£1,095.00
What an absolute monster of a film and franchise Ghostbusters is, made even more so by the era that the first film was set within - I love how terribly bad but wonderfully brilliant the special effects are. It’s interesting also what you learn about the background to the movie and the battle to get it going that I never knew before.
I love how just a few guys and a converted ambulance can take on the apocalyptic chaos that is unravelling above their cherished city, and win! That is the key thing that I wanted to convey in this piece, the enormity of what lies ahead, or above! As quirky and vibrant as the scene is there is something special in that, seeing ECTO 1 turning out of HQ and heading off out to save the day.
There is so much to see in this piece, some blatant by me not holding back, shackles well and truly removed and others much more subtle - have you spotted him yet? This piece just grew and grew the more time went on and I am so pleased with the result, incredibly challenging technically to piece together but so worthwhile. One of the last details to go in and a big decision for me was whether to include Mr Stay Puft and if so to what extent. Originally it was just going to be a tiny section to hint that he is there but in line with this piece being a no holds barred exercise and that fact that he is my Mum’s favourite character he is there in all of his glory. I tried so hard not to set him on fire, I really did!
I will never get bored of watching this film and I’m really intrigued as to the 2020 film that is coming, hopefully more authentic than the last one! I think on reflection, from thinking back to watching the film as a kid and remembering all of the toys that I and my brothers had that this really does come close to being my favourite of all past films. When I am asked what is my favourite film I have always said that it is impossible to choose but after being so engrossed in creating ‘Saving The Day’ I think... WE GOT ONE!
When workload allows Mark embraces client commissions and has enjoyed amazing success to date. If you have been inspired by the work that you have seen and have a specific idea or simply a seed then please do get in touch.
Commission Enquiries£1,095.00
£225.00
£1,095.00
Moving up a decade and into the late 90s, what a film Guy Ritchie’s ‘Lock Stock & Two Smoking Barrels’ is. A classic example of an incredibly complex and clever plot that leaves your head all over the place even after you’ve watched it again. It’s genius!
I was drawn to creating a piece based on this film in the same way I was towards ‘Trainspotting’ because of it’s grittiness, quality cast with legendary quotes and also a stunning soundtrack. It has everything and again like I have found myself repeating over and over again to my daughter recently, what a truly great decade the 90s were for music as well as everything else!
Music always plays a big part in my artworks and consumes me whilst I am creating each piece - without doubt the bands from the 90s’ were just endless and listening to them all at full pelt almost meant me rupturing my tendon in my foot again but I came out of it unscathed! It is definitely one of those pieces with the intensity of the detail that makes the process all a bit of a blur!
The general consensus when hinting to others that I planned to take on this movie was for a decision not to be taken lightly, it’s an absolute beast of a film and one that consistently generated a twinkle in the eye before blurting out an often X-rated line from the film!
I took on this piece with the view of achieving the qualities of my ‘The Memory Remains’ piece where a street scene was completely littered with references with the backdrop displaying a mash up of iconic music albums from the era, to create something that you spend an absolute age seeking out all of the details, some blatant, some much more disguised.
Another quality was that there were so many great motors within the film, and I do love my cars! So, the question was which one would feature, being a football man and a Leeds United fan it had to be Vinnie Jones AKA Big Chris’s Rover, what a car and what a complete nutter!
This was a piece that had to be cool, gritty, naughty and a break from the whimsical and beautiful for sure. Without a doubt this was the film that I took the most notes from whilst re-watching, pages of quotes and random objects - I’m pretty sure that they all made it into the final cut, oh and yes I did dare to include it ;)
I hope you enjoy this piece as much as I do, it’s a deal, it’s a steal, it’s the sale of the... well you know the rest!
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MD Studios
1 Gransden Park, Potton Road, Abbotsley, Cambs, PE19 6TY United Kingdom
Tel: 07984 601370 Email: info@markdaviesbritishartist.co.uk
© 2022 Mark Davies British Artist.
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