The Memory Remains 4 - Large Limited Edition
£445.00
- Ok, so before I waffle on, I want to say a special thank you to the commissioning client of the very first ‘The Memory Remains’ that I created way, way back! I won’t mention his name, but he knows who he is and what a brilliant collaborative effort that was and look at the results! I remember being told that releasing the image as a print wouldn’t work, well no more words needed on that one, they say a picture speaks a thousand words.
I am a storyteller; I create visual chapters. Sometimes I conceive an ending, sometimes I leave it open to be continued. Occasionally, when immersed in a particular chapter, you can see an alternative direction which leads to a different ending. Yet, with ‘The Memory Remains’ there was always only one journey with it as a series, excluding ad-hoc special editions or pieces inspired by it.
The first piece crammed so much within a small window, literally. Stood looking across the road you could see the central toy shop with its’ enticing window display, whilst also getting a glimpse at part of a local cinema and an arcade that had recently closed down. I’m not sure if people spotted that and thought of it as a defining point to the piece. What it does it throw things completely as it changes the date from the era that it celebrates to being much more current. The sad reality of the closures of local independents is what is there but you look past that to what you remember when you were younger.
So, effectively you are doing exactly what my ‘Retrospective’ works epitomise, which is looking past the ‘real’ and towards the past and through the power of imagination and that child-like mindset, what you see is something that is so much bigger, brighter and better than it was. Hold onto that, as it is important when explaining each of the pieces within the series.
The first door that you were taken through in ‘The Memory Remains 2’ was the toy shop, and what a shop that turned out to be! How can so many toys be crammed into such a tiny shop frontage? See? So many of the toys from that scene feature within other pieces as I have continued to retell my youth through pictures (and so many of yours given by the reaction!) Everything links, it’s a walk-through of our memories, lovely, eh? ‘
The Memory Remains 3’ took you into an incredible cinema foyer to watch whatever film you choose to remember. Were those characters really there? Was your mind still in overdrive after the Pick N Mix, surely, they weren’t just the point of sale cardboard cut outs. There is such a wonderful link to my ‘Lost in Hollywood’ works with this piece and further reinforcement to the above where every memory is real and related.
So, there was one last door to go through, well before the shutters closed for the last time. The arcade! As the Gok would say, ‘it’s all about the confidence’ and truth be told, as a kid I had very little. So, I would always shy away from stepping up to the arcade machines, instead preferring to watch friends hammer them.
Confidence turns to comfort in another memory of growing up, this time during my time on a middle school French exchange trip when staying with a brilliant guy, who I still speak with today, Salut Cedric! I was incredibly home sick, I won’t lie. I pretended to have a cold to explain the streaming eyes! LOL buddy! Anyway, basically as well as playing table tennis, it was watching Cedric and his friend smashing it at ‘Sonic’ that has always stuck with me as it provided a real sense of comfort and common ground, even though I was shit at it and oblivious to any French insults being hurled about.
‘The Memory Remains 4’ is a true celebration of the wonders of retro gaming and the vibrancy of the arcades. Again, everything is shown to be bigger, brighter and a level up. What we see is a glimpse outside of the building and into Sonics’ world. I have wanted to replicate that iconic game play for so long and I love the end results. There have been so many interpretations of Sonic in the art scene, and each have their own merit, well this is mine and it’s authentic. Like Frank said, I did it my waaaaay.
So, whether you have bought part of this series, or this completes your full collection I want to say a massive thank you to each and every bloody one of you because it has been an absolute fucking blast! All great things come to an end, but the memories will always remain.
That’s all folks! -
- Released: 2021
- Collection: Retrospective 3
- Edition Size: 20 + 5AP
- Specification: Limited edition fine art print, hand signed by artist.
- Image Size: 32” x 24"
- Framed Size (Approx): 42” x 34"
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- Get in touch for overseas delivery
- Please allow approximately 14 days for delivery, should you need delivery sooner please let us know.
Commissions
When workload allows Mark embraces client commissions and has enjoyed amazing success to date. If you have been inspired by the work that you have seen and have a specific idea or simply a seed then please do get in touch.
Commission EnquiriesRelated Items
Petrolheads 007 - Standard Limited Edition
£315.00
- As I write this, the completed original piece sits to my right, sparkling in the studio lights on what is a real ‘pea soup’ of an Autumn Day. I am so proud and excited about this piece. It isn’t just the final image, but more the process of how it came to be that I love. I like to engage with people to get their thoughts on possible pieces, often laying about in the studio over a tea and way too many bloody custard creams and I remember the idea for how to follow up on the first two Petrolheads pieces. Feedback and interaction are so important, naturally you must go with your gut feeling but I pride myself on keeping my ego locked away and listening to people that can make a difference and have passion in my work.
Back in 2018 when the first ‘Petrolheads’ was released, I had no idea that the reaction would be that strong. I loved the image and knew that it looked superb, but it was simply one from my ‘A New Chapter’ release. Yet, now it is without doubt the most enquired about piece and has sold out in every possible form. 2020 saw the follow up be released and has gotten a cracking reaction, I love the energy and drama on that piece as a contrast to its’ predecessor. ‘PH2’ followed on perfectly as it told the story about what happened when the film had finished, and they still had gas in the tank. There are more chapters to write on that group of cars, all in good time!
However, I wanted to do something different this time around. The idea was born from discussing possible James Bond pieces back in 2020 when I was brainstorming for what is now ‘Q Division’. The idea of having a stunning backdrop like Monte Carlo behind a selection of iconic Bond vehicles really excited me but I knew that it had more of a ‘Petrolheads’ quality to it, so that was parked (excuse the pun). I have held it back and back until the timing was right and what we see now is the culmination of so much planning and hours in the studio. So, what do you think?!
There aren’t many more spectacular backdrops than the Casino in Monte Carlo, if there are then feel free to suggest them and I will take the credit for any future piece! Joking aside, I love the splendour and intrigue of the building and with the beautiful tones of the fading light it comes to life, as do the cars! Good and evil are parked up side by side, a nod to how close darkness and light reside with each other.
For obvious reasons, Casino Royale is the base for this piece but it, like ‘Q-Division’ and the more recent ‘Underwater Love’ was created to celebrate the end of Daniel Craigs’ time as Bond, slightly delayed due to Covid but we got there eventually! As a kid watching the earlier Bond films it was always the cars and gadgets that excited me, Ok and maybe the Bond girls! There are so many of the classic vehicles that we all love, apologies if your favourite is missing but anymore and it risked looking like grid lock on the M25!
There is so much detail that surrounds the two cars in the foreground, details that hint at unrest and dark forces at work. It’s funny actually, as the iconic Lotus that went underwater was originally surrounded by a pool of water to link to its other use but with how my mind works it all went a bit dark after ‘Oddjobs’ hat pierced the car (that used to freak me out as a kid). Can you smell Petrol?
If you love the first ‘Petrolheads’ piece, then this 007 edition should get your engine revving as there is a sense of calm and mystery to the composition. What I love is there is a ‘Storyteller’ quality to the scene, a stunning building that clearly has so much going on within, yet we can’t see from looking. Yet, open your mind and your imagination and you’re up the stairs and through the doors.
The question is, what car would you pull up in?
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- Released: 2021
- Collection: Retrospective 3
- Edition Size: 45 + 5AP
- Specification: Limited edition fine art print, hand signed by artist.
- Image Size: 25” x 18.5"
- Framed Size (Approx): 32.5” x 26"
-
- Get in touch for overseas delivery
- Please allow approximately 14 days for delivery, should you need delivery sooner please let us know.
EIVISSA - Standard Limited Edition
£395.00
- Ok, so for each of the previous ‘Retrospective’ collections there has been a music inspired piece as it has played a massive part in reinvigorating my memories of growing up through to present day. In 2019 I created ‘Mad For It’, a 90’s ‘Brit-pop’ celebration that focused upon the Manchester music scene. A slightly different type of music and weather to what you now see here in EIVISSA, but the two pieces are related, to me anyway! Basically, in my late teens I was really into house music, I absolutely loved it. So much so that I wasn’t bothered with the ‘Indie’ scene that most of my mates were. This resulted in me not going to watch the little gig that was ‘OASIS live at Knebworth, that was practically on my bloody doorstep. Damn it!
Typically, I soon started to move towards Indie, Brit-pop and an increasingly heavier taste and I seriously regret not going, I couldn’t even get any shared memories from my mates as they can’t remember anything from it! A side effect that the majority of those who were lucky enough to get over the ‘white isle’ in the hedonistic era of the 1980’s through to early 2000’s. Like I said, I loved and still love the House music from that period, but I never got to go over to Ibiza and ‘large it up’. I’ve never waved a glow stick or got off my nut on mind-blowing drugs. The closest I got was the nightclub in San Jaime – Menorca and waving one of the wooden statues about before getting bollocked and told to leave. Not hardcore but good fun.
As with a good number of my pieces, I like to take on subjects that typically get overlooked in the art sense yet have a massive following. I love creating scenes that put you right back there, that pulls at your heart strings and amplifies all the emotions that you felt at the time. With EIVISSA I have created a digital still life composition that is much ‘freer’ than the majority of my works, so it truly creates this sense of calm as you either watch the sun go down or come up from the beach. It is a beautiful image, pure tranquillity, with the sun shimmering over a sea that looks like a blanket of diamonds and the stunning Bougainvillea gently framing the vista. If you look closely, you will spot that the sun is actually made from a vinyl LP, whilst graphic equalizer patterns mimic hints of distant hills over the horizon as you look towards the other Balearic Islands.
There is a narrative and another purpose to EIVISSA, it depicts the changes that have happened out there from the early period when the clubs existed but were dotted about amongst little villages and dust tracks. A time when it was all about the music and the experience before the VIP culture took a hold that made everything so much harder and more expensive. Now, sadly it seems to be that the tables are reserved for those with the deepest pockets or biggest following. So, despite this being a positive piece, there is a nod to that. It isn’t something that I will pretend to be incensed by, but I felt it right to acknowledge, more so when the true spirits of Ibiza pass, such as Jose Padilla. ‘Heaven is a place of wonder’.
This sense of shifting sands is reinforced by the objects within the main composition. Dominated by a DJ mixing deck and with cracking objects that surround it, there is this feeling of things being uncovered and recovered that were previously hidden, just like how I hope this piece brings those memories back that were blurred and hazy. It is what ‘Retrospective’ stands and aims for, to look backwards to look forward. Look closely and you’ll spot an object that brings the time of this piece bang up to date rather than it being what many would initially think is set back in past decades. However, once you’ve spotted it, do you see it as current or set in the future when the restrictions are now a thing of the past and with that comes hope that the true spirit of EIVISSA has returned, floated in with the grace of a rainbow unicorn!
I have loved creating this piece, I really have. I hope that it has offered something that many didn’t think existed and that I have done justice to the memories that you lunatics can remember. Look closely at the mixing decks, it is totally transformed with cracking references with the odd one that needs a real clear head to decipher. I love the contrast between the wonderfully calm qualities but the drama and movement of the light trails that not only depict the intensity of the clubs but reinforce the sense that things are coming back to life. At the time of writing, it is Autumn and grey skies, but I hope that I have brought a brighter horizon to you and the time when you’ll be finally back on the sand is getting ever closer. I think we will all drink to that! Just beware of the dangers of Moist, Milky Donuts, Always!
So, it just remains for me to say, ‘av it large! (or standard if the size fits better)
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- Released: 2021
- Collection: Retrospective 3
- Edition Size: 45 + 5AP
- Specification: Limited edition fine art print, hand signed by artist.
- Image Size: 25” x 18.5"
- Framed Size (Approx): 32.5” x 26"
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- Get in touch for overseas delivery
- Please allow approximately 14 days for delivery, should you need delivery sooner please let us know.
He Who Dares, Wins! (Only Fools & Horses) - Standard Limited Edition
£365.00
- Is this the best British sitcom ever made? If not, then feel free to suggest another! The characters and the scriptwriting are as Cushti as it gets. Following on from my 2020 piece ‘I’ll Be There For You’ that celebrated the enormity of the ‘Friends’ TV series, I wanted to create another in similar format but in a completely different era. Past pieces have referenced ‘Only Fools & Horses’ in a gentle way, through the iconic three-wheeler rolling into view but I have been itching to take this beast on for an age. It’s always a question on timing and having the ability to do it real justice.
As with other ‘Retrospective’ pieces, this wonderful example of comedy gold takes me right back to growing up and watching TV as a family, something that I feel is somewhat lost nowadays. It was always one of the ‘must see’ programmes when searching through the ‘Radio Times’ looking for the Christmas special. It wasn’t all Quality Streets and giggling though, god no! Something has just popped back into my mind whilst writing this that, if I’m right and I think I am, a certain brother disgraced himself by drinking too much of the beastly ‘Killepitsch’ liqueur that I brought back from a recent work trip to Dusseldorf (try it if you dare).
To my Mum’s horror we found him slumped in his bedroom chair covered in everything that he had eaten and drank on Christmas day with the announcement that he had ruined everything. On my hands and knees and channelling the big kid in me, I frantically scrubbed the red sludge off the carpet and trying hard not to exhale boldly announced that it was all fine and we could still make the Only Fools & Horses Christmas special. We made it, my brother crept back down on Boxing Day.
I guess this is what it is all about, my memories come flooding back from being immersed in my art. Bugger me I bloody love what I do! As with the ‘Friends’ series, the collective of different characters and catchphrases is just brilliant, all so different but such a close bond. Initially, this piece that you now see was going to be set within their flat within Mandela House but I wanted to go bigger, more pizazz, more je ne sais quoi as they say in the Dordogne. So, what we see is when the Trotters have cashed in their cheque and became ‘meewionaaires’ and are living the life in Miami where all that glitters is gold, and the jubbly is as lovely as it could ever be.
They say money doesn’t buy class, if so then who cares? The Trotters certainly don’t, they are all way too blotto on the Crème de menthe to care. Piecing together the ornate room is the same process as my original ‘Storyteller’ works but it all changes when you start to add the detail that you see filling the floor. I don’t shy away with things when seeking to make pieces authentic so the inclusion of Dels’ plastic pretties was a must but please picture the scene here, in the studio. Ok, so it was on a weekend that I began building the scene and I thought given that it is quiet here in general but even more so on a Saturday I would be safe to do whatever research I needed. You’ve probably seen the amount of glass in this studio, there’s not much to hide what you are doing, or looking at. So, whilst entering some search phrases into google that would get me to what I need without being pounced on, imagine what images popped up on my screen – just as I heard the young children whose family manage the estate run past the window! Not a scene Enid Blyton would have ever conceived! You plonker!
‘He Who Dares, Wins’ is littered with the detail that we all know and love from the series, it was just so much fun, and I don’t think that a piece like this exists, I hope you love it as much as I do. I won’t list out the references as I know how much you buggers love seeking them out but a detail that I love is the old couch. I spoke about how I wanted to do a piece that had the same qualities of the ‘Friends piece’ that centred around the sofa, and this is no different. This time however it takes pride of place because of what this series represents to me and to many, quality time with the family. The grubby yellow fabric is done this way to resemble the brilliant Robin Reliant and allows for lots of great details associated with it to be plonked there. You know it makes sense!
This piece could very well end up under the Christmas tree for some, just ask yourself this though, are you sure you took the giblets out?! Mange tout, mange tout! -
- Released: 2021
- Collection: Retrospective 3
- Edition Size: 45 + 5AP
- Specification: Limited edition fine art print, hand signed by artist.
- Image Size: 30” x 18.5"
- Framed Size (Approx): 38.5” x 26"
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- Get in touch for overseas delivery
- Please allow approximately 14 days for delivery, should you need delivery sooner please let us know.