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I have chosen to focus on the surreal Jareth’s ball scene from the movie, the option to show within the maze itself was there but I wanted to do something much lighter, more classic. I set out wanting to create a beautiful, dream-like piece that is visually light but has dark forces working throughout the scene to mimic the qualities of the film that was unquestionably equally dark as it was bizarre.
I constructed the scene from scratch, utilizing parts of images that I saw potential in that allowed me to build my ballroom to match what I had in my head, one that drew from the characteristics of the one shown in the film but to take it to where I wanted to go. The composition channels the eye through the scene and up and out to the top of the steps to a point where you use your imagination to decide what is through the forest. This perspective creates a sense of journey that was key to the narrative, culminating in thirteen steps to the staircase - a nod to the thirteen hours that Sarah had to defeat the Goblin King.
There are subtle references within the scene that are from the film or an interpretation of elements, I will leave you to find these. The darkness that runs throughout is represented not just by traces of blackened smoke but by the thorns that weave down stone balustrades and break through the walls. This creates a dramatic contrast to the whimsical ballroom whilst also showing a continuation to past pieces such as ‘Marry Me Bitch’ and ‘Where Demons Roam’. The lead focus to the piece and to the concept is the open cage that sits on the stone column. The owl is shown flying away which hints at the Goblin King being defeated at the thirteenth hour.
This leads onto the underlying concept that I have introduced into this piece in that the cage represents Bowie’s disease that restricted him, the open door and the owl in flight symbolizes his passing and being free again. A single dove feather sits within the cage, you might expect this to be an owl feather but it is a dove to signify not being alone. I feel the owl in flight is a powerful image in itself but when you then look at it from this angle then it gives the piece a subtle and poignant quality where an iconic film, and genuine icon are have been respected.
When workload allows Mark embraces client commissions and has enjoyed amazing success to date. If you have been inspired by the work that you have seen and have a specific idea or simply a seed then please do get in touch.
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MD Studios
1 Gransden Park, Potton Road, Abbotsley, Cambs, PE19 6TY United Kingdom
Tel: 01767 677559 Email: info@markdaviesbritishartist.co.uk
© 2024 Mark Davies British Artist.
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