Wanderlust (The Wind in the Willows) - Standard Limited Edition
£415.00
- I have fond memories as a child of the beautifully illustrated books by British novelist Kenneth Grahame and the classic film that evokes vivid images of past Christmases with my family. The characters were just so quirky and great and the whimsical English riverbank scenes were the perfect backdrop, along with the contrasting darkness of the weasels and the wild wood.
It's funny, as I sit here and write this narrative to accompany this piece there is a beautiful weeping willow tree and it’s flipping windy! The only thing is it’s mid-February so there are bugger all leaves on it but there are the small signs of buds forming. I love it when I see these as I love when Winter turns to Spring, something that I use a lot in my work as a concept. The only downside of seeing these little green lumps is that it also shouts to me that I have to soon start on the preparation for the next collection later in the year!
Way back in 2015, there was a commissioned piece on The Wind in the Willows entitled ‘Appetite for Destruction’ – no, the Guns and Roses belter wasn’t part of the soundtrack, imagine that! Basically, my interpretation of the stories back then was a surreal one, and a dark one at that. It focused on the self-destruction of my favourite character, Toad! I loved his eccentricity and chaos. That piece is one to seek out as it plays out the point where Toad Hall is in flames and burning and all that remains is his cherished sports car that sits beneath a beautiful willow tree. Details that surround the car suggest a dark scenario, it’s beautiful and dark.
However, despite fighting the urge to inject darkness whilst creating ‘Wanderlust’, I am so pleased with what you now see. The aim was to create a truly beautiful and serene piece that would sit perfectly with ‘Keep Me in Your Heart’, my earlier ‘Winnie The Pooh’ piece that captured the imagination of so many. It’s great to really mix things up as an artist and my ‘Wolves, Wonderment and Wanderlust’ represents exactly that. I love switching from a quirky retro inspired piece to a really dark and intense scene and then dropping something like this that is just utterly beautiful and light.
There is so much potential to create many pieces based on the The Wind in the Willows, the Wild Wood appeals and I will tackle that, but ‘Fight or Flight’ takes that spot in this collection as it is set within a dark forest. Next time, next chapter. I love the river; I hate rowing boats! Well, that was born from being petrified as a kid on a boating lake in Ypres – Belgium and I don’t think I’ve been in one since, a swan pedalo doesn’t count right? I set about basing this piece on the river, not only because I knew that it would become a wonderful image, but I like to test myself and working with water and the reflections is a challenge to get it right. Especially when you have little points of reference to guide you when you choose to have a goggle wearing toad and smiling mole frolicking (that’s a great word isn’t it!) in the water.
Wanderlust represents a strong desire to travel, so I thought it a fitting title for what you see before you. I have built on that and evolved it to become the desire to be free also, in whatever form that happens to be. I love to connect with my collectors in many ways and this image is a classic example of one that can simply be enjoyed as a beautiful and happy image, whilst also representing a secondary meaning. Whereas my earlier commissioned piece was more obscure, ‘Wanderlust’ is true to the sentiment of the story. Don’t you just love seeing how proud old Badger looks as he sits on the boat looking out at his companions. It’s the tiny details that I inject that transform what could be quite a sterile element and make it magical and full of emotion.
I hope that I have done this fascinating classic justice in my approach, whilst also hoping to have captured the hearts of those who see much more. Look closely at the detail and you’ll see the subtle butterflies and dandelions that float upwards and towards the sun. It’s that sense of being free that I hope will resonate and bring comfort to many. That can be on many levels but ultimately it is a call to let yourself go, to travel, have fun and be free, however you choose.
So, grab your bathers and let’s go boatin’! Actually, I’ll just watch from the riverbank with a beer, you’ll find me under the balding willow tree!
-
- Released: 2022
- Collection: Wolves, Wonderment & Wanderlust
- Edition Size: 25 + 5AP
- Specification: Limited edition fine art print, hand signed by artist.
- Image Size: 25” x 18.5"
- Framed Size (Approx): 36” x 30"
-
- Get in touch for overseas delivery
- Please allow approximately 14 days for delivery, should you need delivery sooner please let us know.
Commissions
When workload allows Mark embraces client commissions and has enjoyed amazing success to date. If you have been inspired by the work that you have seen and have a specific idea or simply a seed then please do get in touch.
Commission EnquiriesRelated Items
Fight or Flight (Little Red Riding Hood) - Canvas Limited Edition
£1,295.00
- Beware, wolves lurk in every guise.
‘Fight or Flight’ is my third interpretation of the intensely dark tale of Little Red Riding Hood, and it is one that is as authentic as possible. Art with meaning, it is how I speak, how I scream, how I bleed. Do you see this as a truly dark piece, or much, much lighter? I’m genuinely really interested to hear your interpretation. Everyone’s minds and stories are different.
The scene is set deep within a forest, and further on than what was shown back in 2015 and my ‘Red Light Spells Danger’ piece. I have taken a bold step to introduce the cloaked figure with the single intention that it truly transforms the emotion that this piece of art exonerates. By being shown from behind, I hope it resonates with many, many people. The moment I placed the figure (I refrain from saying ‘her’ for the reason I just mentioned) it genuinely brought tears to my eyes. I know why I created this piece and that moment when the impact of the image and its narrative just hits you right in-between the eyes.
You see someone who is on a path, a journey, a moment when they walk on, approached by, and flanked by wolves. Each wolf represents another challenge, another beast that needs to be tamed, if not killed. Look closely, a wolf is literally on their back, I did say look closely! Now look at the cloak, look at the sheer depth and richness of that red. With that saturation comes shadows and there lies the problem. Light and dark, very dark.
Blackened, twisting thorns are interwoven with red roses and drive their way through the forest floor. Darkness resides to light in such a way that it can trip you up, the most painful falls are the unexpected ones. Sweetest tongue, sharpest tooth.
Rose petals from their cloak leave a trail of love and kindness reinforcing that the figure is good, wonderfully good yet who’s feet grow tired with the weight of the wolf on their back. Not every beast can be killed, sometimes it is just the acceptance that it can’t ever truly be slain but it can at least be tamed through the act of love, loving oneself. Keeping one’s wolves at bay can be enough to help you on your path.
A truly beautiful and pivotal detail within this scene is what exists beyond the figure, a clearing, a brief respite. What exists even before that is crucial. A beautiful white deer stands fixated and offers that much-needed guidance. Look upwards, the all-seeing owl offers wisdom in decision making. All hope is not lost. It never will be.
A copse can over time turn into a forest, those trees grow taller, denser, and harder to navigate between. The roots if fed, grow deeper and thicker and turn what was a thin trunk into something much stronger that creates darker shadows. Branches grow outwards and mask the light, to the point that it becomes harder to see the light of day and you become lost, lost in a forest of denial. If left unattended, what was once easily managed becomes so gnarled and claustrophobic that all hope can become lost and the brightest of sunlight is unable to penetrate through. Forests have clearings that offer respite and space to breathe, space to think before you’re back amongst the thick of it but stronger, taller.
Everyone is different, everyone’s reasons for becoming lost are different. We all choose different paths, we deviate off them, we are pushed and kicked off them but with guidance we can, and always must find our way back to our path. That path may then look very different to how it looked when our footsteps were lighter and shadows smaller, or when more walked with us, but it is our path. Keep your head up so that you can see the signs and your eyes open to acknowledge the dangers. How far in do you go before you admit and accept that you are lost? Do you choose a longer way out but it’s your way or do you accept guidance from others? There’s never any shame in that, sometimes the forest is just too dense and dark and you’re tired. With tiredness comes weakness and that leaves you open to attack from the wolves, either those that surround you, those that hide and hunt in packs or from the wolf within. Which has the sharpest tooth?
But please, no matter how dense the forest is that you walk within, remember that every forest comes to an end, and in its place, space to see, space to breathe and with it, the first steps on your path. You hold the axe, make your mark, small, sustained cuts initially or a single blow. This applies to how you enter, and how you leave your forest. The strongest trees can fall. X
-
- Released: 2022
- Collection: Wolves, Wonderment & Wanderlust
- Edition Size: 10 + 2AP
- Specification: Limited edition fine art print, hand signed by artist.
- Image Size: 36” x 27"
- Framed Size (Approx): 43” x 34"
-
- Get in touch for overseas delivery
- Please allow approximately 14 days for delivery, should you need delivery sooner please let us know.
Fight or Flight (Little Red Riding Hood) - Large Limited Edition
£555.00
- Beware, wolves lurk in every guise.
‘Fight or Flight’ is my third interpretation of the intensely dark tale of Little Red Riding Hood, and it is one that is as authentic as possible. Art with meaning, it is how I speak, how I scream, how I bleed. Do you see this as a truly dark piece, or much, much lighter? I’m genuinely really interested to hear your interpretation. Everyone’s minds and stories are different.
The scene is set deep within a forest, and further on than what was shown back in 2015 and my ‘Red Light Spells Danger’ piece. I have taken a bold step to introduce the cloaked figure with the single intention that it truly transforms the emotion that this piece of art exonerates. By being shown from behind, I hope it resonates with many, many people. The moment I placed the figure (I refrain from saying ‘her’ for the reason I just mentioned) it genuinely brought tears to my eyes. I know why I created this piece and that moment when the impact of the image and its narrative just hits you right in-between the eyes.
You see someone who is on a path, a journey, a moment when they walk on, approached by, and flanked by wolves. Each wolf represents another challenge, another beast that needs to be tamed, if not killed. Look closely, a wolf is literally on their back, I did say look closely! Now look at the cloak, look at the sheer depth and richness of that red. With that saturation comes shadows and there lies the problem. Light and dark, very dark.
Blackened, twisting thorns are interwoven with red roses and drive their way through the forest floor. Darkness resides to light in such a way that it can trip you up, the most painful falls are the unexpected ones. Sweetest tongue, sharpest tooth.
Rose petals from their cloak leave a trail of love and kindness reinforcing that the figure is good, wonderfully good yet who’s feet grow tired with the weight of the wolf on their back. Not every beast can be killed, sometimes it is just the acceptance that it can’t ever truly be slain but it can at least be tamed through the act of love, loving oneself. Keeping one’s wolves at bay can be enough to help you on your path.
A truly beautiful and pivotal detail within this scene is what exists beyond the figure, a clearing, a brief respite. What exists even before that is crucial. A beautiful white deer stands fixated and offers that much-needed guidance. Look upwards, the all-seeing owl offers wisdom in decision making. All hope is not lost. It never will be.
A copse can over time turn into a forest, those trees grow taller, denser, and harder to navigate between. The roots if fed, grow deeper and thicker and turn what was a thin trunk into something much stronger that creates darker shadows. Branches grow outwards and mask the light, to the point that it becomes harder to see the light of day and you become lost, lost in a forest of denial. If left unattended, what was once easily managed becomes so gnarled and claustrophobic that all hope can become lost and the brightest of sunlight is unable to penetrate through. Forests have clearings that offer respite and space to breathe, space to think before you’re back amongst the thick of it but stronger, taller.
Everyone is different, everyone’s reasons for becoming lost are different. We all choose different paths, we deviate off them, we are pushed and kicked off them but with guidance we can, and always must find our way back to our path. That path may then look very different to how it looked when our footsteps were lighter and shadows smaller, or when more walked with us, but it is our path. Keep your head up so that you can see the signs and your eyes open to acknowledge the dangers. How far in do you go before you admit and accept that you are lost? Do you choose a longer way out but it’s your way or do you accept guidance from others? There’s never any shame in that, sometimes the forest is just too dense and dark and you’re tired. With tiredness comes weakness and that leaves you open to attack from the wolves, either those that surround you, those that hide and hunt in packs or from the wolf within. Which has the sharpest tooth?
But please, no matter how dense the forest is that you walk within, remember that every forest comes to an end, and in its place, space to see, space to breathe and with it, the first steps on your path. You hold the axe, make your mark, small, sustained cuts initially or a single blow. This applies to how you enter, and how you leave your forest. The strongest trees can fall. X
-
- Released: 2022
- Collection: Wolves, Wonderment & Wanderlust
- Edition Size: 10 + 2AP
- Specification: Limited edition fine art print, hand signed by artist.
- Image Size: 32” x 24"
- Framed Size (Approx): 42.5” x 35"
-
- Get in touch for overseas delivery
- Please allow approximately 14 days for delivery, should you need delivery sooner please let us know.
 - Standard Limited Edition&media=https://markdaviesbritishartist.co.uk/cdn/shop/products/WAN-Frame_600x.jpg?v=1645723631){kind=link}
Fight or Flight (Little Red Riding Hood) - Original
- Beware, wolves lurk in every guise.
‘Fight or Flight’ is my third interpretation of the intensely dark tale of Little Red Riding Hood, and it is one that is as authentic as possible. Art with meaning, it is how I speak, how I scream, how I bleed. Do you see this as a truly dark piece, or much, much lighter? I’m genuinely really interested to hear your interpretation. Everyone’s minds and stories are different.
The scene is set deep within a forest, and further on than what was shown back in 2015 and my ‘Red Light Spells Danger’ piece. I have taken a bold step to introduce the cloaked figure with the single intention that it truly transforms the emotion that this piece of art exonerates. By being shown from behind, I hope it resonates with many, many people. The moment I placed the figure (I refrain from saying ‘her’ for the reason I just mentioned) it genuinely brought tears to my eyes. I know why I created this piece and that moment when the impact of the image and its narrative just hits you right in-between the eyes.
You see someone who is on a path, a journey, a moment when they walk on, approached by, and flanked by wolves. Each wolf represents another challenge, another beast that needs to be tamed, if not killed. Look closely, a wolf is literally on their back, I did say look closely! Now look at the cloak, look at the sheer depth and richness of that red. With that saturation comes shadows and there lies the problem. Light and dark, very dark.
Blackened, twisting thorns are interwoven with red roses and drive their way through the forest floor. Darkness resides to light in such a way that it can trip you up, the most painful falls are the unexpected ones. Sweetest tongue, sharpest tooth.
Rose petals from their cloak leave a trail of love and kindness reinforcing that the figure is good, wonderfully good yet who’s feet grow tired with the weight of the wolf on their back. Not every beast can be killed, sometimes it is just the acceptance that it can’t ever truly be slain but it can at least be tamed through the act of love, loving oneself. Keeping one’s wolves at bay can be enough to help you on your path.
A truly beautiful and pivotal detail within this scene is what exists beyond the figure, a clearing, a brief respite. What exists even before that is crucial. A beautiful white deer stands fixated and offers that much-needed guidance. Look upwards, the all-seeing owl offers wisdom in decision making. All hope is not lost. It never will be.
A copse can over time turn into a forest, those trees grow taller, denser, and harder to navigate between. The roots if fed, grow deeper and thicker and turn what was a thin trunk into something much stronger that creates darker shadows. Branches grow outwards and mask the light, to the point that it becomes harder to see the light of day and you become lost, lost in a forest of denial. If left unattended, what was once easily managed becomes so gnarled and claustrophobic that all hope can become lost and the brightest of sunlight is unable to penetrate through. Forests have clearings that offer respite and space to breathe, space to think before you’re back amongst the thick of it but stronger, taller.
Everyone is different, everyone’s reasons for becoming lost are different. We all choose different paths, we deviate off them, we are pushed and kicked off them but with guidance we can, and always must find our way back to our path. That path may then look very different to how it looked when our footsteps were lighter and shadows smaller, or when more walked with us, but it is our path. Keep your head up so that you can see the signs and your eyes open to acknowledge the dangers. How far in do you go before you admit and accept that you are lost? Do you choose a longer way out but it’s your way or do you accept guidance from others? There’s never any shame in that, sometimes the forest is just too dense and dark and you’re tired. With tiredness comes weakness and that leaves you open to attack from the wolves, either those that surround you, those that hide and hunt in packs or from the wolf within. Which has the sharpest tooth?
But please, no matter how dense the forest is that you walk within, remember that every forest comes to an end, and in its place, space to see, space to breathe and with it, the first steps on your path. You hold the axe, make your mark, small, sustained cuts initially or a single blow. This applies to how you enter, and how you leave your forest. The strongest trees can fall. X
-
- Released: 2022
- Collection: Wolves, Wonderment & Wanderlust
- Edition Size: 1 of 1 Original
- Specification: Mixed media original piece, hand signed by artist.
- Image Size: 48” x 36"
- Framed Size (Approx): 54” x 41"