.75”
-
- Get in touch for overseas delivery
- Available for immediate despatch or collection