Full Portfolio
Free Spirit - Colour (Breakfast at Tiffany's) - Large Limited Edition
£545.00
- I have wanted to do ‘Breakfast at Tiffany’s for an age. With each movie collection I always strive to create a piece that is pretty and beautiful to contrast with others that are much more dramatic and intense visually. With the 50th anniversary of the movie falling this year it was the perfect opportunity. What you see is very different for me, which is a good thing. There has been a move towards the introduction of characters when the piece warrants it and rather than seeing a scene that is absolutely littered with detail I wanted to make it all about the character, Holly.
I wanted to portray her as she was, rather than how she wasn’t as it suits my work and is authentic to my way of thinking. Without a genuine connection or reason there is always a risk of the image becoming hollow. The details that do exist help to tell the narrative but in a much more simplistic way that results in a much more powerful and poignant image. It’s called ‘Free Spirit’ based on Holly’s wish to not be caged but being told she puts herself in her own cage. It is her wish to be set free, she is such a complex character, high maintenance, but adorable and innocent. This sense of being trapped and needing to be set free is a concept that has ran through my work since day one, an emotion that is driven through personal emotions and one that resonates with so many.
This is a classic example of how, when planning this piece you end up doing something so completely different to what you thought you would do all that time ago, and I love that. It is that pull that takes hold, resonates and takes you off on a much more honest direction. What you see is everything laid out around her, the open bird cage with the dove rising upwards that is really beautiful. In contrast you have the blackened thorns and withering roses that are twisting around the cage and the foot of her stool. It’s a very dark element that builds on the concept of needing to be set free from the negatives and darkness and it is this detail against such an iconic image that makes it mine and authentic. It is all about freedom and restriction. The piece features butterflies and birds that represent freedom and transition, expression and the ability to spread one’s wings. I absolutely love her expression, so innocent, confident yet fragile. There is a personal connection to this film that makes it authentic.
Audrey Hepburn was born in Ixelles - Belgium, my Grandmother, Mary was born in Ypres and met my Grandad, Geoff whilst he was a soldier in the second World War as he came into her Parent’s cake shop. After the war, my Mother, Anne-Marie was born in Ypres before they headed to England to start a new life which, given the circumstances must have been daunting and challenging to say the least. My wonderful Grandma was heavily restricted in her later years and my Mother has been incredibly restricted due to my Dad’s condition - so what this piece symbolises is absolutely massive. -
- Released: 2021
- Collection: Lost In Hollywood 4
- Edition Size: 10
- Specification: Limited edition fine art print, hand signed by artist.
- Image Size: 32” x 24"
- Framed Size (Approx): 42” x 34"
-
- Get in touch for overseas delivery
- Please allow approximately 14 days for delivery, should you need delivery sooner please let us know.
Free Spirit - Colour (Breakfast at Tiffany's) - Standard Limited Edition
£395.00
- I have wanted to do ‘Breakfast at Tiffany’s for an age. With each movie collection I always strive to create a piece that is pretty and beautiful to contrast with others that are much more dramatic and intense visually. With the 50th anniversary of the movie falling this year it was the perfect opportunity. What you see is very different for me, which is a good thing. There has been a move towards the introduction of characters when the piece warrants it and rather than seeing a scene that is absolutely littered with detail I wanted to make it all about the character, Holly.
I wanted to portray her as she was, rather than how she wasn’t as it suits my work and is authentic to my way of thinking. Without a genuine connection or reason there is always a risk of the image becoming hollow. The details that do exist help to tell the narrative but in a much more simplistic way that results in a much more powerful and poignant image. It’s called ‘Free Spirit’ based on Holly’s wish to not be caged but being told she puts herself in her own cage. It is her wish to be set free, she is such a complex character, high maintenance, but adorable and innocent. This sense of being trapped and needing to be set free is a concept that has ran through my work since day one, an emotion that is driven through personal emotions and one that resonates with so many.
This is a classic example of how, when planning this piece you end up doing something so completely different to what you thought you would do all that time ago, and I love that. It is that pull that takes hold, resonates and takes you off on a much more honest direction. What you see is everything laid out around her, the open bird cage with the dove rising upwards that is really beautiful. In contrast you have the blackened thorns and withering roses that are twisting around the cage and the foot of her stool. It’s a very dark element that builds on the concept of needing to be set free from the negatives and darkness and it is this detail against such an iconic image that makes it mine and authentic. It is all about freedom and restriction. The piece features butterflies and birds that represent freedom and transition, expression and the ability to spread one’s wings. I absolutely love her expression, so innocent, confident yet fragile. There is a personal connection to this film that makes it authentic.
Audrey Hepburn was born in Ixelles - Belgium, my Grandmother, Mary was born in Ypres and met my Grandad, Geoff whilst he was a soldier in the second World War as he came into her Parent’s cake shop. After the war, my Mother, Anne-Marie was born in Ypres before they headed to England to start a new life which, given the circumstances must have been daunting and challenging to say the least. My wonderful Grandma was heavily restricted in her later years and my Mother has been incredibly restricted due to my Dad’s condition - so what this piece symbolises is absolutely massive. -
- Released: 2021
- Collection: Lost in Hollywood 4
- Edition Size: 25
- Specification: Limited edition fine art print, hand signed by artist.
- Image Size: 25” x 18.5"
- Framed Size (Approx): 32” x 26"
-
- Get in touch for overseas delivery
- Please allow approximately 14 days for delivery, should you need delivery sooner please let us know.
From Russia With Love - Limited Edition
- This was a Valentines Day release in 2015
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- Released: 2015
- Collection: Matryoshka
- Edition Size: 45 + 5AP
- Specification: Limited edition fine art print, hand signed by artist.
- Image Size: 26.5” x 20"
- Framed Size: 34” x 27.5"
-
- Free delivery to UK Mainland
- Get in touch for overseas delivery
- Please allow approximately 14 days for delivery, should you need delivery sooner please let us know.
Gandalf's Brought F*cking Cake! (Lord Of The Rings) - Hand Embellished Large Limited Edition
£650.00
Gandalf's Brought F*cking Cake! (Lord Of The Rings) - Hand Embellished Large Limited Edition
£650.00
- This is my interpretation of the incredibly popular stories that make up The Lord Of The Rings entitled ‘Gandalf’s Brought F*cking Cake!’
My intention with this piece was to not simply create a stunning and vast landscape but to have some real fun with it and embrace the quirkiness of the Hobbits especially. When you are piecing together imagery that involves unifying a large number of individual objects a key challenge is to get the scale right or risk confusing or killing a piece. What was appealing here was that contrast between the norm and the world of the Hobbits, the fact that really detailed environments happened to be so much smaller and you would only know that this was the case when a character such as Gandalf came into shot.
My favourite character is Bilbo Baggins, I love the contrast between author and burglar! So, I have focused in on his world, his house and in this case, his 111th birthday, true to say he’s getting on a bit now, he may even be shrinking but it’s ok because Gandalf’s just turned up and he’s brought f*cking cake!’ This sets the tone for the piece, just good fun in a whimsical setting that embraces colour and light and has wonderful magical details that interact and hide amongst the scene.
I wanted to bring some normality into the surrealness of the narrative and characters, and the birthday cake does just that, maybe it is the message on the cake or the fact that it is of Bilbo’s favourite icons - Dobby (deliberate not a blooper on my part!) that brings everything back down to earth. It’s a feel-good piece that you can immerse yourself within and decide yourself what is happening through the open door. Happy birthday Bilbo, you beautiful bloody blaggard! -
- Released: 2017
- Collection: Spellbound
- Edition Size: 10 + 1AP
- Specification: Hand embellished, deckled deluxe limited edition fine art print, hand signed by artist.
- Image Size: 37” x 24"
- Mounted Size: 44” x 32"
- Framed Size (Approx): 47” x 35"
-
- Free delivery to UK Mainland
- Get in touch for overseas delivery
- Please allow approximately 14 days for delivery, should you need delivery sooner please let us know.
Gandalf's Brought F*cking Cake! (Lord Of The Rings) - Original
- This is my interpretation of the incredibly popular stories that make up The Lord Of The Rings entitled ‘Gandalf’s Brought F*cking Cake!’
My intention with this piece was to not simply create a stunning and vast landscape but to have some real fun with it and embrace the quirkiness of the Hobbits especially. When you are piecing together imagery that involves unifying a large number of individual objects a key challenge is to get the scale right or risk confusing or killing a piece. What was appealing here was that contrast between the norm and the world of the Hobbits, the fact that really detailed environments happened to be so much smaller and you would only know that this was the case when a character such as Gandalf came into shot.
My favourite character is Bilbo Baggins, I love the contrast between author and burglar! So, I have focused in on his world, his house and in this case, his 111th birthday, true to say he’s getting on a bit now, he may even be shrinking but it’s ok because Gandalf’s just turned up and he’s brought f*cking cake!’ This sets the tone for the piece, just good fun in a whimsical setting that embraces colour and light and has wonderful magical details that interact and hide amongst the scene.
I wanted to bring some normality into the surrealness of the narrative and characters, and the birthday cake does just that, maybe it is the message on the cake or the fact that it is of Bilbo’s favourite icons - Dobby (deliberate not a blooper on my part!) that brings everything back down to earth. It’s a feel-good piece that you can immerse yourself within and decide yourself what is happening through the open door. Happy birthday Bilbo, you beautiful bloody blaggard! -
- Released: 2017
- Collection: Spellbound
- Specification: 1 of 1 original framed embellished canvas, hand signed by artist.
- Image Size: 48” x 36"
- Framed Size: 54” x 41"
Ghetto Supastars - Canvas Limited Edition
£1,195.00
- I have said so many times just how instrumental and influential music is to my art, art that is a reflection and a response to my life and it’s experiences. The past year has seen me create pieces such as ‘Mad For It’, a 90’s inspired ‘brit-pop’ image and ‘Glasto!, a celebration of 50 years of headliners at the Glastonbury music festival. I love how the power of music can transport you back so easily to a period or a moment in your life and hold you there until you decide to turn ‘auto repeat’ off – something that expands over several days for me when I’m in that mindset to create a piece of art.
I’m one of those people who genuinely has a really diverse taste in music that includes bands that you are proud to know because you know the majority have never heard of, and yet are cursed with the ability to completely forget all of these when asked ‘so what music are you into’ and just blurt out the generics! For those who follow my social media posts you will know that the majority of my videos have often obscure tracks playing in the background. You know when you have a really good one when it is so left field (close to being a pun!) that the powers that be don’t delete your video and scald you!
Music is always on in the studio, currently it’s ‘Some Kind Of Peace’ by ‘Olafur Arnalds’ because I’m waffling through these narratives that need to go to print ahead of the collection release and I’m absolutely bloody knackered. Three more to go and a few cups of tea later and it will be on to spraying more original works so by that time it will have probably switched up to the likes of ‘Slipknot, ‘Chevelle’ and ‘Metallica’. Anyway! Let’s talk about this piece, ‘Ghetto Supastars’ and leave the darker stuff for another day, another piece.
Some great memories of my love for ‘hip hop’ and rap music as a teenager include asking my grandparents for ‘Cypress Hill’s’ ’Black Sunday’ for Christmas and hearing my mum trying to explain it to them over the phone. It was the thought of them going into ‘HMV’, or ‘Our Price’ (remember that?!) and asking for it that always drew a smile. Another was handing my Dad a tape to put on in the car on the way back home and watching his disgust build as I cringed in the back seat – the tape was ‘Death Certificate’ by ‘Ice Cube!
The 1990s’ and early 2000’s were brilliant for hip-hop and rap music, way too many to list here but the most iconic are all hidden within this piece, the perfect ‘lockdown’ boredom beater! ‘Ghetto Supastars’ is set on a gritty American basketball court in the inner city and literally littered with cracking details synonymous with the ‘baller’ lifestyle, some blatant, others more subtle and linked to song titles. Speaking of which can you work out what song the title is inspired by? I chose to add people into this piece and have done in a poignant way to pay homage to three true icons that have passed. ‘Tupac’, ‘Biggie Smalls’ and ‘Lisa (Left Eye) Lopez. The subtle dove and angel wing detailing adds something really special to this piece that has been created to just be bloody cool.
I hope you love seeking out all of the details within this piece, I loved creating it and it’s different which is a good thing for both artist and collector. I’ll be honest, I switched to ‘Black Sunday’ at the start of paragraph 5. Playing ‘Cypress Hill’ just got me thinking back to listening to the album on family holidays in Menorca, and how we would love to be back there right now eh. The power of music and the power of memories. So, bollocks to NAS, Hip Hop ain’t dead mate!
-
- Released: 2020
- Collection: Retrospective 2
- Edition Size: 10
- Specification: Hand embellished heavyweight artist canvas, double framed, hand signed by artist.
- Image Size: 36” x 27"
- Framed Size (Approx): 41.5” x 32"
-
- Get in touch for overseas delivery
- Please allow approximately 14 days for delivery, should you need delivery sooner please let us know.
Ghetto Supastars - Large Limited Edition
£545.00
- I have said so many times just how instrumental and influential music is to my art, art that is a reflection and a response to my life and it’s experiences. The past year has seen me create pieces such as ‘Mad For It’, a 90’s inspired ‘brit-pop’ image and ‘Glasto!, a celebration of 50 years of headliners at the Glastonbury music festival. I love how the power of music can transport you back so easily to a period or a moment in your life and hold you there until you decide to turn ‘auto repeat’ off – something that expands over several days for me when I’m in that mindset to create a piece of art.
I’m one of those people who genuinely has a really diverse taste in music that includes bands that you are proud to know because you know the majority have never heard of, and yet are cursed with the ability to completely forget all of these when asked ‘so what music are you into’ and just blurt out the generics! For those who follow my social media posts you will know that the majority of my videos have often obscure tracks playing in the background. You know when you have a really good one when it is so left field (close to being a pun!) that the powers that be don’t delete your video and scald you!
Music is always on in the studio, currently it’s ‘Some Kind Of Peace’ by ‘Olafur Arnalds’ because I’m waffling through these narratives that need to go to print ahead of the collection release and I’m absolutely bloody knackered. Three more to go and a few cups of tea later and it will be on to spraying more original works so by that time it will have probably switched up to the likes of ‘Slipknot, ‘Chevelle’ and ‘Metallica’. Anyway! Let’s talk about this piece, ‘Ghetto Supastars’ and leave the darker stuff for another day, another piece.
Some great memories of my love for ‘hip hop’ and rap music as a teenager include asking my grandparents for ‘Cypress Hill’s’ ’Black Sunday’ for Christmas and hearing my mum trying to explain it to them over the phone. It was the thought of them going into ‘HMV’, or ‘Our Price’ (remember that?!) and asking for it that always drew a smile. Another was handing my Dad a tape to put on in the car on the way back home and watching his disgust build as I cringed in the back seat – the tape was ‘Death Certificate’ by ‘Ice Cube!
The 1990s’ and early 2000’s were brilliant for hip-hop and rap music, way too many to list here but the most iconic are all hidden within this piece, the perfect ‘lockdown’ boredom beater! ‘Ghetto Supastars’ is set on a gritty American basketball court in the inner city and literally littered with cracking details synonymous with the ‘baller’ lifestyle, some blatant, others more subtle and linked to song titles. Speaking of which can you work out what song the title is inspired by? I chose to add people into this piece and have done in a poignant way to pay homage to three true icons that have passed. ‘Tupac’, ‘Biggie Smalls’ and ‘Lisa (Left Eye) Lopez. The subtle dove and angel wing detailing adds something really special to this piece that has been created to just be bloody cool.
I hope you love seeking out all of the details within this piece, I loved creating it and it’s different which is a good thing for both artist and collector. I’ll be honest, I switched to ‘Black Sunday’ at the start of paragraph 5. Playing ‘Cypress Hill’ just got me thinking back to listening to the album on family holidays in Menorca, and how we would love to be back there right now eh. The power of music and the power of memories. So, bollocks to NAS, Hip Hop ain’t dead mate!
-
- Released: 2020
- Collection: Retrospective 2
- Edition Size: 20
- Specification: Limited edition fine art print, hand signed by artist.
- Image Size: 32” x 24"
- Framed Size (Approx): 42” x 34"
-
- Get in touch for overseas delivery
- Please allow approximately 14 days for delivery, should you need delivery sooner please let us know.
Ghetto Supastars - Original
- I have said so many times just how instrumental and influential music is to my art, art that is a reflection and a response to my life and it’s experiences. The past year has seen me create pieces such as ‘Mad For It’, a 90’s inspired ‘brit-pop’ image and ‘Glasto!, a celebration of 50 years of headliners at the Glastonbury music festival. I love how the power of music can transport you back so easily to a period or a moment in your life and hold you there until you decide to turn ‘auto repeat’ off – something that expands over several days for me when I’m in that mindset to create a piece of art.
I’m one of those people who genuinely has a really diverse taste in music that includes bands that you are proud to know because you know the majority have never heard of, and yet are cursed with the ability to completely forget all of these when asked ‘so what music are you into’ and just blurt out the generics! For those who follow my social media posts you will know that the majority of my videos have often obscure tracks playing in the background. You know when you have a really good one when it is so left field (close to being a pun!) that the powers that be don’t delete your video and scald you!
Music is always on in the studio, currently it’s ‘Some Kind Of Peace’ by ‘Olafur Arnalds’ because I’m waffling through these narratives that need to go to print ahead of the collection release and I’m absolutely bloody knackered. Three more to go and a few cups of tea later and it will be on to spraying more original works so by that time it will have probably switched up to the likes of ‘Slipknot, ‘Chevelle’ and ‘Metallica’. Anyway! Let’s talk about this piece, ‘Ghetto Supastars’ and leave the darker stuff for another day, another piece.
Some great memories of my love for ‘hip hop’ and rap music as a teenager include asking my grandparents for ‘Cypress Hill’s’ ’Black Sunday’ for Christmas and hearing my mum trying to explain it to them over the phone. It was the thought of them going into ‘HMV’, or ‘Our Price’ (remember that?!) and asking for it that always drew a smile. Another was handing my Dad a tape to put on in the car on the way back home and watching his disgust build as I cringed in the back seat – the tape was ‘Death Certificate’ by ‘Ice Cube!
The 1990s’ and early 2000’s were brilliant for hip-hop and rap music, way too many to list here but the most iconic are all hidden within this piece, the perfect ‘lockdown’ boredom beater! ‘Ghetto Supastars’ is set on a gritty American basketball court in the inner city and literally littered with cracking details synonymous with the ‘baller’ lifestyle, some blatant, others more subtle and linked to song titles. Speaking of which can you work out what song the title is inspired by? I chose to add people into this piece and have done in a poignant way to pay homage to three true icons that have passed. ‘Tupac’, ‘Biggie Smalls’ and ‘Lisa (Left Eye) Lopez. The subtle dove and angel wing detailing adds something really special to this piece that has been created to just be bloody cool.
I hope you love seeking out all of the details within this piece, I loved creating it and it’s different which is a good thing for both artist and collector. I’ll be honest, I switched to ‘Black Sunday’ at the start of paragraph 5. Playing ‘Cypress Hill’ just got me thinking back to listening to the album on family holidays in Menorca, and how we would love to be back there right now eh. The power of music and the power of memories. So, bollocks to NAS, Hip Hop ain’t dead mate!
-
- Released: 2020
- Collection: Retrospective 2
Ghetto Supastars - Standard Limited Edition
£395.00
- I have said so many times just how instrumental and influential music is to my art, art that is a reflection and a response to my life and it’s experiences. The past year has seen me create pieces such as ‘Mad For It’, a 90’s inspired ‘brit-pop’ image and ‘Glasto!, a celebration of 50 years of headliners at the Glastonbury music festival. I love how the power of music can transport you back so easily to a period or a moment in your life and hold you there until you decide to turn ‘auto repeat’ off – something that expands over several days for me when I’m in that mindset to create a piece of art.
I’m one of those people who genuinely has a really diverse taste in music that includes bands that you are proud to know because you know the majority have never heard of, and yet are cursed with the ability to completely forget all of these when asked ‘so what music are you into’ and just blurt out the generics! For those who follow my social media posts you will know that the majority of my videos have often obscure tracks playing in the background. You know when you have a really good one when it is so left field (close to being a pun!) that the powers that be don’t delete your video and scald you!
Music is always on in the studio, currently it’s ‘Some Kind Of Peace’ by ‘Olafur Arnalds’ because I’m waffling through these narratives that need to go to print ahead of the collection release and I’m absolutely bloody knackered. Three more to go and a few cups of tea later and it will be on to spraying more original works so by that time it will have probably switched up to the likes of ‘Slipknot, ‘Chevelle’ and ‘Metallica’. Anyway! Let’s talk about this piece, ‘Ghetto Supastars’ and leave the darker stuff for another day, another piece.
Some great memories of my love for ‘hip hop’ and rap music as a teenager include asking my grandparents for ‘Cypress Hill’s’ ’Black Sunday’ for Christmas and hearing my mum trying to explain it to them over the phone. It was the thought of them going into ‘HMV’, or ‘Our Price’ (remember that?!) and asking for it that always drew a smile. Another was handing my Dad a tape to put on in the car on the way back home and watching his disgust build as I cringed in the back seat – the tape was ‘Death Certificate’ by ‘Ice Cube!
The 1990s’ and early 2000’s were brilliant for hip-hop and rap music, way too many to list here but the most iconic are all hidden within this piece, the perfect ‘lockdown’ boredom beater! ‘Ghetto Supastars’ is set on a gritty American basketball court in the inner city and literally littered with cracking details synonymous with the ‘baller’ lifestyle, some blatant, others more subtle and linked to song titles. Speaking of which can you work out what song the title is inspired by? I chose to add people into this piece and have done in a poignant way to pay homage to three true icons that have passed. ‘Tupac’, ‘Biggie Smalls’ and ‘Lisa (Left Eye) Lopez. The subtle dove and angel wing detailing adds something really special to this piece that has been created to just be bloody cool.
I hope you love seeking out all of the details within this piece, I loved creating it and it’s different which is a good thing for both artist and collector. I’ll be honest, I switched to ‘Black Sunday’ at the start of paragraph 5. Playing ‘Cypress Hill’ just got me thinking back to listening to the album on family holidays in Menorca, and how we would love to be back there right now eh. The power of music and the power of memories. So, bollocks to NAS, Hip Hop ain’t dead mate!
-
- Released: 2020
- Collection: Retrospective 2
- Edition Size: 45
- Specification: Limited edition fine art print, hand signed by artist.
- Image Size: 25” x 18.5"
- Framed Size (Approx): 32” x 26"
-
- Get in touch for overseas delivery
- Please allow approximately 14 days for delivery, should you need delivery sooner please let us know.
GIZMO (Gremlins) - Magazine Limited Edition
£645.00
- I loved every single minute of working on this fantastic piece! I loved Gremlins as a kid and that hasn’t changed one bit. A few years back, I created ‘Midnight At The Mall’ which was brilliant from start to finish as it brought back so many great memories – I mean just the tune itself gets your head wobbling about and pulls on your heartstrings!
So, just like with my latest E.T. piece, I have chosen to create this new offering in a different format, and a brand-new one at that! A battered 1984 collector’s edition magazine cover that has been dusted off and framed to enjoy for many years to come. Well, if you follow these 3 rules…
1. Do NOT read after midnight
2. Do NOT get magazine wet
3. Do NOT expose cover to bright light Follow those guidelines and all good!
To date, I have VHS, Billboard, Vinyl LP, Playing Card, Cassette Tape and Story Book formats, so I thought it was time to introduce another, the magazine cover! Now, I’m not the first to do this, heck no! Yet this just makes sense and is a great link back to my formulative years when I was a graphic designer working on various publications. However, I didn’t want to fall into the trap of simply adding an image behind a masthead and offer a couple of subheadings – I wanted it to have genuine context and a real purpose and look truly authentic. The aspiration here was to conceive a magazine for the ‘KIDULT’ residents of Echo Falls, and beyond and position it immediately after the events of the movie, to make it real.
So, what we see is the first edition that follows the town’s chainsaw massacre and shines a bright light onto the one and only ‘Stripe’! There is a nice element to this feature where it raises the question of whether he was born bad or a man-made monster. I love that. You know I love to write a few lines and am a little random at times, I have embraced this within the copywriting on the magazine cover, it’s just pure good fun and makes for a great read! Not only were free 3-D glasses provided back then, but you also got a centrefold pull out poster of the green haired busty beast that is GRETA! Hubba Hubba! That saying hasn’t aged well has it, worse than the Smokeless Ashtray?
Did you know that the set for Gremlins was the same as for Back to the Future? The town hall building is there in both, I love that. I referenced this within ‘Midnight At The Mall’ and I have done again here to further make the magazine authentic. Doc and Marty hit the screens in 1985, whereas Gremlins was 1984, so the film preview spot not only links the two movies but makes perfect sense.
The style of both the original and limited editions allow me to really go for it with the mixed media elements and sees me laying down abstract paint detail as well as anything else that is within arm’s reach at the time! It’s perfect as it epitomises the chaos of the movie and the screeching whirl when that chainsaw fires up!
A final piece of advice, if I may. So, if your PlayStation goes on the fritz or your video doorbell blows up or your Nespresso machine conks out, before you call the repairman, turn on all the lights, check behind the picture, cause you never can tell – there just might be a gremlin in your house.
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- Released: 2023
- Collection: KIDULTS
- Edition Size: 20 + 5AP
- Specification:
- Hand embellished
- Floated Magazine and double mount
- Custom spray-painted frame
- Hand signed by artist
- Image Size: 11.5” x 15.5"
- Framed Size (Approx): 16” x 21”
-
- Get in touch for overseas delivery
- Please allow approximately 21 days for delivery, should you need delivery sooner please let us know.
GIZMO (Gremlins) - The Original
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THIS ORIGINAL HAS SOLD.
I loved every single minute of working on this fantastic piece! I loved Gremlins as a kid and that hasn’t changed one bit. A few years back, I created ‘Midnight At The Mall’ which was brilliant from start to finish as it brought back so many great memories – I mean just the tune itself gets your head wobbling about and pulls on your heartstrings!
So, just like with my latest E.T. piece, I have chosen to create this new offering in a different format, and a brand-new one at that! A battered 1984 collector’s edition magazine cover that has been dusted off and framed to enjoy for many years to come. Well, if you follow these 3 rules…
1. Do NOT read after midnight
2. Do NOT get magazine wet
3. Do NOT expose cover to bright light Follow those guidelines and all good!
To date, I have VHS, Billboard, Vinyl LP, Playing Card, Cassette Tape and Story Book formats, so I thought it was time to introduce another, the magazine cover! Now, I’m not the first to do this, heck no! Yet this just makes sense and is a great link back to my formulative years when I was a graphic designer working on various publications. However, I didn’t want to fall into the trap of simply adding an image behind a masthead and offer a couple of subheadings – I wanted it to have genuine context and a real purpose and look truly authentic. The aspiration here was to conceive a magazine for the ‘KIDULT’ residents of Echo Falls, and beyond and position it immediately after the events of the movie, to make it real.
So, what we see is the first edition that follows the town’s chainsaw massacre and shines a bright light onto the one and only ‘Stripe’! There is a nice element to this feature where it raises the question of whether he was born bad or a man-made monster. I love that. You know I love to write a few lines and am a little random at times, I have embraced this within the copywriting on the magazine cover, it’s just pure good fun and makes for a great read! Not only were free 3-D glasses provided back then, but you also got a centrefold pull out poster of the green haired busty beast that is GRETA! Hubba Hubba! That saying hasn’t aged well has it, worse than the Smokeless Ashtray?
Did you know that the set for Gremlins was the same as for Back to the Future? The town hall building is there in both, I love that. I referenced this within ‘Midnight At The Mall’ and I have done again here to further make the magazine authentic. Doc and Marty hit the screens in 1985, whereas Gremlins was 1984, so the film preview spot not only links the two movies but makes perfect sense.
The style of both the original and limited editions allow me to really go for it with the mixed media elements and sees me laying down abstract paint detail as well as anything else that is within arm’s reach at the time! It’s perfect as it epitomises the chaos of the movie and the screeching whirl when that chainsaw fires up!
A final piece of advice, if I may. So, if your PlayStation goes on the fritz or your video doorbell blows up or your Nespresso machine conks out, before you call the repairman, turn on all the lights, check behind the picture, cause you never can tell – there just might be a gremlin in your house.
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- Released: 2023
- Collection: KIDULTS
- Edition Size: 1 of 1 Original
- Specification: Heavily embellished canvas with bespoke hand painted, solid wood frame, hand signed by artist
- Image Size: 32” x 24"
- Framed Size (Approx): 38” x 32”
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- This original has now sold.
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Get in touch to discuss a commissioned alternative
- This original has now sold.
GLASTO! - Canvas Limited Edition
- Is there a more epic and celebrated music festival than Glastonbury? Personally, nothing comes anywhere near it and that’s coming from someone who’s never managed to get a bloody ticket for the damned thing! The history of the festival is fascinating, set within the iconic Worthy Farm amongst the Somerset hills and under the watch of Glastonbury Tor. The music, entertainment and people are as diverse as what Mother Nature serves up each year.
For those who follow my work you will know that music is a catalyst and always the backdrop for my artworks, inspiring a concept, adding fuel to the fire of emotion that drives it or twisting lyrics to amplify what I am conveying. Art is everything, music is everything, they are how I bleed and how ultimately, I heal. It acts as a crutch, a comfort blanket, a shot of adrenaline.
A song can position you, to take you back to a time when things were great or not so great. For me, large parts of Glastonbury remind me when things were incredibly dark and challenging, times that I have fought to move clear from. For that weekend, watching hours and hours of the festival was a chance to escape and I loved every minute of it and was always gutted when it was over.
So many will have their own favourite memories from those who owned the stage, Metallica in 2014 was just stunning for a metal fan to see them smash it. Radiohead’s set in 1997 was beautiful, Paolo Nutini’s ‘Iron Sky’ lives long in the memory whilst the brilliant Foals set kickstarted my love for another great band who I wasn’t aware of before the festival. It’s always great to see the controversy surrounding some of the headliners and then watching them confirm why they deserve a place on the pyramid – all hail Stormzy!
In 2019 I set about planning how I could celebrate Glastonbury turning 50, to see it then cancelled due to the Covid-19 pandemic was gutting whilst naturally completely appropriate. I continued regardless and what you now see is an image that showcases each and every one of the headliners since T-Rex kicked things off in 1970. Music brings people together; Glastonbury brings people together and my piece ‘GLASTO!’ brings artists together for one hell of a session!
The iconic Ribbon Tower and Pyramid stage sit in front of the silhouetted hills as the sun sets or rises depending on how you see it. I wanted to capture the energy and passion as they perform together whilst also conveying that wonderful sense of calm after overdoing it. A fire is the centre piece to bring people together and to reminisce, the magical details that radiate out from the flames and fill the scene signify this as the fuel for stirring and reigniting memories, some to keep close, others to set free.
I hope you love this piece as much as I have loved creating it and I hope that it pulls at your heart strings, whilst doing justice to the phenomenal work by Michael and Emily Eavis. Nothing can stand up to the live festival but I’m pretty confident ‘GLASTO!’ can give you hours of entertainment trying to tick off all of the hidden headline acts. So, grab a drink and your wellies and enjoy the spirit of Glastonbury, I predict a riot! -
- Released: 2020
- Collection: Retrospective
- Edition Size: 10
- Specification: Hand embellished heavyweight artist canvas, double framed, hand signed by artist.
- Image Size: 36” x 27"
- Framed Size (Approx): 41.5” x 32"
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- Get in touch for overseas delivery
- Please allow approximately 14 days for delivery, should you need delivery sooner please let us know.
GLASTO! - Large Limited Edition
£545.00
- Is there a more epic and celebrated music festival than Glastonbury? Personally, nothing comes anywhere near it and that’s coming from someone who’s never managed to get a bloody ticket for the damned thing! The history of the festival is fascinating, set within the iconic Worthy Farm amongst the Somerset hills and under the watch of Glastonbury Tor. The music, entertainment and people are as diverse as what Mother Nature serves up each year.
For those who follow my work you will know that music is a catalyst and always the backdrop for my artworks, inspiring a concept, adding fuel to the fire of emotion that drives it or twisting lyrics to amplify what I am conveying. Art is everything, music is everything, they are how I bleed and how ultimately, I heal. It acts as a crutch, a comfort blanket, a shot of adrenaline.
A song can position you, to take you back to a time when things were great or not so great. For me, large parts of Glastonbury remind me when things were incredibly dark and challenging, times that I have fought to move clear from. For that weekend, watching hours and hours of the festival was a chance to escape and I loved every minute of it and was always gutted when it was over.
So many will have their own favourite memories from those who owned the stage, Metallica in 2014 was just stunning for a metal fan to see them smash it. Radiohead’s set in 1997 was beautiful, Paolo Nutini’s ‘Iron Sky’ lives long in the memory whilst the brilliant Foals set kickstarted my love for another great band who I wasn’t aware of before the festival. It’s always great to see the controversy surrounding some of the headliners and then watching them confirm why they deserve a place on the pyramid – all hail Stormzy!
In 2019 I set about planning how I could celebrate Glastonbury turning 50, to see it then cancelled due to the Covid-19 pandemic was gutting whilst naturally completely appropriate. I continued regardless and what you now see is an image that showcases each and every one of the headliners since T-Rex kicked things off in 1970. Music brings people together; Glastonbury brings people together and my piece ‘GLASTO!’ brings artists together for one hell of a session!
The iconic Ribbon Tower and Pyramid stage sit in front of the silhouetted hills as the sun sets or rises depending on how you see it. I wanted to capture the energy and passion as they perform together whilst also conveying that wonderful sense of calm after overdoing it. A fire is the centre piece to bring people together and to reminisce, the magical details that radiate out from the flames and fill the scene signify this as the fuel for stirring and reigniting memories, some to keep close, others to set free.
I hope you love this piece as much as I have loved creating it and I hope that it pulls at your heart strings, whilst doing justice to the phenomenal work by Michael and Emily Eavis. Nothing can stand up to the live festival but I’m pretty confident ‘GLASTO!’ can give you hours of entertainment trying to tick off all of the hidden headline acts. So, grab a drink and your wellies and enjoy the spirit of Glastonbury, I predict a riot! -
- Released: 2020
- Collection: Retrospective
- Edition Size: 20
- Specification: Limited edition fine art print, hand signed by artist.
- Image Size: 32” x 24"
- Framed Size (Approx): 42” x 34"
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- Get in touch for overseas delivery
- Please allow approximately 14 days for delivery, should you need delivery sooner please let us know.
GLASTO! - Standard Limited Edition
£315.00
- Is there a more epic and celebrated music festival than Glastonbury? Personally, nothing comes anywhere near it and that’s coming from someone who’s never managed to get a bloody ticket for the damned thing! The history of the festival is fascinating, set within the iconic Worthy Farm amongst the Somerset hills and under the watch of Glastonbury Tor. The music, entertainment and people are as diverse as what Mother Nature serves up each year.
For those who follow my work you will know that music is a catalyst and always the backdrop for my artworks, inspiring a concept, adding fuel to the fire of emotion that drives it or twisting lyrics to amplify what I am conveying. Art is everything, music is everything, they are how I bleed and how ultimately, I heal. It acts as a crutch, a comfort blanket, a shot of adrenaline.
A song can position you, to take you back to a time when things were great or not so great. For me, large parts of Glastonbury remind me when things were incredibly dark and challenging, times that I have fought to move clear from. For that weekend, watching hours and hours of the festival was a chance to escape and I loved every minute of it and was always gutted when it was over.
So many will have their own favourite memories from those who owned the stage, Metallica in 2014 was just stunning for a metal fan to see them smash it. Radiohead’s set in 1997 was beautiful, Paolo Nutini’s ‘Iron Sky’ lives long in the memory whilst the brilliant Foals set kickstarted my love for another great band who I wasn’t aware of before the festival. It’s always great to see the controversy surrounding some of the headliners and then watching them confirm why they deserve a place on the pyramid – all hail Stormzy!
In 2019 I set about planning how I could celebrate Glastonbury turning 50, to see it then cancelled due to the Covid-19 pandemic was gutting whilst naturally completely appropriate. I continued regardless and what you now see is an image that showcases each and every one of the headliners since T-Rex kicked things off in 1970. Music brings people together; Glastonbury brings people together and my piece ‘GLASTO!’ brings artists together for one hell of a session!
The iconic Ribbon Tower and Pyramid stage sit in front of the silhouetted hills as the sun sets or rises depending on how you see it. I wanted to capture the energy and passion as they perform together whilst also conveying that wonderful sense of calm after overdoing it. A fire is the centre piece to bring people together and to reminisce, the magical details that radiate out from the flames and fill the scene signify this as the fuel for stirring and reigniting memories, some to keep close, others to set free.
I hope you love this piece as much as I have loved creating it and I hope that it pulls at your heart strings, whilst doing justice to the phenomenal work by Michael and Emily Eavis. Nothing can stand up to the live festival but I’m pretty confident ‘GLASTO!’ can give you hours of entertainment trying to tick off all of the hidden headline acts. So, grab a drink and your wellies and enjoy the spirit of Glastonbury, I predict a riot! -
- Released: 2020
- Collection: Retrospective
- Edition Size: 50
- Specification: Limited edition fine art print, hand signed by artist.
- Image Size: 25” x 18.5"
- Framed Size (Approx): 32” x 26"
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- Get in touch for overseas delivery
- Please allow approximately 14 days for delivery, should you need delivery sooner please let us know.
GLASTO! - The Original
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Is there a more epic and celebrated music festival than Glastonbury? Personally, nothing comes anywhere near it and that’s coming from someone who’s never managed to get a bloody ticket for the damned thing! The history of the festival is fascinating, set within the iconic Worthy Farm amongst the Somerset hills and under the watch of Glastonbury Tor. The music, entertainment and people are as diverse as what Mother Nature serves up each year.
For those who follow my work you will know that music is a catalyst and always the backdrop for my artworks, inspiring a concept, adding fuel to the fire of emotion that drives it or twisting lyrics to amplify what I am conveying. Art is everything, music is everything, they are how I bleed and how ultimately, I heal. It acts as a crutch, a comfort blanket, a shot of adrenaline.
A song can position you, to take you back to a time when things were great or not so great. For me, large parts of Glastonbury remind me when things were incredibly dark and challenging, times that I have fought to move clear from. For that weekend, watching hours and hours of the festival was a chance to escape and I loved every minute of it and was always gutted when it was over.
So many will have their own favourite memories from those who owned the stage, Metallica in 2014 was just stunning for a metal fan to see them smash it. Radiohead’s set in 1997 was beautiful, Paolo Nutini’s ‘Iron Sky’ lives long in the memory whilst the brilliant Foals set kickstarted my love for another great band who I wasn’t aware of before the festival. It’s always great to see the controversy surrounding some of the headliners and then watching them confirm why they deserve a place on the pyramid – all hail Stormzy!
In 2019 I set about planning how I could celebrate Glastonbury turning 50, to see it then cancelled due to the Covid-19 pandemic was gutting whilst naturally completely appropriate. I continued regardless and what you now see is an image that showcases each and every one of the headliners since T-Rex kicked things off in 1970. Music brings people together; Glastonbury brings people together and my piece ‘GLASTO!’ brings artists together for one hell of a session!
The iconic Ribbon Tower and Pyramid stage sit in front of the silhouetted hills as the sun sets or rises depending on how you see it. I wanted to capture the energy and passion as they perform together whilst also conveying that wonderful sense of calm after overdoing it. A fire is the centre piece to bring people together and to reminisce, the magical details that radiate out from the flames and fill the scene signify this as the fuel for stirring and reigniting memories, some to keep close, others to set free.
I hope you love this piece as much as I have loved creating it and I hope that it pulls at your heart strings, whilst doing justice to the phenomenal work by Michael and Emily Eavis. Nothing can stand up to the live festival but I’m pretty confident ‘GLASTO!’ can give you hours of entertainment trying to tick off all of the hidden headline acts. So, grab a drink and your wellies and enjoy the spirit of Glastonbury, I predict a riot! -
- Released: 2020
- Collection: Retrospective
- Specification: 1 of 1 original
- Image Size: 48” x 36"
- Framed Size (Approx): 54” x 41"