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Moving up a decade and into the late 90s, what a film Guy Ritchie’s ‘Lock Stock & Two Smoking Barrels’ is. A classic example of an incredibly complex and clever plot that leaves your head all over the place even after you’ve watched it again. It’s genius!
I was drawn to creating a piece based on this film in the same way I was towards ‘Trainspotting’ because of it’s grittiness, quality cast with legendary quotes and also a stunning soundtrack. It has everything and again like I have found myself repeating over and over again to my daughter recently, what a truly great decade the 90s were for music as well as everything else!
Music always plays a big part in my artworks and consumes me whilst I am creating each piece - without doubt the bands from the 90s’ were just endless and listening to them all at full pelt almost meant me rupturing my tendon in my foot again but I came out of it unscathed! It is definitely one of those pieces with the intensity of the detail that makes the process all a bit of a blur!
The general consensus when hinting to others that I planned to take on this movie was for a decision not to be taken lightly, it’s an absolute beast of a film and one that consistently generated a twinkle in the eye before blurting out an often X-rated line from the film!
I took on this piece with the view of achieving the qualities of my ‘The Memory Remains’ piece where a street scene was completely littered with references with the backdrop displaying a mash up of iconic music albums from the era, to create something that you spend an absolute age seeking out all of the details, some blatant, some much more disguised.
Another quality was that there were so many great motors within the film, and I do love my cars! So, the question was which one would feature, being a football man and a Leeds United fan it had to be Vinnie Jones AKA Big Chris’s Rover, what a car and what a complete nutter!
This was a piece that had to be cool, gritty, naughty and a break from the whimsical and beautiful for sure. Without a doubt this was the film that I took the most notes from whilst re-watching, pages of quotes and random objects - I’m pretty sure that they all made it into the final cut, oh and yes I did dare to include it ;)
I hope you enjoy this piece as much as I do, it’s a deal, it’s a steal, it’s the sale of the... well you know the rest!
When workload allows Mark embraces client commissions and has enjoyed amazing success to date. If you have been inspired by the work that you have seen and have a specific idea or simply a seed then please do get in touch.
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So, my ‘RETROPLASM’ series has given me the opportunity to build on this and do something much less dark, although I couldn’t resist getting the blow torch out! ‘Grab Your Stick’ has transformed one of the coolest movie props that there has even been and made it, well I guess, funkier, and that’s before you turn the lights off – yep, the resin base glows in the dark whilst the neon paint also comes alive under lairy coloured light.
You are free to grab your stick, flick the switches and fire the sucker up! It will slam you right back to your childhood, just don’t cross the streams! Why not? Put simply, coz it’s bad, very bad! If you’re fuzzy on the whole good/bad thing, then maybe this will help. Try to imagine all life as you know it stopping instantaneously and every molecule in your body exploding at the speed of light.
Oh, but don’t stress too much, batteries are included!
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MD Studios
1 Gransden Park, Potton Road, Abbotsley, Cambs, PE19 6TY United Kingdom
Tel: 01767 677559 Email: info@markdaviesbritishartist.co.uk
© 2024 Mark Davies British Artist.
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