Products
OUTAHERE (Back to The Future) - Original
- What a set of films and what a car! I’ve created a few pieces to date on ‘Back To The Future’ and barely touched the surface but it always comes down to the car, THE car! As ‘Lost in Hollywood 2’ is the sequel to the first collection back in 2016 I wanted to link the first piece ‘OUTATIME’ to this new one and I have done that from the tunnel that featured in the background that really drew people in and captured their imagination. In the first piece you see the arse-end of the Delorean being worked on in Doc’s gritty workshop, in readiness for another journey through time, that time is now and it’s time to get ‘OUTAHERE’!
The difference with this piece is that it isn’t a scene that is driven by the detail in the foreground but instead focuses on the car in full view and full motion - just as it about to hit that critical 88MPH. With the lightning kicking off in the distance over the city there is something quite special about the car leaving everything behind. The composition is set so that you could quite easily simply be a bystander on the footpath just lucky enough to capture this dramatic sight. A few seconds later you’re stood there with just a spinning number plate and fire trails wondering if you really saw that.Whilst creating this piece an earlier study involved focusing much more on the car and where the background became a subtle backdrop. I chose to rework it so it fitted better with the collection as a whole but what this meant is that the level of detail in and around the Delorean is insane as that was the challenge that I set myself. Even though the car is now reduced down in composition you can still clearly see the detail and that sense of drama and movement - something different for me as the cars tend to be static.
This was a technically challenging piece to put it politely, piecing together the tunnel with a new opening and cliff that framed it whilst also softening the scene. I always seek to inject a dramatic light source where possible and the detailing within the tunnel was the perfect platform for this. Personally, I am really pleased with the sky and the drama within it, but something was missing, spotted it?!
The way I see it, if you’re going to build a time machine into a car, why not do it with some style? -
- Released: 2019
- Collection: Lost In Hollywood 2
- Specification: 1 of 1 original framed embellished canvas, hand signed by artist.
- Image Size: 48” x 36"
- Framed Size: 54” x 41"
OUTAHERE (Back to The Future) - Standard Limited Edition
£315.00
- What a set of films and what a car! I’ve created a few pieces to date on ‘Back To The Future’ and barely touched the surface but it always comes down to the car, THE car! As ‘Lost in Hollywood 2’ is the sequel to the first collection back in 2016 I wanted to link the first piece ‘OUTATIME’ to this new one and I have done that from the tunnel that featured in the background that really drew people in and captured their imagination. In the first piece you see the arse-end of the Delorean being worked on in Doc’s gritty workshop, in readiness for another journey through time, that time is now and it’s time to get ‘OUTAHERE’!
The difference with this piece is that it isn’t a scene that is driven by the detail in the foreground but instead focuses on the car in full view and full motion - just as it about to hit that critical 88MPH. With the lightning kicking off in the distance over the city there is something quite special about the car leaving everything behind. The composition is set so that you could quite easily simply be a bystander on the footpath just lucky enough to capture this dramatic sight. A few seconds later you’re stood there with just a spinning number plate and fire trails wondering if you really saw that.Whilst creating this piece an earlier study involved focusing much more on the car and where the background became a subtle backdrop. I chose to rework it so it fitted better with the collection as a whole but what this meant is that the level of detail in and around the Delorean is insane as that was the challenge that I set myself. Even though the car is now reduced down in composition you can still clearly see the detail and that sense of drama and movement - something different for me as the cars tend to be static.
This was a technically challenging piece to put it politely, piecing together the tunnel with a new opening and cliff that framed it whilst also softening the scene. I always seek to inject a dramatic light source where possible and the detailing within the tunnel was the perfect platform for this. Personally, I am really pleased with the sky and the drama within it, but something was missing, spotted it?!
The way I see it, if you’re going to build a time machine into a car, why not do it with some style?
-
- Released: 2019
- Collection: Lost in Hollywood 2
- Edition Size: 45
- Specification: Limited edition fine art print, hand signed by artist.
- Image Size: 25” x 18.5"
- Framed Size (Approx): 32” x 26"
-
- Get in touch for overseas delivery
- Please allow approximately 14 days for delivery, should you need delivery sooner please let us know.
OUTALUCK (Back To The Future) - Original
- I have wanted to create this particular scene for some time now but wanted to ensure that I could do it justice whilst putting a different angle to it again and all playing on the hook from the films that explore the impact on the future should a particular detail change or not happen as planned. In this instance the scene is set at the point in time in 1955 when lightning struck the clock tower with the Doc harnessing the voltage to direct it towards the Delorean for Marty to go forward in time. Unfortunately, you never know when or where it's ever gonna strike…
Look at the clock, it’s showing 11.04pm, history showed that lightning struck the clock tower at 10.04pm - so why are we seeing what we see now an hour on? So close but so far again, just like OUTASTEAM. An electrical storm has ravaged Hill Valley with lashing wind and rain and the effects are there for all to see, in catastrophic fashion. The lightning above is actually in the distance, the storm has moved away leaving behind a trail of destruction and cutting off the route back to the future. Lightning did strike but just shy of the tower, a huge blast set the court house alight leaving it to burn spectacularly. A fallen lamppost and snapped tree that burns from the current that passed through it each show the impact of the storm along with a burning branch in the foreground that has several key details surrounding it. The Delorean sits on the grass with doors left open hinting at a possible hurried exit, key objects that Marty owned are on the seat and in the footwell along with several scrawled messages that play out the conflict between BIFF and McFly. This piece works really well because like with my other pieces you cant see the characters, there are hints in the detailing that may lead you to decide what you think is happening or about to, for example - the bottom two windows of the court house are lit, a hurried exit or is someone in there?
Whereas the original OUTATIME was an homage to all of the iconic objects from the films with this piece I wanted to make it all about the atmosphere, not to create a static piece but one that you really get taken by the detailing and ultimately make the piece more engaging as well as much more technically challenging. The original piece hinted at the Delorean, a teaser almost but now with this piece I have shown it in it’s full glory. The detailing within the car alone is pretty intense - that decision to add driving rain to the scene meant that everything had to show this too, so look closely and you will see one hell of a lot of retouching here to create splashes, droplets and water trickling down panels and other surfaces, the fire also had to be dramatic but believable. -
- Released: 2017
- Collection: Lost In Hollywood
- Specification: 1 of 1 original framed embellished canvas, hand signed by artist.
- Image Size: 48” x 36"
- Framed Size: 54” x 41"
OUTAREACH (Back to the Future) - Canvas Limited Edition
£1,195.00
- Outa ideas? No chance! My love for the ‘Back to the Future’ films is as strong as ever. Travelling back to 2016 is when ‘OUTATIME’ was created as part of my debut ‘Lost in Hollywood’ collection. A sold-out edition, it seemed to really capture the imagination of my collectors as so much was going on but just out of sight. As a mixture of commissioned pieces and limited editions, I have created a cracking set of artworks that showcased the iconic ‘DeLorean’ time machine and the brilliant details from the movies. ‘OUTALUCK’, ‘OUTASTEAM’, ‘OUTAAIR’, ‘OUTAHERE’ and a unique ’88 and OUT’ have all pulled on the heart strings and have been so well received. It’s a fine balance, as you don’t want to over produce, tricky when your head is so full of new interpretations, but there was always one missing. I have always been asked if I was going to take on ‘Back to the Future 2’ and now, after 3 years I am so pleased to unveil ‘OUTAREACH’!
The second movie really stood out as a kid in the 80s and that fire was kept burning throughout adulthood with the fascination of comparing what the film predicted 2015 would look like with how it actually transpired. So, the scene that you now see playing out here is one that I have kept locked away for years, it’s quite something to see it come to life now. A theme that has followed on with each release of ‘Lost in Hollywood’ has been certain pieces becoming more ‘in your face’ with the introduction of key characters. Generally, the details and hidden references in my works mean that adding these characters isn’t a necessity but some pieces that have a particular meaning really benefits from them and ‘OUTAREACH’ is a shining example of this.
There is a sense of defiance, of strength, a partnership at the top of their game, changing the course of time in the ultimate car. Marty and Doc transform this piece! McFly’s pose, sat on the bonnet in that iconic outfit as Doc keeps everything out of reach as he hovers just above the lake, it just portrays such a sense of being untouchable. That expression on Docs’ face! So good! This concept of being above everything is amplified by the number of chickens that encircle them, certainly one of the most random moments in the studio for sure! Welcome inside my head! First glance and it’s just pure good fun but there’s a sense of strength to fight off the insult of being called chicken, a random line that seemed to create such a strong reaction. Now, despite being surrounded and with chickens coming at him from all angles, it’s cool, no flux given. Rise above it!
I am so proud of this piece; everything has come together perfectly. The colours especially scream 80s, the jade green against the pinks and orange transform the impact of the art. Having wanted to show the ‘DeLorean’ in flight for years, seeing it ready for take-off is so pleasing, for me it is the subtle, technical details that most won’t spot that are so rewarding. Yet, despite the impact and positioning of the time machine and the Doc and Marty, it is the ‘Mall’ that I am as equally proud of. The work that went into that was insane! Having seen how it looked in the first movie, to see it clad with glass was superb, so I have gone big with this detail. In the movie, the brick fascia looked a bit bare in comparison, so what I have done is to create a series of adverts that promote products that can be found inside the mall as well as local businesses and, ‘Jaws 19’! If you have been with me since the start, then you will get it. As well as featuring adverts from details that were seen in the film, I have also positioned adverts of actual products that came out in 2015 that still relate to the movie. I will leave those for you to decipher. The ‘Back to the Future’ trilogy was and always will be adored and so much fun, I had so much of a laugh creating ‘OUTAREACH’, there is no better example of how your imagination runs away from you when you’re consumed in the emotion of the movie than the chicken that is racing away from the shark. It took an age to create so it looked believable despite being so random! Again, there’s something in that, gathering pace and distance against a shark that lurks beneath the surface who pops up, gives up then goes back under.
Bullies have no future. -
- Released: 2022
- Collection: Lost In Hollywood 5
- Edition Size: 20 + 5AP
- Specification: Hand embellished heavyweight artist canvas, double framed, hand signed by artist.
- Image Size: 37” x 26"
- Framed Size (Approx): 41.5” x 32"
-
- Get in touch for overseas delivery
- Please allow approximately 14 days for delivery, should you need delivery sooner please let us know.
OUTAREACH (Back to the Future) - Large Limited Edition
£545.00
- Outa ideas? No chance! My love for the ‘Back to the Future’ films is as strong as ever. Travelling back to 2016 is when ‘OUTATIME’ was created as part of my debut ‘Lost in Hollywood’ collection. A sold-out edition, it seemed to really capture the imagination of my collectors as so much was going on but just out of sight. As a mixture of commissioned pieces and limited editions, I have created a cracking set of artworks that showcased the iconic ‘DeLorean’ time machine and the brilliant details from the movies. ‘OUTALUCK’, ‘OUTASTEAM’, ‘OUTAAIR’, ‘OUTAHERE’ and a unique ’88 and OUT’ have all pulled on the heart strings and have been so well received. It’s a fine balance, as you don’t want to over produce, tricky when your head is so full of new interpretations, but there was always one missing. I have always been asked if I was going to take on ‘Back to the Future 2’ and now, after 3 years I am so pleased to unveil ‘OUTAREACH’!
The second movie really stood out as a kid in the 80s and that fire was kept burning throughout adulthood with the fascination of comparing what the film predicted 2015 would look like with how it actually transpired. So, the scene that you now see playing out here is one that I have kept locked away for years, it’s quite something to see it come to life now. A theme that has followed on with each release of ‘Lost in Hollywood’ has been certain pieces becoming more ‘in your face’ with the introduction of key characters. Generally, the details and hidden references in my works mean that adding these characters isn’t a necessity but some pieces that have a particular meaning really benefits from them and ‘OUTAREACH’ is a shining example of this.
There is a sense of defiance, of strength, a partnership at the top of their game, changing the course of time in the ultimate car. Marty and Doc transform this piece! McFly’s pose, sat on the bonnet in that iconic outfit as Doc keeps everything out of reach as he hovers just above the lake, it just portrays such a sense of being untouchable. That expression on Docs’ face! So good! This concept of being above everything is amplified by the number of chickens that encircle them, certainly one of the most random moments in the studio for sure! Welcome inside my head! First glance and it’s just pure good fun but there’s a sense of strength to fight off the insult of being called chicken, a random line that seemed to create such a strong reaction. Now, despite being surrounded and with chickens coming at him from all angles, it’s cool, no flux given. Rise above it!
I am so proud of this piece; everything has come together perfectly. The colours especially scream 80s, the jade green against the pinks and orange transform the impact of the art. Having wanted to show the ‘DeLorean’ in flight for years, seeing it ready for take-off is so pleasing, for me it is the subtle, technical details that most won’t spot that are so rewarding. Yet, despite the impact and positioning of the time machine and the Doc and Marty, it is the ‘Mall’ that I am as equally proud of. The work that went into that was insane! Having seen how it looked in the first movie, to see it clad with glass was superb, so I have gone big with this detail. In the movie, the brick fascia looked a bit bare in comparison, so what I have done is to create a series of adverts that promote products that can be found inside the mall as well as local businesses and, ‘Jaws 19’! If you have been with me since the start, then you will get it. As well as featuring adverts from details that were seen in the film, I have also positioned adverts of actual products that came out in 2015 that still relate to the movie. I will leave those for you to decipher. The ‘Back to the Future’ trilogy was and always will be adored and so much fun, I had so much of a laugh creating ‘OUTAREACH’, there is no better example of how your imagination runs away from you when you’re consumed in the emotion of the movie than the chicken that is racing away from the shark. It took an age to create so it looked believable despite being so random! Again, there’s something in that, gathering pace and distance against a shark that lurks beneath the surface who pops up, gives up then goes back under.
Bullies have no future.
-
- Released: 2022
- Collection: Lost in Hollywood 5
- Edition Size: 20 +5AP
- Specification: Limited edition fine art print, hand signed by artist.
- Image Size: 32” x 24"
- Framed Size (Approx): 42” x 34"
-
- Get in touch for overseas delivery
- Please allow approximately 14 days for delivery, should you need delivery sooner please let us know.
OUTAREACH (Back to the Future) - Standard Limited Edition
£395.00
- Outa ideas? No chance! My love for the ‘Back to the Future’ films is as strong as ever. Travelling back to 2016 is when ‘OUTATIME’ was created as part of my debut ‘Lost in Hollywood’ collection. A sold-out edition, it seemed to really capture the imagination of my collectors as so much was going on but just out of sight. As a mixture of commissioned pieces and limited editions, I have created a cracking set of artworks that showcased the iconic ‘DeLorean’ time machine and the brilliant details from the movies. ‘OUTALUCK’, ‘OUTASTEAM’, ‘OUTAAIR’, ‘OUTAHERE’ and a unique ’88 and OUT’ have all pulled on the heart strings and have been so well received. It’s a fine balance, as you don’t want to over produce, tricky when your head is so full of new interpretations, but there was always one missing. I have always been asked if I was going to take on ‘Back to the Future 2’ and now, after 3 years I am so pleased to unveil ‘OUTAREACH’!
The second movie really stood out as a kid in the 80s and that fire was kept burning throughout adulthood with the fascination of comparing what the film predicted 2015 would look like with how it actually transpired. So, the scene that you now see playing out here is one that I have kept locked away for years, it’s quite something to see it come to life now. A theme that has followed on with each release of ‘Lost in Hollywood’ has been certain pieces becoming more ‘in your face’ with the introduction of key characters. Generally, the details and hidden references in my works mean that adding these characters isn’t a necessity but some pieces that have a particular meaning really benefits from them and ‘OUTAREACH’ is a shining example of this.
There is a sense of defiance, of strength, a partnership at the top of their game, changing the course of time in the ultimate car. Marty and Doc transform this piece! McFly’s pose, sat on the bonnet in that iconic outfit as Doc keeps everything out of reach as he hovers just above the lake, it just portrays such a sense of being untouchable. That expression on Docs’ face! So good! This concept of being above everything is amplified by the number of chickens that encircle them, certainly one of the most random moments in the studio for sure! Welcome inside my head! First glance and it’s just pure good fun but there’s a sense of strength to fight off the insult of being called chicken, a random line that seemed to create such a strong reaction. Now, despite being surrounded and with chickens coming at him from all angles, it’s cool, no flux given. Rise above it!
I am so proud of this piece; everything has come together perfectly. The colours especially scream 80s, the jade green against the pinks and orange transform the impact of the art. Having wanted to show the ‘DeLorean’ in flight for years, seeing it ready for take-off is so pleasing, for me it is the subtle, technical details that most won’t spot that are so rewarding. Yet, despite the impact and positioning of the time machine and the Doc and Marty, it is the ‘Mall’ that I am as equally proud of. The work that went into that was insane! Having seen how it looked in the first movie, to see it clad with glass was superb, so I have gone big with this detail. In the movie, the brick fascia looked a bit bare in comparison, so what I have done is to create a series of adverts that promote products that can be found inside the mall as well as local businesses and, ‘Jaws 19’! If you have been with me since the start, then you will get it. As well as featuring adverts from details that were seen in the film, I have also positioned adverts of actual products that came out in 2015 that still relate to the movie. I will leave those for you to decipher. The ‘Back to the Future’ trilogy was and always will be adored and so much fun, I had so much of a laugh creating ‘OUTAREACH’, there is no better example of how your imagination runs away from you when you’re consumed in the emotion of the movie than the chicken that is racing away from the shark. It took an age to create so it looked believable despite being so random! Again, there’s something in that, gathering pace and distance against a shark that lurks beneath the surface who pops up, gives up then goes back under.
Bullies have no future. -
- Released: 2022
- Collection: Lost in Hollywood 5
- Edition Size: 45 +5AP
- Specification: Limited edition fine art print, hand signed by artist.
- Image Size: 25” x 18.5"
- Framed Size (Approx): 32” x 26"
-
- Get in touch for overseas delivery
- Please allow approximately 14 days for delivery, should you need delivery sooner please let us know.
OUTASTEAM (Back To The Future) - Original
- My interpretation of the iconic Back To The Future 3 film set in 1885. In line with my first Back To The Future piece that was called ‘OUTATIME’ I have called this particular piece 'OUTASTEAM’. My original plan was to show the locomotive pushing the Delorean down the tracks just before it reached 88mph and was sent back the future, however from watching the movie again it reminded me just how the narrative played on key details changing from what was originally set and therefore impacting on the future and ultimately who’s name was inscribed onto the tombstone. So my concept explores and expands on the fact that the locomotive fell short for a reason to be decided by the viewer and therefore the Delorean never made it back. The scene that you see shows the ‘OUTASTEAM’ train standing rusted with it’s tracks being covered by the shifting sands of time, a concept reinforced by the nesting bird of prey that has made the train it’s home.
The scene itself features a desert plain within the Monument Valley - Utah where the timber structure of the Hill Valley Town Hall exists along with the unfinished railroad wooden bridge. By setting the time of day the way I have it not only creates a beautiful looking image but it mimics the colour ways of the movie branding - a detail that I played on within the original piece. There is so much detail and texture within this piece and so many objects from the original movie along with subtle random scrawled messages from characters out of view, it follows on nicely from the original piece from 2016. What I have done is to leave the big factors open to interpretation. Is the devil in the detail? What happened to Doc, Marty, Clara and Mad Dog?! Who’s name is on the tombstone? Is it blank for a reason or simply shown from the rear?! Are we in fact looking at the point of no return? -
- Released: 2017
- Collection: Lost In Hollywood
- Specification: 1 of 1 original framed embellished canvas, hand signed by artist.
- Image Size: 48” x 36"
- Framed Size: 54” x 41"
OUTASTEAM (Back to the Future) - VHS Limited Edition 1AP
- My interpretation of the iconic Back To The Future 3 film set in 1885. In line with my first Back To The Future piece that was called ‘OUTATIME’ I have called this particular piece 'OUTASTEAM’. My original plan was to show the locomotive pushing the Delorean down the tracks just before it reached 88mph and was sent back the future, however from watching the movie again it reminded me just how the narrative played on key details changing from what was originally set and therefore impacting on the future and ultimately who’s name was inscribed onto the tombstone. So my concept explores and expands on the fact that the locomotive fell short for a reason to be decided by the viewer and therefore the Delorean never made it back. The scene that you see shows the ‘OUTASTEAM’ train standing rusted with it’s tracks being covered by the shifting sands of time, a concept reinforced by the nesting bird of prey that has made the train it’s home.
The scene itself features a desert plain within the Monument Valley - Utah where the timber structure of the Hill Valley Town Hall exists along with the unfinished railroad wooden bridge. By setting the time of day the way I have it not only creates a beautiful looking image but it mimics the colour ways of the movie branding - a detail that I played on within the original piece. There is so much detail and texture within this piece and so many objects from the original movie along with subtle random scrawled messages from characters out of view, it follows on nicely from the original piece from 2016. What I have done is to leave the big factors open to interpretation. Is the devil in the detail? What happened to Doc, Marty, Clara and Mad Dog?! Who’s name is on the tombstone? Is it blank for a reason or simply shown from the rear?! Are we in fact looking at the point of no return?
-
- Released: 2024
- Collection: Lost In Hollywood VHS
- Edition Size: 20 + 5AP
- Specification:
- Hand embellished
- Floated poster and double mount
- Custom spray-painted frame
- Sticker decals
- Hand signed by artist
- Image Size: 8.3” x 11.7"
- Framed Size (Approx): 13.5” x 16.75”
-
- Get in touch for overseas delivery
- Available for immediate despatch or collection from the Hive
OUTATIME (Back To The Future) - Canvas Limited Edition
£1,195.00
-
In keeping with the theme of ‘Lost in Hollywood’ and creating scenes with the same objects but in an amplified scenario that could have been an alternative vision by the director, I have set this piece within an unused factory. The layered composition with two sets of doors and great depth allowed me to play on the perspective and distance, meaning I could create a tunnel detail which could simply be an escape route or a more significant role should you go that way in your head. The layout of the detail that goes into the piece is done in a way that it channels your eye straight down the middle of the piece in line with the perspective of the room.
There isn’t a deep narrative that this piece relies on, I haven’t tried to be to too clever or go off at a tangent, in favour of just creating a piece that is really striking and that embraces everything that is in the film and what makes it great. Entitled ‘OUTATIME’ I have chosen a strong statement title that relates to what you see, a scene where the Doc is working on the Delorean to get it ready in time to go. Objects are set out to show that Marty is there also. The branding for the film has always been vivid and I have embraced that with the colour ways of the tunnel and the glass bricks, this contrasts really well with the darkness of the front doors and also with the cool blue of the delorean lighting.
Because of the cult following of this film there is so much photographic reference material so I have thrown everything into this piece to pay homage to such a great film. In terms of composition because I have put so much focus on the channels of the piece and the car and tunnel I have kept the middle front area clean so as not to confuse, instead using fire detail reminiscent of when the car reached 88 and the road burned.
-
- Released: 2020
- Collection: Lost In Hollywood
- Edition Size: 20 + 5AP
- Specification: Hand embellished heavyweight artist canvas, double framed, hand signed by artist.
- Image Size: 37” x 26"
- Framed Size (Approx): 41.5” x 32"
-
- Get in touch for overseas delivery
- Please allow approximately 14 days for delivery, should you need delivery sooner please let us know.
OUTATIME (Back To The Future) - Large Limited Edition
-
In keeping with the theme of ‘Lost in Hollywood’ and creating scenes with the same objects but in an amplified scenario that could have been an alternative vision by the director, I have set this piece within an unused factory. The layered composition with two sets of doors and great depth allowed me to play on the perspective and distance, meaning I could create a tunnel detail which could simply be an escape route or a more significant role should you go that way in your head. The layout of the detail that goes into the piece is done in a way that it channels your eye straight down the middle of the piece in line with the perspective of the room.
There isn’t a deep narrative that this piece relies on, I haven’t tried to be to too clever or go off at a tangent, in favour of just creating a piece that is really striking and that embraces everything that is in the film and what makes it great. Entitled ‘OUTATIME’ I have chosen a strong statement title that relates to what you see, a scene where the Doc is working on the Delorean to get it ready in time to go. Objects are set out to show that Marty is there also. The branding for the film has always been vivid and I have embraced that with the colour ways of the tunnel and the glass bricks, this contrasts really well with the darkness of the front doors and also with the cool blue of the delorean lighting.
Because of the cult following of this film there is so much photographic reference material so I have thrown everything into this piece to pay homage to such a great film. In terms of composition because I have put so much focus on the channels of the piece and the car and tunnel I have kept the middle front area clean so as not to confuse, instead using fire detail reminiscent of when the car reached 88 and the road burned.
-
- Released: 2016
- Collection: Lost In Hollywood
- Edition Size: 10 + 1AP
- Specification: Deluxe limited edition fine art print, hand signed by artist.
- Image Size: 37” x 24"
- Mounted Size: 44” x 32"
- Framed Size (Approx): 47” x 35"
OUTATIME (Back To The Future) - Original
- In keeping with the theme of ‘Lost in Hollywood’ and creating scenes with the same objects but in an amplified scenario that could have been an alternative vision by the director, I have set this piece within an unused factory. The layered composition with two sets of doors and great depth allowed me to play on the perspective and distance, meaning I could create a tunnel detail which could simply be an escape route or a more significant role should you go that way in your head. The layout of the detail that goes into the piece is done in a way that it channels your eye straight down the middle of the piece in line with the perspective of the room.
There isn’t a deep narrative that this piece relies on, I haven’t tried to be to too clever or go off at a tangent, in favour of just creating a piece that is really striking and that embraces everything that is in the film and what makes it great. Entitled ‘OUTATIME’ I have chosen a strong statement title that relates to what you see, a scene where the Doc is working on the Delorean to get it ready in time to go. Objects are set out to show that Marty is there also. The branding for the film has always been vivid and I have embraced that with the colour ways of the tunnel and the glass bricks, this contrasts really well with the darkness of the front doors and also with the cool blue of the delorean lighting.
Because of the cult following of this film there is so much photographic reference material so I have thrown everything into this piece to pay homage to such a great film. In terms of composition because I have put so much focus on the channels of the piece and the car and tunnel I have kept the middle front area clean so as not to confuse, instead using fire detail reminiscent of when the car reached 88 and the road burned. -
- Released: 2016
- Collection: Lost In Hollywood
- Specification: 1 of 1 original framed embellished canvas, hand signed by artist.
- Image Size: 48” x 36"
- Framed Size: 54” x 41"
OUTATIME (Back To The Future) - Standard Limited Edition
- In keeping with the theme of ‘Lost in Hollywood’ and creating scenes with the same objects but in an amplified scenario that could have been an alternative vision by the director, I have set this piece within an unused factory. The layered composition with two sets of doors and great depth allowed me to play on the perspective and distance, meaning I could create a tunnel detail which could simply be an escape route or a more significant role should you go that way in your head. The layout of the detail that goes into the piece is done in a way that it channels your eye straight down the middle of the piece in line with the perspective of the room.
There isn’t a deep narrative that this piece relies on, I haven’t tried to be to too clever or go off at a tangent, in favour of just creating a piece that is really striking and that embraces everything that is in the film and what makes it great. Entitled ‘OUTATIME’ I have chosen a strong statement title that relates to what you see, a scene where the Doc is working on the Delorean to get it ready in time to go. Objects are set out to show that Marty is there also. The branding for the film has always been vivid and I have embraced that with the colour ways of the tunnel and the glass bricks, this contrasts really well with the darkness of the front doors and also with the cool blue of the Delorean lighting.
Because of the cult following of this film there is so much photographic reference material so I have thrown everything into this piece to pay homage to such a great film. In terms of composition because I have put so much focus on the channels of the piece and the car and tunnel I have kept the middle front area clean so as not to confuse, instead using fire detail reminiscent of when the car reached 88 and the road burned.
-
- Released: 2016
- Collection: Lost In Hollywood
- Edition Size: 45 +5AP
- Specification: Limited edition fine art print, hand signed by artist.
- Image Size: 26" x 18.5"
- Framed Size (Approx): 33.5” x 25.5"
OUTATIME (Back To The Future) - VHS Limited Edition
- In keeping with the theme of ‘Lost in Hollywood’ and creating scenes with the same objects but in an amplified scenario that could have been an alternative vision by the director, I have set this piece within an unused factory. The layered composition with two sets of doors and great depth allowed me to play on the perspective and distance, meaning I could create a tunnel detail which could simply be an escape route, or a more significant role should you go that way in your head. The layout of the detail that goes into the piece is done in a way that it channels your eye straight down the middle of the piece in line with the perspective of the room.
There isn’t a deep narrative that this piece relies on, I haven’t tried to be to too clever or go off at a tangent, in favour of just creating a piece that is really striking and that embraces everything that is in the film and what makes it great. Entitled ‘OUTATIME’ I have chosen a strong statement title that relates to what you see, a scene where the Doc is working on the DeLorean to get it ready in time to go. Objects are set out to show that Marty is there also. The branding for the film has always been vivid and I have embraced that with the colour ways of the tunnel and the glass bricks, this contrasts really well with the darkness of the front doors and also with the cool blue of the DeLorean lighting.
Because of the cult following of this film there is so much photographic reference material, so I have thrown everything into this piece to pay homage to such a great film. In terms of composition because I have put so much focus on the channels of the piece and the car and tunnel, I have kept the middle front area clean so as not to confuse, instead using fire detail reminiscent of when the car reached 88 and the road burned.
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- Released: 2021
- Collection: Lost In Hollywood VHS
- Edition Size: 10 + 2AP
- Specification:
- Hand embellished
- Floated poster and double mount
- Custom spray-painted frame
- Sticker decals
- Hand signed by artist
- Image Size: 8.3” x 11.7"
- Framed Size (Approx): 13.5” x 16.75”
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- Get in touch for overseas delivery
- Please allow approximately 21 days for delivery, should you need delivery sooner please let us know.
Perfection Through The Eyes Of A Stork (Dumbo) - Hand Embellished Large Limited Edition
£645.00
- My interpretation of the much loved Dumbo! The concept of this piece is to embrace the emotion that radiates from the lead character that interacts with another - so in this case it shows the unbreakable bond between the elephant and the stork that originally delivered the little man to his mother. The stork sees only perfection when looking at Dumbo, where others only see opportunities to exploit and to mock. The scene shows a forlorn Dumbo sat in a battered and ageing circus train carriage unwilling to come out, evidence of those that have contributed to his lack of confidence and self worth is all around him. A circus monkey stares at a crow holding a cigar (a reference to the original animated film) whilst a tiny mouse stares up towards Dumbo to try and get his attention whilst he is surrounded by other crows.
The contrast between dark and light, good and bad is played out through references such as the contrasting black and white feathers that are dotted around the carriage. The aim was to create a random but beautiful image that displays this connection and sense of pride yet one that still has a dark side that burns. Scrawled messages and a burning ringmaster’s whip that sits next to a piece of wood featuring the ‘greed breeds monsters’ message that I have used as an overriding concept in numerous pieces and points the finger at those that exploit for personal gain. Further evidence of the darkness is shown by the knives that protrude from the carriage wall, making you think whether the knife thrower is simply sharpening their act or has darker intentions. There are clear references to the story of Jumbo, the African elephant that inspired the film, sticky buns and cracking posters are a nod a non-fictional event that was full of controversy and uncertainty yet focused on a deep bond between two characters. -
- Released: 2018
- Collection: Love Knows No Bounds
- Edition Size: 10 + 1AP
- Specification: Hand embellished, deckled deluxe limited edition fine art print, hand signed by artist.
- Image Size: 37” x 24"
- Mounted Size: 44” x 32"
- Framed Size (Approx): 47” x 35"
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- Free delivery to UK Mainland
- Get in touch for overseas delivery
- Please allow approximately 14 days for delivery, should you need delivery sooner please let us know.
Perfection Through The Eyes Of A Stork (Dumbo) - Hand Embellished Large Limited Edition #1/10
£483.75
- My interpretation of the much loved Dumbo! The concept of this piece is to embrace the emotion that radiates from the lead character that interacts with another - so in this case it shows the unbreakable bond between the elephant and the stork that originally delivered the little man to his mother. The stork sees only perfection when looking at Dumbo, where others only see opportunities to exploit and to mock. The scene shows a forlorn Dumbo sat in a battered and ageing circus train carriage unwilling to come out, evidence of those that have contributed to his lack of confidence and self worth is all around him. A circus monkey stares at a crow holding a cigar (a reference to the original animated film) whilst a tiny mouse stares up towards Dumbo to try and get his attention whilst he is surrounded by other crows.
The contrast between dark and light, good and bad is played out through references such as the contrasting black and white feathers that are dotted around the carriage. The aim was to create a random but beautiful image that displays this connection and sense of pride yet one that still has a dark side that burns. Scrawled messages and a burning ringmaster’s whip that sits next to a piece of wood featuring the ‘greed breeds monsters’ message that I have used as an overriding concept in numerous pieces and points the finger at those that exploit for personal gain. Further evidence of the darkness is shown by the knives that protrude from the carriage wall, making you think whether the knife thrower is simply sharpening their act or has darker intentions. There are clear references to the story of Jumbo, the African elephant that inspired the film, sticky buns and cracking posters are a nod a non-fictional event that was full of controversy and uncertainty yet focused on a deep bond between two characters. -
- Released: 2018
- Collection: Love Knows No Bounds
- Edition Size: 10 + 1AP
- Specification: Hand embellished, deckled deluxe limited edition fine art print, hand signed by artist.
- Image Size: 37” x 24"
- Mounted Size: 44” x 32"
- Framed Size (Approx): 47” x 35"
-
- Free delivery to UK Mainland
- Get in touch for overseas delivery
- Please allow approximately 14 days for delivery, should you need delivery sooner please let us know.