£685.00
The difference with this piece is that it isn’t a scene that is driven by the detail in the foreground but instead focuses on the car in full view and full motion - just as it about to hit that critical 88MPH. With the lightning kicking off in the distance over the city there is something quite special about the car leaving everything behind. The composition is set so that you could quite easily simply be a bystander on the footpath just lucky enough to capture this dramatic sight. A few seconds later you’re stood there with just a spinning number plate and fire trails wondering if you really saw that.
Whilst creating this piece an earlier study involved focusing much more on the car and where the background became a subtle backdrop. I chose to rework it so it fitted better with the collection as a whole but what this meant is that the level of detail in and around the Delorean is insane as that was the challenge that I set myself. Even though the car is now reduced down in composition you can still clearly see the detail and that sense of drama and movement - something different for me as the cars tend to be static.
This was a technically challenging piece to put it politely, piecing together the tunnel with a new opening and cliff that framed it whilst also softening the scene. I always seek to inject a dramatic light source where possible and the detailing within the tunnel was the perfect platform for this. Personally, I am really pleased with the sky and the drama within it, but something was missing, spotted it?!
The way I see it, if you’re going to build a time machine into a car, why not do it with some style?When workload allows Mark embraces client commissions and has enjoyed amazing success to date. If you have been inspired by the work that you have seen and have a specific idea or simply a seed then please do get in touch.
Commission EnquiriesFree
£445.00
From watching the earlier films as a family to making my Christmas list, writing down Argos catalogue codes whilst listening to Dire Straits and Eddie Grant - Star Wars evokes so many wonderful and vivid images of a brilliant childhood.
Taking on such a beast as this shouldn’t be under-estimated, anything must be done with authenticity, doing justice to an incredible narrative and to inspire a fan base like no other.
I would never confess to being an out-and-out die-hard Star Wars nerd, fair play to those who are but it is the earlier films that really appeal to me for the reasons above. This is why I feel comfortable and excited taking them on, and ultimately happier when doing so as I cherish my childhood and family more than ever now.
‘Battles Passed’ is my first landscape scene inspired by Star Wars and I am so proud of the end result. This is such an ultra-commercial and over saturated subject so anything I did would only ever run in line with what my work represents and offer something different, anything else doesn’t interest me and wouldn’t be authentic to my art.
The aim with this piece was to create something subtle, something with genuine class, where the real detail could actually be missed at first, instead taking it for simply a beautiful landscape scene. I didn’t intend to shout with this one, just to do it justice and I am so proud of the end result.
I loved the battles of Endor, it was the intensity of the fight set amongst such a rich forest setting that was such a contrast to those set within a ship for example. I wanted to suggest remnants of battles passed, to show how nature lives on, slowly taking back control against the harshness of the man-made objects. Continuing this concept of battles passed I felt it apt to include a subtle reference to those faced by the late Carrie Fisher. Less is more...
£395.00
From watching the earlier films as a family to making my Christmas list, writing down Argos catalogue codes whilst listening to Dire Straits and Eddie Grant - Star Wars evokes so many wonderful and vivid images of a brilliant childhood.
Taking on such a beast as this shouldn’t be under-estimated, anything must be done with authenticity, doing justice to an incredible narrative and to inspire a fan base like no other.
I would never confess to being an out-and-out die-hard Star Wars nerd, fair play to those who are but it is the earlier films that really appeal to me for the reasons above. This is why I feel comfortable and excited taking them on, and ultimately happier when doing so as I cherish my childhood and family more than ever now.
‘Battles Passed’ is my first landscape scene inspired by Star Wars and I am so proud of the end result. This is such an ultra-commercial and over saturated subject so anything I did would only ever run in line with what my work represents and offer something different, anything else doesn’t interest me and wouldn’t be authentic to my art.
The aim with this piece was to create something subtle, something with genuine class, where the real detail could actually be missed at first, instead taking it for simply a beautiful landscape scene. I didn’t intend to shout with this one, just to do it justice and I am so proud of the end result.
I loved the battles of Endor, it was the intensity of the fight set amongst such a rich forest setting that was such a contrast to those set within a ship for example. I wanted to suggest remnants of battles passed, to show how nature lives on, slowly taking back control against the harshness of the man-made objects. Continuing this concept of battles passed I felt it apt to include a subtle reference to those faced by the late Carrie Fisher. Less is more...
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MD Studios
1 Gransden Park, Potton Road, Abbotsley, Cambs, PE19 6TY United Kingdom
Tel: 01767 677559 Email: info@markdaviesbritishartist.co.uk
© 2024 Mark Davies British Artist.
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